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Duo Baars Henneman & Dave Burrell: Trandans (Wig)

A concert of sophisticated and introspective improvisation from the long-running duo of multi-reedist Ab Baars performing on tenor sax, clarinet & shakuhacih, and viola player Ig Henneman, who invited NY pianist Dave Burrell to join them at a concert at the Bimhuis, Amsterdam for a sublime series of unhurried, delicate and reflective improvisations.
 

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product information:


UPC: 8713897904048

Label: Wig
Catalog ID: 25
Squidco Product Code: 25667

Format: CD
Condition: New
Released: 2017
Country: The Netherlands
Recorded at Bimhuis, in Amsterdam, Holland, on September 24th, 2016, by Micha de Kanter.


Personnel:

Ab Baars-tenor saxophone, clarinet, shakuhachi

Ig Henneman-viola

Dave Burrell-piano

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track listing:


1. Trandans 6:26

2. Fyllevagen 3:08

3. Dis vid Hulan 7:03

4. Laggarebo 12:02

5. De knutiga aplarna 3:22

6. Regn segel 4:26

7. Rassel runt brunnen 6:18

8. Korsekebacken 11:30
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improv, Free Jazz & Related
Trio Recordings
New in Improvised Music
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descriptions, reviews, &c.
"Dutch multi-reedist Ab Baars has been active, mostly in Europe, since the 1970s, recording for several labels on the continent and touring in both rock and jazz capacities. His unique style had been dubbed "Ab Music" by the late Misha Mengelberg with whom he had recorded Circus (Instant Composers Pool, 2006) along with Han Bennick. More recently he teamed with Ingrid Laubrock, Tom Rainey and violist Ig Henneman on Perch Hen Brock & Rain (Relative Pitch Records/Wig, 2016).Henneman again joins Baars on Trandans. The musical, and life partners had toured and recorded as Duo Baars-Henneman on Autumn Songs (Wig, 2013), their second duo release. Henneman has worked as a violist in orchestra settings as well as with her own rock group and jazz quintet and sextet. Dave Burrell needs little introduction. The pianist has worked in groups with saxophonists Archie Shepp and Pharoah Sanders, composed for a jazz opera and has been recording as a leader since 1968's High Won-High Two (Black Lion). He received high praise for his album Expansion (High Two, 2004) which featured William Parker and Andrew Cyrille.The duo invited Burrell to join them at a concert at the Bimhuis, Amsterdam, in September of 2016 where Trandans was recorded. The eight compositions are group improvisations that often center on Baars choice of instrument. The title track opens darkly with Burrell's well-spaced chords and notes and the drone of Henneman's viola. It takes on more shrill properties as Baars enters with the shakuhachi, a traditional Japanese flute whose sound can range from the depths of a didgeridoo to something akin to the braking of a subway train. "Fyllevägen" and "Dis vid Hulan" follow and, as with most of the album's material, the improvisations are more about textures, silence and tones rather than song structure.The first real explosion of sound occurs on "Laggarebo," a twelve minute improvisation played out in episodes that include Baars running the upper and lower registers of the tenor. Further into the piece, Henneman uses her viola as a fiddle for an unexpected bit of hoedown. Much of the closing "Korsekebacken" is given over to Burrell who essentially performs an avant-garde solo for much of the eleven-plus minutes before Baars joins in on clarinet.The live recording often segues from track to track without interruption and the audience is not heard until the set is completed. While there are melodic segments throughout, the parts are very open, but controlled. The overall tone is not at all harsh though the high ends of the flute, viola and piano working in tandem can occasionally be penetrating. Fortunately, these passages are limited and balanced with reflection. Trandans is interesting music with an audacious spirit."-Karl Ackermann, All About Jazz

