Originally developed for the soundtrack to Sean Martin and Louise Milnes 2011 documentary, "A Boat Retold", vocalist Maggie Nichols and pianist Peter Urpeth revisited the material for album release, creating this wonderful pair of extemporaneous, otherworldly narratives.
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Catalog ID: FMRCD438-0217
Squidco Product Code: 24085
Recorded at the Vortex, in London, England.
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1. Track 1 13:20
2. Track 2 14:53
Piano & Keyboards
Unusual Vocal Forms
London & UK Free Improvisation Scene
New in Improvised Music
Recent Releases and Best Sellers
sample the album:
"These duo improvisations were originally made for the development of the soundtrack for Sean Martin and Louise Milnes 2011 documentary, A Boat Retold. A few short sequences made the final cut. Fortunately, we can hear on this album something close to its initial and fully realized form: a pair of aqueous, intimate and mesmerizing extemporaneous suites. Maggie Nicoles, I'm told, came to the title--or the title came to her--after re-listening to the recordings. The music she and Peter Urpeth share combines the exploratory and the attentive, shifting between moments of assertion and accommodation, of provocation and conversation, of sounding out and listening in. The phrase Other Worlds suggest not only a combination of allure and unknowing, of the worldly and the strange, but also a search by the duo for its own nascent, unfolding narrative, sound-tracking their mutual reach toward each other's soundworlds and outward, together: an opening up to the textures and audible flows of the living worlds around them. [...]"-Kevin McNeilly, from the liner notes
• Show Bio for Maggie Nicols
"Maggie Nicols (or Nichols, as she originally spelled her name as a performer) (born 24 February 1948), is a Scottish free-jazz and improvising vocalist, dancer, and performer.
Nicols was born in Edinburgh as Margaret Nicholson. Her father was from the Isle of Lewis, and her mother is half-French, half-Berber from North Africa. At the age of fifteen she left school and started to work as a dancer at the Windmill Theatre. Her first singing engagement was in a strip club in Manchester at the age of sixteen. At about that time she became obsessed with jazz, and sang with bebop pianist Dennis Rose. From then on she sang in pubs, clubs, hotels, and in dance bands with some of the finest jazz musicians around. In the midst of all this she worked abroad for a year as a dancer (including a six-month stint at the Moulin Rouge in Paris).
In 1968, she went to London and joined (as Maggie Nichols) an early improvisational group, the Spontaneous Music Ensemble, with John Stevens, Trevor Watts, and Johnny Dyani, and the group performed that year at Berlin's then new avant-garde festival, Total Music Meeting. In the early 1970s she began running voice workshops at the Oval House Theatre (one of the most important centres for pioneer fringe theatre groups). She both acted in some of the productions and rehearsed regularly with a local rock band. Shortly afterwards she became part of Keith Tippett's fifty-piece British jazz/progressive rock big band Centipede, which included Julie Tippetts, Phil Minton, Robert Wyatt, Dudu Pukwana, and Alan Skidmore. Tippetts, Minton, and Nicols also joined Brian Eley to form the vocal group Voice. Around the same time Nicols began collaborating with the Scottish percussionist Ken Hyder (who had recently moved to London) and his band Talisker.
Maggie Nicols recorded an album with the vocalist Julie Tippetts called Sweet and S'Ours which was an FMP]] import.
By the late 1970s, Nicols had become an active feminist, and co-founded the Feminist Improvising Group, which performed across Europe, with Lindsay Cooper. She also organised Contradictions, a women's workshop performance group that began in 1980 and dealt with improvisation and other modes of performance in a variety of media including music and dance. Over the years, Nicols has collaborated with other women's groups, such as the Changing Women Theatre Group, and even wrote music for a prime-time television series, Women in Sport.
