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Belorukov, Ilia / Kurt Liedwart / Abdul Moimeme / Ernesto Rodrigues: Kletka (Creative Sources)

Creative Sources regulars Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar join the long-running duo of alto saxophonist Ilia Belorukov and electronics artist and Mikroton label-leader Kurt Liedwart to record these two lowercase electroacoustic improvisations, transmuting acoustic and electronic sound in both stark and subdued ways.
 

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product information:


UPC: 5609063404289

Label: Creative Sources
Catalog ID: cs428
Squidco Product Code: 23929

Format: CD
Condition: New
Released: 2017
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Smup, Parede on March 8th, 2016 by Ilia Belorukov.


Personnel:

Ilia Belorukov-alto saxophone

Kurt Liedwart-electronics

Abdul Moimeme-electric guitar

Ernesto Rodrigues-viola

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Artist Biographies:

"Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He's a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!rec label (www.spinarec.bandcamp.com). Organizer of events in Russia, co-organizer of the SpinaFest and Teni Zvuka festivals in Saint-Petersburg. He writes reviews for his own blog on Syg.ma, was reviewer of Contemporary Music, Music & Time, Topot and GEZeta journals.

Ilia had played with such musicians as Keith Rowe, Alfredo Costa Monteiro, David Stackenas, Radu Malfatti, Lucio Capece, Jason Kahn, Birgit Ulher, Ignaz Schick, Jonas Kocher, Gaudenz Badrutt, Stefan Thut, Arturas Bumsteinas, Thomas Buckner, Bryan Eubanks, Jack Wright, Andrew Drury, Andrey Popovskiy, Alexei Borisov, Kurt Liedwart and many others. Released his works on labels Copy For Your Records, Ilse, Cabin Floor Esoterica (USA), Hideous Replica (UK), Creative Sources (Portugal), QuasiPop (Ukraine), 1000fussler (Germany), Mikroton, Intonema, Spina!Rec (Russia) and many others.

He participated in various festivals: SKIF, Teni Zvuka, Aposition, ReMusik (Saint-Petersburg); Noise & Fury, Long Arms, Tilde 2 (Moscow); Budapest Spring Festival (Budapest); Gogolfest (Kiev); Jauna Muzika (Vilnius & Klaipeda); Angelica (Bologna); Baba Fest (Rome); Altera Festival (Naples); Jazz Bez (Lvov); John Cage Year (Lublin); Theses (Kemerovo); Helsinki City Festival, Chance Meeting (Helsinki) etc."

-Ilia Belorukov Website (http://belorukov.blogspot.com/p/bio_8023.html)
9/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kurt Liedwart, born in 1977 in Moscow, USSR, is an artist, improviser, music producer, label owner and founder of the Moscow-based experimental and electroacoustic improvised music label Mikroton Recordings. He has developed his own art and sound that cross genres, mixing music practices such as electroacoustic and improvised music, noise and glitch, and art movements such as actionism and Fluxus. He plays a wide-ranging array of instruments such as analog synthesizers, electronics, light-controlled electronics, electromagnetic devices, laptop, sinewaves, field recordings, percussion processed electronically in real time.

Plays and records solo and in various formations with Martin Taxt, Arturas Bumšteinas, Ernesto Rodrigues, Guilherme Rodrigues, Nuno Torres, Abdul Moimême, Julien Ottavi, Heddy Boubaker, Alexandre Losada, Jason Kahn, Burkhard Beins, Alexander Markvart, Sergey Kostyrko, Birgit Ulher, Gregory Büttner, Piotr Tkacz, Gerard Lebik, Annette Krebs, Klaus Filip, Noid, Norbert Möslang, Keith Rowe, Alfredo Costa Monteiro, Miguel A. Garcia, Xavier Lopez, Dmitry Krotevich, Nicola Ratti, Alberto Boccardi, Hannes Lingens, Pierre Borel, Radu Malfatti, Alexei Borisov, Ignaz Schick, Stefano Pilia, Thomas Buckner, Ilia Belorukov, Andrey Lomakin, Edita Fyl, Oleg Makarov, Phil Raymond, Bruno Duplant, Pedro Chambel, Andrey Popovsky, Konstantin Sukhan, Alexey Sysoev, Brinstaar, Denis Sorokin, Paul Roth, Ian Douglas-Moore and others.