"Sometimes it is better not to react, or, to be more precise, to react with silence. Listening to this delightful record by Ab Baars, Dave Burrell and Ig Henneman will help you to remember why. There are many great examples of silence as a suitable answer to be found on Trandans. My favourite episode in this adventure is the part where pianist Dave Burrell lays out for a long time, letting the viola of Ig Henneman and the shakuhachi and tenorsax of Ab Baars do the powerful and sometimes even frantic talking. I remember seeing Burrell sitting at the Bimhuis piano, hands in his lap, just listening, but listening with an almost manifest eagerness. It is only when Henneman and Baars end the wonderful pieces titled "Regn segel" (Rain sail) and "Rassel runt brunnen" (Jangle around the well) that Burrell starts to play, at another pulse and adding ideas from a different source like some stride piano, but still as an obvious reaction to what is happening. Henneman and Baars now prove their excellence by keeping their calm and staying collected till their turn comes. No, it is wrong to say it comes, they catch it, or rather, find it, create it, bringing it to life by being loving, attentive and determined. Their quiet re-entrance into the music is perfectly timed, we can hear that, but the brilliance of this trio is proved most powerful when we start to think about all the other moments they could have uttered a note and most certainly would have changed the direction of the music, maybe would even have ruined it. There are no ruins on Trandans, from beginning to end this is marvellous, improvised music. A music so marvellous that we tend to forget that it did not exist before Ab Baars, Dave Burrell and Ig Henneman stepped on the stage of the Bimhuis that one night in September. And which after that intriguing concert did exist only as a memory. Until now."-Mischa Andriessen


Get additional information at All About Jazz

Artist Biographies:

"Ab Baars (Magrette, 1955): Dutch musician-composer and bandleader Ab Baars performs on tenor saxophone, clarinet and shakuhachi. He focuses mainly on Ab Baars Solo, Baars-Buis, Fish Scale Sunrise, Perch Hen Brock & Rain, Ab Baars Trio, Duo Baars-Henneman and the ICP Orchestra.

In reviews Baars' music has been characterized as joyfully obstinate, but surely appealing and as colourful as it is astonishing. It embodies the best typically Dutch improvised music has to offer. Although he seldomly uses recognizable song forms or ongoing swing rhythms, the music stays catchy, because it is stripped to the essence and clearly presented.

Ab Baars has been internationally acclaimed for both his solo and ensemble music performed in hundreds of concerts throughout Europe, North America, Brasil, Japan and Australia in the past 30 years.

Some highlights:
▪ Ab Baars Trio tour Netherlands (2013 - 2014) recorded on Slate Blue (Wig 24, 2014)
▪ Duo Baars-Henneman Autumn Songs USA Tour (2012) recorded on Autumn Songs (Wig 22, 2013)
▪ Ab Baars Trio & New York Guests Fay Victor, Vincent Chancey and Dutch poet Anneke Brassinga in Invisible Blow (2011) recorded on Invisible Blow (Wig 23, 2014)
▪ Ab Baars Trio & Ken Vandermark (2007 and 2009), recorded on Goofy June Bug (Wig 15, 2008)
▪ Kinda Dukish. The music of Duke Ellington (2004), recorded on Kinda Dukish (Wig 12, 2005)
▪ Ab Baars Trio plays music of Native Americans (1999), recorded on Songs (Geestgronden, 2001)
▪ Ab Baars Trio with trombonist Roswell Rudd (1996 & 98), recorded on Four (DATA Records, 2001)
▪ Ab Baars Trio plays the music of John Carter, recorded on A Free Step (Geestgronden, 1999)
▪ Ab Baars Trio in collaboration with the Nieuw Ensemble, shakuhachi player Yoshikazu Iwamoto and conductor Butch Morris at the Festival Improvisations/Improvisations (1996)
▪ Ab Baars Trio with soprano saxophonist Steve Lacy (1995)

Influenced by the American saxophonist Roscoe Mitchell, whom he worked with in 1986, and by his participation in the Monk Project (performed by the Instant Composers Pool, directed by Misha Mengelberg), Baars adopted a very personal style, or 'ab music' as Misha Mengelberg calls it.

At the age of 15, Ab Baars began playing the saxophone in the Philips Marching Band and other local bands in the city of Eindhoven in the Netherlands. From 1976 to 1981, he studied saxophone with Leo van Oostrom at the Rotterdam Conservatory of Music. He was granted a scholarship by the Dutch Ministry of Culture in 1989 to study with clarinettist-composer John Carter in Los Angeles. That same year Baars was presented with the prestigious Boy Edgar Award. In 2005, Baars set out playing the shakuhachi (a Japanese end-blown bamboo flute) and took lessons with Kees Kort, Christopher Blasdel and Takeo Yamashiro.

So far, Ab Baars has worked with improvisers such as Han Bennink, Jaap Blonk, Alberto Braida, Anthony Braxton, John Carter, The Ex, Cor Fuhler, Ben Goldberg, Tristan Honsinger, François Houle, George Lewis, Michael Moore, Sunny Murray, Sonic Youth, Fabrizio Spera, Cecil Taylor, Roger Turner, Ken Vandermark, Veryan Weston, Wolter Wierbos, Michiyo Yagi, poets H.C. ten Berge and Diane Régimbald, dancers Beppie Blankert, Hisako Horikawa, Masako Noguchi and Katie Duck's Magpie Company."

