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Label: Les Disques Victo
Catalog ID: CD 009
Squidco Product Code: 23940
Packaging: Jewel Case
Recorded live at the 7th "Festival International De Musique Actuelle De Victoriaville", 6th to 9th October 1989
Davey Williams-electric guitar
Ladonna Smith-viola, voice
Ned Rothenberg-alto saxophone
Lindsay Cooper-bassoon, alto saxophone, sopranino saxophone
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1. Taxi Round The Brim Of A Hat 2:05
2. Phosphorescent Camouflage 4:04
3. Nightbird Shadow Blue 5:54
4. Hans Reichel Northern Monologue (Green Version) 8:20
5. Hans Reichel Northern Monologue (Blue Version) 3:20
6. The First And Last Feeling 11:04
7. Power Lines 5:05
8. Mookie 4:54
9. Crunchtime 7:08
10. Nicosh 15:34
descriptions, reviews, &c.
• Show Bio for Hans Reichel
"Hans Reichel (May 10, 1949 - November 22, 2011) was a German improvisational guitarist, experimental luthier, inventor, and type designer.
Reichel was born in Hagen, Germany. He began to teach himself violin at age 7, playing in the school orchestra until age 15. Around age 15, he began to play guitar and became interested in rock music, including The Beatles, The Rolling Stones, and later, Frank Zappa, Cream, and Jimi Hendrix. Reichel played in various groups before giving up music for a time while studying graphic design and working as a typesetter.
He came back to music in the early 1970s, when he recorded a tape of guitar music. This recording was sent to the jury of the German Jazz Festival in Frankfurt, where he was asked to appear in a special concert for newcomers. Discussions with Jost Gebers, the founder of Free Music Production (FMP), led to release of Reichel's music on the label, his first release being Wichlinghauser Blues in 1973.
The majority of Reichel's body of work consists of solo recordings, along with performances in smaller group settings. He recorded duets with a wide variety of musicians, including accordionist Rüdiger Carl, cellist Tom Cora, percussionist EROC, and a number of guitarists including Kazuhisa Uchihashi and Fred Frith. Reichel was also a member of the September Band (along with vocalist Shelley Hirsch, Rüdiger Carl, and drummer Paul Lovens), and also performed with larger ensembles led by the likes of saxophonist Thomas Borgmann and Butch Morris, an avante-garde conductor.
Due to the limited distribution of FMP, Reichel's music has never much been heard, especially in the United States. Smaller, independent labels such as Rastascan, Table of the Elements, and Intakt have issued some of his recordings in North America. Despite this limited exposure, Reichel was featured in Bart Hopkin's Gravikords, Whirlies & Pyrophones, a book and CD released in 1996, devoted to experimental musical instruments. He was also named among the "30 Most Radical Guitarists" in a 1997 issue of Guitar Player magazine.
Hans Reichel died in Wuppertal, aged 62, in November 2011.
He should not be confused with the painter Hans Reichel (1892-1958), a friend of both Henry Miller and Alfred Perles.
Reichel constructed and built several variations of guitars and basses, most of them featuring multiple fretboards and unique positioning of pickups and 3rd bridges. The resulting sounds exceeded the range of conventional tuning and added unusual effects, from odd overtones to metallic noises, to his play.A variety of daxophone tongues
His Daxophone is a single wooden blade fixed in a block containing a contact microphone, which is played mostly with a bow."-Wikipedia (https://en.wikipedia.org/wiki/Hans_Reichel)
^ Hide Bio for Hans Reichel
• Show Bio for Ned Rothenberg
"Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 33 years on 5 continents. He performs primarily on alto saxophone, clarinet, bass clarinet, and the shakuhachi - an endblown Japanese bamboo flute. His solo work utilizes an expanded palette of sonic language, creating a kind of personal idiom all its own. In an ensemble setting, he leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla, works with the Mivos string quartet playing his Quintet for Clarinet and Strings and collaborates around the world with fellow improvisors. Recent recordings include this Quintet, The World of Odd Harmonics, Ryu Nashi (new music for shakuhachi), and Inner Diaspora, all on John Zorn's Tzadik label, as well as Live at Roulette with Evan Parker, and The Fell Clutch, on Rothenberg's Animul label."-Ned Rothenberg Website (http://www.nedrothenberg.com/short&extended_biography.html)
^ Hide Bio for Ned Rothenberg
• Show Bio for Lindsay Cooper
"Lindsay Cooper (3 March 1951 Ð 18 September 2013) was an English bassoon and oboe player, composer and political activist. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the Pedestrians. She collaborated with a number of musicians, including Chris Cutler and Sally Potter, and co-founded the Feminist Improvising Group. She wrote scores for film and TV and a song cycle Oh Moscow which was performed live around the world in 1987. She also recorded a number of solo albums, including Rags (1980), The Gold Diggers (1983) and Music For Other Occasions (1986).