Various recordings released on his own Mikroton Recordings as well as on Intonema, Hideous Replica, Copy For Your Records and so on.

Played at various festivals: Abracadabra (Moscow), Noise & Fury 2008 (Moscow), XXII Festival Of Modern Art (Bryansk), Love Live Electronic Festival (Moscow), Ru.Noise 2009 (Kiev), Ad Libitum 4 Festival (Warsaw), Ruby Attack Festival (Moscow), Prepared Environments on Prepared Wednesdays 2010: Informal Tribute to John Cage (Moscow), Prepared Environments on Prepared Wednesdays 2011 (Moscow), Poetronica 2010 (Moscow), Poetronica 2011 (Moscow), Teni Zvuka 2011 (Saint-Petersburg), Noise & Fury 2011 (Moscow), Alt+E Fest 2011 (Moscow), Prepared Environments 2012 (Moscow), Teni Zvuka 2013 / Mikroton Live 2 (2013 | Moscow, Saint-Petersburg), Prepared Environments 2013 (Moscow), Noise & Fury 2013 (Moscow, Yaroslavl, Saint-Petersburg), Teni Zvuka 2014 / Mikroton Live 3 (2014, Moscow, Saint-Petersburg), Der blöde dritte Mittwoch (2014, Vienna), Music Of Now (2015, Saint-Petersburg), Escucha! (2016, Madrid).

As a music critic he wrote for Billboard Russian Edition, Electronic Music Magazine, Contemporary Music Magazine, Tonschrift., Colta."

-Mikroton (http://mikroton.net/recordings/index.php/artists/kurt-liedwart/)
9/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Abdul Moimême was born in Lisbon, in 1959, moving at an early age to New Mexico and later to Dublin, Ireland. He began studying the guitar at the age of 11, studying under various private teachers, in Madrid, Spain.

In 1979 he moved to Boston to study architecture, finally completing his degree at the University of Lisbon.

In the 90's he began studying the tenor saxophone with Patrick Brennan. In this period he became actively involved with Lisbon's improvised and alternative rock scenes, performing frequently with the Variable Geometry Orchestra since it's creation in 2003, as well as with various other local projects.

His main musical partners are from Lisbon and Porto, but he has also performed in public concerts with such artists as Gale Brand, George Haslam, Jon Raskin, Ken Filiano, Patrick Brennan, Steve Adams, and Wade Matthews.

In 1999 he started writing about jazz in various Portuguese publications and is currently a permanent collaborator of Jazz.pt magazine, and Publico newspaper, as a critic.

In 2006 he created Freemusic (http://freemusic.podomatic.com), a space exclusively dedicated to the promotion of Portuguese improvised music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
9/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
9/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. 26:40 26:52

2. 7:25 7:26
sample the album:






descriptions, reviews, &c.

" [...] Rodrigues had actually recorded with Liedwart earlier last year in Lisbon, in a quartet with Ilia Belorukov (prepared alto sax, from St. Petersburg) & Abdul Moimême (a frequent Rodrigues collaborator, on guitar). Skiagraphía can thus be regarded as something of a followup to their album, Kletka ("cell"). I had likewise heard Belorukov with Liedwart (here on "ppooll" electronics system) & Rowe, and both his & Moimême's contributions do add a distinctive quality. As with many Creative Sources albums, Kletka is generally quiet however, making for a broad & often desolate landscape punctuated by big growls & roaming whistles, building only to a fully dynamic presence in the last few minutes. I do (especially) value that conclusion, but most of the album involves the sort of "straining to hear" dynamic that I don't necessarily enjoy. That said, perhaps the most stimulating earlier interactions for the quartet are when the (assisted) wind resonance seems to engulf or infuse the strings - not so unlike on Nashaz, although the latter has a very different (more human-oriented) feel most of the time. Both Liedwart & Belorukov display strong personal aesthetics on Kletka, though - beyond the general environmental landscape form in which Rodrigues works so often."-Todd McComb, Medieval.org



This album has been review on our magazine:

The Squid
The Squid's Ear!

Get additional information at Medieval.org
Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation and Experimental Forms
Quartet Recordings
lowercase, micro-improv, sound improv
New in Improvised Music


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