These recordings of pieces by John Cage were made at a performance called Silence & Transmission led by Peter Upreth conducting an ensemble of four performers using radios and voice, held at An Lanntair Arts Centre, Stornoway on the Isle of Lewis in the Outer Hebrides on 20th September 2012, as part of the celebrations for Cage's centenary.
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Recorded at Silence and Transmission at the An Lanntair Arts Centre, in Stornoway, Isle Of Lewis, UK, on September 20th, 2012
Peter Urpeth-conductor, radio
John Cavanagh-radio, voice
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1. Radio Music 6:23
2. Imaginary Landscape No. 5 3:04
3. Speech 41:46
Sound, Noise, &c.
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"In September 2012, Peter Urpeth will lead a concert at An Lanntair, Stornoway, to mark the centenary of the birth of John Cage (Sept. 5, 1912) and the 20th anniversary of his death (Aug. 12, 1992).
The program will include a performance of Cage's Radio Music (1956), a piece that is to be performed as a solo or ensemble for 1 to 8 performers, each at one radio. Also on the program will be Cage's Music for Piano 26-36 & 37-52 (1955), Music for Piano 69-84 (1960), 4'33" (1952), and Imaginary Landscape No. 5 (1952) all receiving their first performances in the Outer Hebrides.
In a recent blog, Peter Urpeth also spoke a bit about Cage's Radio Music as being a kind of endangered species in the UK:
"-John Cage Trust
• Show Bio for Peter Urpeth
"Peter Urpeth has more than 30 years experience in the creative industries and in creative talent development. He is co-Director of Emergents Creatives - a social enterprise company funded by HIE and Creative Scotland - that supports and nurtures creative careers and the creative economy in the Highlands and Islands of Scotland, with particular focus on the writing, publishing, fashion, craft, design and textiles sectors.
Originally Peter Urpeth was a jazz musician (pianist) working in free improvisation, and he has worked with some of the leading European musicians of the age including Evan Parker, Maggie Nicols, John Russell and Lol Coxhill. In the 1980s and 90s Peter Urpeth expanded his music career into journalism and artist management, becoming a music editor at Time Out magazine when it was the second highest selling consumer magazine title in Europe, and manager of the internationally renowned South African township pianist, Dollar Brand (Abdullah Ibrahim). In 1989, Peter Urpeth organized the first UK tour of South African township musicians in the Apartheid era, bringing Abdullah Ibrahim's Ekaya to play 13 sell-out nights at London's Jazz Cafe, to considerable critical and political acclaim.
In the 1990s Peter Urpeth started working in music in theatre, performing live music to Steve Berkoff's Fall of The House of Usher and winning a Perrier Award at the Edinburgh Fringe for a musical with Donald Swann (Flanders & Swann). Later he would compose and perform nine further shows at Edinburgh Fringe before starting to write drama for stage performance. He was a regular performer in pantos, including accompanying Barbara Windsor in various seasonal melodies. As a journalist, Peter continued to cover the European and US new music scene, and he had international success with (front cover features for Jazz Hot, Paris, Jazz UK etc) his interviews with New York jazz musicians including John Zorn & Geri Allen, and a few articles that came from spending 8 days flat sharing in the company of young, unknown graphic artist Matt Groening.
Fiction and poetry quickly followed the interest in drama, and in the mid 1990s Peter's poetry was first published in journals and magazines. Peter moved to Scotland and became a freelance arts journalist for The Herald and The Scotsman whilst working as a housing and homelessness advisor for Shelter. Peter's interviews with traditional Gaelic singers began appearing in leading folk and world music magazines in the late 1990s, including regular front cover features for Folk Roots and The Wire.
In 1999 Peter became the editor of the Stornoway Gazette and a feature writer for The Observer. In 2002 Peter founded his own local newspaper, The Hebridean, selling it to its rival title two years later.
In 2003, Peter Urpeth was awarded a Scottish Arts Council Writers Bursary and in 2006 his first novel, Far Inland, was published by Birlinn Polygon. In 2004, Peter became Talent Development Manager for HI-Arts, the arts development agency for the north of Scotland, developing Emergents Creatives after its closure.
In 2012, Peter Urpeth delivered one of the 100 Nights for John Cage concerts - the international celebration of composer John Cage's centenary - and a performance that was broadcast live from Stornoway to New York, and was heard by over 750,000 radio listeners in the States.
Peter Urpeth is currently working (with comedian Stewart Lee) on a biography of the jazz musician Evan Parker, and self-publishes digital poetry pamphlets. Recent music activity has included two major commissions for new scores and performances to silent, b&w vampire movies (Nosferatu and Vampyr) as part of the Faclan Festival."-Power to the Pixel (http://www.powertothepixel.com/events-and-training/pttp-events/london-forum-2009/speaker/peter-urpeth-2/)
^ Hide Bio for Peter Urpeth
• Show Bio for John Cage
"John Milton Cage Jr. (September 5, 1912 - August 12, 1992) was an American composer, music theorist, writer, philosopher, and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Cage is perhaps best known for his 1952 composition 4′33″, which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aesthetics of art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. The best known of these is Sonatas and Interludes (1946-48).
His teachers included Henry Cowell (1933) and Arnold Schoenberg (1933-35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text on changing events, became Cage's standard composition tool for the rest of his life. In a 1957 lecture, Experimental Music, he described music as "a purposeless play" which is "an affirmation of life - not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living"."-Wikipedia (https://en.wikipedia.org/wiki/John_Cage)
^ Hide Bio for John Cage
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