-Wig (http://stichtingwig.com/abBaars/AbBaars.html)
7/18/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dutch musician-composer and bandleader Ig Henneman performs on viola, and writes compositions for orchestras, ensembles, soloists, including pieces for film and theater. As an improviser, she mainly focuses on the Ig Henneman Sextet, Duo Baars-Henneman and Perch Hen Brock & Rain.

According to critic Ed Hazell "... an artist incapable of remaining satisfied with any music that lies strictly within the boundaries of any one style. Her working free of received wisdom to an individual voice and clarity of vision is the exhilarating story told by the discs. (...) it's a beautiful, functioning musical world all it's own that Henneman developed organically out of poetry, jazz, classical, improvised music-and birdsong. (...) Melodies were entirely her own, again blending an ancient and modern sensibility similar to the Tentet recording and using rhythm and nonstandard intervals to shape and color them. (...) Not that she doesn't have chops, but she seems determined to subvert classical notions of instrumental prowess in favor of a deliberately simple approach with more emphasis on timbre and more directly expressive (perhaps this is a legacy of her rock experience?) (...) Here the deliberately awkward rhythms, the dry textures and subdued colors of her playing, the concentration of thought and her ability to pare down to essentials take on an intense vulnerability and humanity.(...) It is sound discovered and organized with no preconceived notions and it is both incredibly touching and intellectually thrilling at the same time."

As of 1985, Ig Henneman leads her own groups, showcasing improvisers as well as her own compositions, in hundreds of concerts throughout Europe, North America, Brasil and Japan.

Some highlights:

• in her series 'Solo Songs for Instruments' Henneman wrote In the Storm of Roses -Solo Song for violin with improvisation- for the German violinist Ayumi Paul, and for Dutch violinist Diamanda La Berge Dramm. And Ten Lines -Solo Song for viola with improvisation- for Elisabeth Smalt (2014-2015)
• European 2014 tour with Perch Hen Brock & Rain a totally improvised quartet featuring Ab Baars, Ig Henneman, Ingrid Laubrock and Tom Rainey
• Duo Baars-Henneman 'Autumn Songs' USA Tour (2012)
• Molot for marimba-solo played by Fredrike de Winter (2010, 2011)
• Ig Henneman Sextet plays 'Kindred Spirits' (2010), recorded on Cut a Caper (Wig 19, 2011)
• Chant for violin and piano played by Heleen Hulst and Gerard Bouwhuis (2010)
• Henneman, Henneman & De Swaan, Henneman String Quartet with harpist Godelieve Schrama (2004), recorded on Strepen - Music and Image in Concert (DVD and CD, Wig 10, 2004) Henneman String Quartet on Italian music (2001), recorded on Piazza Pia (Wig 07, 2002)
• Henneman String Quartet plays Westwerk (1997), a project on medieval music and architecture
• Ig Henneman Tentet plays 'De nachtegaal tijdens de slaap' (1995), recorded on Repeat that, repeat (Wig 03, 1995)
• Ig Henneman Tentet plays Emily Dickinson (1993), recorded on Dickinson (Wig 02, 1993)

Self-taught composer Ig Henneman received some years of coaching by Dutch composer Robert Heppener. Since the nineties the music of the Russian composers Galina Ustvolskaya en Sofia Gubaidulina has been an inspiration for Henneman, who is attracted by the extremes of the former's structural severity and the latter's improvisational freedom.

As a five year old, Ig Henneman took piano lessons; at eleven she began to play the violin as well. At the conservatory, she initially studied the piano, later she majored on the violin, but ultimately the viola became her instrument. Ig Henneman played in several symphony orchestras before co-founding the legendary rockband FC Gerania, which performed Henneman's first compositions. One of her early works is the soundtrack to the 1927 silent movie Baby Ryazanskye by Olga Preobrasjenskaja. Nowadays she is renowned for being one of the 'New Dutch Swing' improvisers of the Amsterdam scene as well as for being a prolific and much sought-after composer. She performs at venues and festivals in Europe, Japan and North America. Grants and commissions were given her by the Fonds voor de Scheppende Toonkunst, the Amsterdams Fonds voor de Kunst, the Fonds voor de Amateurkunst en de Podiumkunsten and the Dutch Ministry of Culture.