Nicols has also collaborated regularly over the years with Swiss pianist Irene Schweizer and French bassist Joelle Leandre, including tours and three recordings as the trio "Les Diaboliques". Her collaboration with Ken Hyder also continues; the duo incorporate elements of the traditional tunes of their shared Scottish background into jazz improvisations in their most recent project, Hoots and Roots Duo. She has worked with pianists Pete Nu and Steve Lodder, with her own daughter, Aura Marina, with avant-gardists Caroline Kraabel and Charlotte Hug, and with lighting designer Sue Neal in Light and Shade. She performed internationally for several decades, including the Zürich and the Frankfurt "Canaille" festivals, the Victoriaville Festival. She gave solo performances at the Moers Music Festival, the Cologne Triennale, and a number of other creative and improvised music festivals."-Wikipedia (https://en.wikipedia.org/wiki/Maggie_Nicols)
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• Show Bio for Peter Urpeth
"Peter Urpeth has more than 30 years experience in the creative industries and in creative talent development. He is co-Director of Emergents Creatives - a social enterprise company funded by HIE and Creative Scotland - that supports and nurtures creative careers and the creative economy in the Highlands and Islands of Scotland, with particular focus on the writing, publishing, fashion, craft, design and textiles sectors.
Originally Peter Urpeth was a jazz musician (pianist) working in free improvisation, and he has worked with some of the leading European musicians of the age including Evan Parker, Maggie Nicols, John Russell and Lol Coxhill. In the 1980s and 90s Peter Urpeth expanded his music career into journalism and artist management, becoming a music editor at Time Out magazine when it was the second highest selling consumer magazine title in Europe, and manager of the internationally renowned South African township pianist, Dollar Brand (Abdullah Ibrahim). In 1989, Peter Urpeth organized the first UK tour of South African township musicians in the Apartheid era, bringing Abdullah Ibrahim's Ekaya to play 13 sell-out nights at London's Jazz Cafe, to considerable critical and political acclaim.
In the 1990s Peter Urpeth started working in music in theatre, performing live music to Steve Berkoff's Fall of The House of Usher and winning a Perrier Award at the Edinburgh Fringe for a musical with Donald Swann (Flanders & Swann). Later he would compose and perform nine further shows at Edinburgh Fringe before starting to write drama for stage performance. He was a regular performer in pantos, including accompanying Barbara Windsor in various seasonal melodies. As a journalist, Peter continued to cover the European and US new music scene, and he had international success with (front cover features for Jazz Hot, Paris, Jazz UK etc) his interviews with New York jazz musicians including John Zorn & Geri Allen, and a few articles that came from spending 8 days flat sharing in the company of young, unknown graphic artist Matt Groening.
Fiction and poetry quickly followed the interest in drama, and in the mid 1990s Peter's poetry was first published in journals and magazines. Peter moved to Scotland and became a freelance arts journalist for The Herald and The Scotsman whilst working as a housing and homelessness advisor for Shelter. Peter's interviews with traditional Gaelic singers began appearing in leading folk and world music magazines in the late 1990s, including regular front cover features for Folk Roots and The Wire.
In 1999 Peter became the editor of the Stornoway Gazette and a feature writer for The Observer. In 2002 Peter founded his own local newspaper, The Hebridean, selling it to its rival title two years later.
In 2003, Peter Urpeth was awarded a Scottish Arts Council Writers Bursary and in 2006 his first novel, Far Inland, was published by Birlinn Polygon. In 2004, Peter became Talent Development Manager for HI-Arts, the arts development agency for the north of Scotland, developing Emergents Creatives after its closure.
In 2012, Peter Urpeth delivered one of the 100 Nights for John Cage concerts - the international celebration of composer John Cage's centenary - and a performance that was broadcast live from Stornoway to New York, and was heard by over 750,000 radio listeners in the States.
Peter Urpeth is currently working (with comedian Stewart Lee) on a biography of the jazz musician Evan Parker, and self-publishes digital poetry pamphlets. Recent music activity has included two major commissions for new scores and performances to silent, b&w vampire movies (Nosferatu and Vampyr) as part of the Faclan Festival."-Power to the Pixel (http://www.powertothepixel.com/events-and-training/pttp-events/london-forum-2009/speaker/peter-urpeth-2/)
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