Cooper was diagnosed with multiple sclerosis in the late 1970s, but did not disclose it to the musical community until the late 1990s when her illness prevented her from performing live. In September 2013, Cooper died from the illness at the age of 62, 15 years after her retirement."-Wikipedia (https://en.wikipedia.org/wiki/Lindsay_Cooper)
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• Show Bio for Maggie Nicols
"Maggie Nicols (or Nichols, as she originally spelled her name as a performer) (born 24 February 1948), is a Scottish free-jazz and improvising vocalist, dancer, and performer.
Nicols was born in Edinburgh as Margaret Nicholson. Her father was from the Isle of Lewis, and her mother is half-French, half-Berber from North Africa. At the age of fifteen she left school and started to work as a dancer at the Windmill Theatre. Her first singing engagement was in a strip club in Manchester at the age of sixteen. At about that time she became obsessed with jazz, and sang with bebop pianist Dennis Rose. From then on she sang in pubs, clubs, hotels, and in dance bands with some of the finest jazz musicians around. In the midst of all this she worked abroad for a year as a dancer (including a six-month stint at the Moulin Rouge in Paris).
In 1968, she went to London and joined (as Maggie Nichols) an early improvisational group, the Spontaneous Music Ensemble, with John Stevens, Trevor Watts, and Johnny Dyani, and the group performed that year at Berlin's then new avant-garde festival, Total Music Meeting. In the early 1970s she began running voice workshops at the Oval House Theatre (one of the most important centres for pioneer fringe theatre groups). She both acted in some of the productions and rehearsed regularly with a local rock band. Shortly afterwards she became part of Keith Tippett's fifty-piece British jazz/progressive rock big band Centipede, which included Julie Tippetts, Phil Minton, Robert Wyatt, Dudu Pukwana, and Alan Skidmore. Tippetts, Minton, and Nicols also joined Brian Eley to form the vocal group Voice. Around the same time Nicols began collaborating with the Scottish percussionist Ken Hyder (who had recently moved to London) and his band Talisker.
Maggie Nicols recorded an album with the vocalist Julie Tippetts called Sweet and S'Ours which was an FMP]] import.
By the late 1970s, Nicols had become an active feminist, and co-founded the Feminist Improvising Group, which performed across Europe, with Lindsay Cooper. She also organised Contradictions, a women's workshop performance group that began in 1980 and dealt with improvisation and other modes of performance in a variety of media including music and dance. Over the years, Nicols has collaborated with other women's groups, such as the Changing Women Theatre Group, and even wrote music for a prime-time television series, Women in Sport.
Nicols has also collaborated regularly over the years with Swiss pianist Irene Schweizer and French bassist Joelle Leandre, including tours and three recordings as the trio "Les Diaboliques". Her collaboration with Ken Hyder also continues; the duo incorporate elements of the traditional tunes of their shared Scottish background into jazz improvisations in their most recent project, Hoots and Roots Duo. She has worked with pianists Pete Nu and Steve Lodder, with her own daughter, Aura Marina, with avant-gardists Caroline Kraabel and Charlotte Hug, and with lighting designer Sue Neal in Light and Shade. She performed internationally for several decades, including the Zürich and the Frankfurt "Canaille" festivals, the Victoriaville Festival. She gave solo performances at the Moers Music Festival, the Cologne Triennale, and a number of other creative and improvised music festivals."-Wikipedia (https://en.wikipedia.org/wiki/Maggie_Nicols)
^ Hide Bio for Maggie Nicols
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