So far, Ig Henneman has worked with improvisers such as Ingrid Laubrock, Tom Rainey, Dave Burrell, Misha Mengelberg, Alberto Braida, Han Buhrs, Axel Doerner, Martin van Duynhoven, Katrien Ex, Lori Freedman, Mark Helias, Tristan Honsinger, François Houle, Wilbert de Joode, Theo Jörgensmann, Takuji Kawai, Peggy Lee, Marilyn Lerner, Sabina Meyer, Michael Moore, Phil Minton, Ernst Reijseger, Roswell Rudd, Fabrizio Spera, Roger Turner, Veryan Weston, Wolter Wierbos, dancers Hisako Horikawa and Masako Noguchi and poets Anneke Brassinga, H. C. ten Berge and Diane Régimbald."

-Wig (http://stichtingwig.com/igHenneman/igHenneman.html)
7/18/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Distinguished composer-pianist Dave Burrell is an African-American performing artist of singular stature on the international contemporary music scene. His dynamic compositions with blues and gospel roots recall the tradition of Jelly Roll Morton, James P. Johnson and Duke Ellington, as well avant garde composers Thelonious Monk and John Coltrane.

Dave and his parents moved from New York to Hawaii in 1946. After majoring in music at the University of Hawaii, he enrolled at Berklee College of Music in Boston, Massachusetts graduating with degrees in composition/arranging and performance in 1965. He moved to New York City, where he quickly established himself as one of the most innovative and original pianists, collaborating with the emerging leaders in contemporary jazz, joining the groups of saxophonists Marion Brown, Pharoah Sanders and Archie Shepp.

[...]

Dave Burrell has 40 recordings under his own name, among them High, High Two, Echo, La Vie de Boheme, After Love, In-Sanity, Only Me, Dreams, Black Spring, Lush Life, 'Round Midnight, Teardrops for Jimmy, Windward Passages, Daybreak, Brother to Brother, In Concert, Jelly Roll Joys, Esquisses for a Walk, Live at Caramoor, Changes and Chances, Recital, Expansion, Margy Pargy, Momentum, Dave Burrell Plays His Songs, No Fools No Fun, Dave Burrell Conception. Dave Burrell appears on 130 recordings, among them his pivotal recordings with tenor saxophonists Archie Shepp: Live from Pan-African Festival, There is a Trumpet in MySoul, Blasé, Kwanza, Attica Blues, Cry of My People, Montreaux One, Montreaux Two, Lover Man, Pharoah Sanders: Tauhid, Marion Brown: Jubalee, Three For Shepp, Live in Japan, David Murray: Hope Scope, Lovers, Deep River, Ballads, Spirituals, Remembrances, Lucky Four, Picasso, Windward Passages. Other important recordings are 360 Degree Music Experience: From Ragtime to No Time, In:sanity, Grachan Moncur: New Africa, Sunny Murray: Homage to Africa, Bob Stewart: Here and Now, and Consequences with drummer Billy Martin. The Inside Songs of Curtis Mayfield and Essence of Ellington with William Parker's Ensembles. Horo Records in Italy recently released a live duo recording, No Fools No Fun with Ellington-drummer Sam Woodyard from a 2 months long engagement in Paris (1979). Dave Burrell appears on the Argentine saxophonist Roberto Pettinato's Sony/Columbia Argentina Records releases Purity and Same Egg. A live duo recording with guitarist Garrison Fewell, New Earth to be released in 2015.

A frequent lecturer, Burrell's Master Classes include Strasbourg Conservatory, Tremblay Conservatory (Paris), Conservatoire Municipal (Paris), Guildhall School of Music and Dance (London), Columbia University, New York University, Queens College, Bard College, New York. University of Pennsylvania, Swarthmore College, Bryn Mawr College, Duquesne University, School of Music, Pennsylvania. Brandeis University, Massachusetts. Rice University, Houston, Texas. DePauw University, Indiana. Library of Congress and Kennedy Center, Washington, D.C. Burrell's most recent commissions include Rosenbach Museum and Library, Philadelphia, and Whitney Museum, New York City.

Dave Burrell is the recipient of numerous grants and awards including National Endowment for the Arts, Philadelphia Music Foundation, William J. Cooper Foundation, New York State Council on the Arts, Pennsylvania State Council on The Arts, MidAtlantic Foundation, John Garcia Gensel Award, and the Pew Fellowship in Jazz Composition. Dave Burrell joined the Steinway Artist Roster (www.Steinway.com) in 2007."

-Dave Burrell Website (http://www.daveburrell.com/frameset.html)
7/18/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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