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Duthoit, Isabelle / Franz Hautzinger: Lily (Relative Pitch)

French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger.
 

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product information:


UPC: 616892487746

Label: Relative Pitch
Catalog ID: RPR1060
Squidco Product Code: 24178

Format: CD
Condition: New
Released: 2017
Country: USA
Packaging: Digipack
Recorded at West Parker Studios, in Brooklyn, New York, on March 12th, 2015, by Jim Clouse; track 9 recorded at Crossroads Music, in Philadelphia, Pennsylvania, on March 21st, 2015, by Bill Houston.


Personnel:

Isabelle Duthoit-voice

Franz Hautzinger-trumpet

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track listing:


1. Musette 4:26

2. Echoes Of Light 10:47

3. Zefir 13:20

4. Jaspe 3:55

5. Aventurine 6:24

6. The South Cliff Of The Lagoon 2:51

7. Un Serpent Dans La Nuit 3:58

8. Larimar 4:18

9. Live In Philly 14:15
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Unusual Vocal Forms
Duo Recordings
lowercase, micro-improv, sound improv
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descriptions, reviews, &c.

French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger.


Artist Biographies:

"Classically-trained Isabelle Duthoit works with various ensembles and composers, primarily in the world of free improvisation. Using her voice, she has developed a unique singing technique, and to that end has sung in improvised solo settings and in duet with Phil Minton. In 2008, she was a resident at the Villa Kujoyama in Kyoto (Japan) to perform a solo vocal performance in relation to the sound world of Noh and Bunraku theater. From 1995 to 2005, she has been committed to the creation and improvised music by creating Fruits Festival Mhère "fields of improvisation" with Jacques Di Donato. Since 1997, she has taught clarinet and improvisation at the Conservatoire Departmental Evry in Essonne, France."

-Nuscope Records (http://nuscope.org/musicians/isabelle-duthoit/)
10/11/2017

"Detours often lead to more thrilling goals because they open up new perspectives. Franz Hautzinger has taken long and bendy detours and turned to many dead ends, he has spent years without instrumental activity and has made a hopeful new start. All this, those victories and defeats, this "History from the Total Crash to 'Emergency Individualism'", as he himself described it, made Franz Hautzinger the highly profiled musical personality that he is today.

Born on March 11, 1963 in Seewinkel, Burgenland, a Hannibal Marvin Peterson concert at Jazzgalerie Nickelsdorf was the young trumpeter's "awakening experience". He studied at the Jazz department of today's Art University in Graz from 1981 to 1983 until lip palsy forced him to take a six year total break from trumpeting. After moving to Vienna in 1986 he started in 1989 to explore the trumpet in his very own and un-academic way. He became attached to the circles around Christoph Cech and Christian Mühlbacher, played in the Big Band "Nouvelle Cuisine" and the octet "Striped Roses"; the CD "Zong of se Boboolink", which he recorded with saxophonist Helge Hinteregger and which was influenced by sampler collages was the first personal CD statement. His 10 month stay in London provided new ideas and contacts, amongst others Kenny Wheeler, Henry Lowther, John Russel, and Steve Noble. Hautzinger assimilated the stimuli in very different ways: in "Regenorchester" ("Rain Orchestra") with its changing instrumentation, in the quartet with Helge Hinteregger, Oren Marshall and Steve Noble as well as in the trio "Speakers' Corner" with guitarist Martin Siewert and drummer Wolfgang Reisinger.

The conscious decision to avoid electronic sound sources but to still comprehend the development of digital music on the trumpet - the quarter tone trumpet purchased in 1997 - were decisive stages for the creation of Franz Hautzinger's sensational solo trumpet CD "Gomberg" (2000) on which he presented this new until then unheard cosmos of sound that he had developed on his instrument. Hautzinger positioned himself with "Gomberg" at the front line of the international improvisation avant-garde; collaborations and CD records with Derek Bailey, the "AMM" veterans Keith Rowe and John Tilbury as well as Axel Dörner, Christian Fennesz or Otomo Yoshihide, and Sachiko M followed. The step into the world of decelerated sound microscopy and from 2003 on the re-discovery of musical sensualism, the confrontation of his trumpet sounds with groove and tunes ("Regenorchester XI" and XII) can be considered as important stages in his development. Franz Hautzinger teaches at the Vienna Music University since 1989, is a member of the Berliner Ensemble "Zeitkratzer" since 1999 and received comissions from Klangforum Vienna amongst others. He is a globetrotter whose unmistakeable musical signature is known from Vienna to Berlin, London to Beirut, or in Tokyo, New York, and Chicago. Franz Hautzinger has shown that even in times where postmodernism is history an instrument can still be reinvented."-(Andreas Felber, translated by Astrid Donaubauer)

-Franz Hautzinger Website (http://www.franzhautzinger.com/PR_Bio.htm)
10/11/2017

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