New York alto saxophonist Michael Attias presents his new quartet with Aruan Ortiz on piano, John Hebert on bass and Nasheet Waits on drums, in his sixth album as a leader, a lyrical album dealing with the theory of elasticity and the concept of equality in music.
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Label: Clean Feed
Catalog ID: CF411CD
Squidco Product Code: 23818
Packaging: Cardboard Gatefold
Recorded at Trading 8's in Paramus, New Jersey, on February 15th, 2016, by Chris Sulit.
Michael Attias-alto saxophone
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1. Dark Net 8:21
2. Nerve and Limbo 7:47
3. Scribble Job Yin Yang 6:28
4. Boca de Luna 1:43
5. Moonmouth 4:42
6. La Part Maudite 5:36
7. Le Pese-Nerfs 4:22
8. Rodger Lodge 8:02
9. Dream in a Mirror 9:51
10. Ombilique 3:53
11. Nasheet 6:40
NY Downtown & Jazz/Improv
Melodic and Lyrical Jazz
New in Improvised Music
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sample the album:
"Nerve Dance - Michael Attias' sixth album which deals with the aesthetics of spontaneity, the theory of elasticity and the concept of equality in music, is an expansive, spirited debut from Michael Attias' new Quartet, featuring Aruán Ortiz (piano), John Hebert (bass) and Nasheet Waits (drums). On Nerve Dance, we are regaled with hearing four hearts, minds and bodies hooking up at an extremely high level on nine Attias compositions, and two from Hebert. Each piece exercises a different set of muscles and faculties for the band, and every member of the Quartet carries within them the historical knowledge and a fluency in the multitude of dialects of this music; consequently we hear them free within the compositions, deep into the zone of this collective creation, transcending their respective instruments and completely surrendering to the music."-Clean Feed
• Show Bio for Michael Attias
"Michaël Attias is a quietly fierce force on the international improvising scene. With a brisk and calming tone Attias is a thinker, traveler, questioner. Born in Israel, raised in Paris and the American Midwest, he has lived in NYC since 1994.
As a leader, Attias has released five critically-acclaimed albums since 2005: Credo, Renku, Renku in Coimbra, Twines of Colesion and, in 2012, Spun Tree. As a sideman, he has performed and recorded all over the world alongside some of today's most compelling musicians: Anthony Braxton, Paul Motian, Anthony Coleman, Masabumi Kikuchi, Tony Malaby, Ralph Alessi, Oliver Lake, Tom Rainey, John Hébert, Nasheet Waits, Sean Conly, Ken Filiano, Kris Davis, and many others.
His current projects include his long-standing trio Renku, with John Hébert and Satoshi Takeishi; Spun Tree, with Ralph Alessi, Matt Mitchell, Sean Conly, Tom Rainey; and the new Michaël Attias Quartet with Aruàn Ortiz, John Hébert and Nasheet Waits.
Michaël Attias has also established himself as creator of live musical scores and sound designs for theatre including, since 2008, five collaborations with legendary director Robert Woodruff: Chair, Notes From Underground, Battle of Black and Dogs, Autumn Sonata, and In a year With Thirteen Moons. These were produced at such prominent New York and regional theatres as Yale Repertory Theatre, La Jolla Playhouse, Baryshnikov Arts Center, and The Duke on 42nd Street.
Michaël Attias was named a 2000 Artists' Fellowship Recipient of the New York Foundation for the Arts and was awarded a MacDowell Arts Colony fellowship in Fall 2008. From 2003 to 2008, he curated the critically acclaimed and highly successful new music series, Night of the Ravished Limbs, at Barbès in Brooklyn, welcoming a wide array of established names such as Barre Philips, Tim Berne, Mark Helias, Jason Moran, as well as an impressive list of rising New York talent including Mary Halvorson, Eivind Opsvik, Gerald Cleaver, and many more.
The product of migrations spanning North Africa, the Middle East, Western Europe and the American Midwest, Attias was born in Haïfa, Israel in 1968 and spent the first part of his childhood in Paris, where he attended the music conservatory and studied violin for a brief period. His family moved to Minneapolis in 1977. An early passion for the music of Miles Davis, Charlie Parker, Thelonious Monk, Ornette Coleman led him to start playing the alto saxophone at the age of 15 under the guidance of great Minneapolis saxophonist and composer Pat Moriarty, while attending the Children's Theatre School. Avid for adventure and experience, he graduated from high school as a junior and traveled for a year in Europe before enrolling at New York University as a Film and Music student. Somewhere in between, he had the great privilege of taking a couple of lessons with Lee Konitz. Judging that school was interfering with his education, he dropped out after the spring semester, went back to Paris for a year where he wrote a novel called Twines of Colesion (1000 pages thankfully destroyed), came back to the US for an eight-month cross-country trip that took him from New York City to San Francisco via Mexico, and returned to Paris in 1989 where he became bartender at the IACP, a music school founded by legendary bassist Alan Silva. There he met such heroes of the ex-pat scene as Steve Lacy, Sunny Murray, Frank Wright, Bobby Few and others. He recorded with a pianoless quartet dedicated to the music of Thelonious Monk, Four in One (In Situ 1992), made his first album as leader and composer with a quintet of French musicians (released on Igal Foni's For Elevators/Jazzis, 1993). In January 1993, at the prompting of Anthony Braxton, he moved back to the US, sat in on his classes at Wesleyan University for one semester and finally moved to New York the following winter."-Michael Attias Website (http://www.michaelattias.com/html/about.php)
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• Show Bio for Aruan Ortiz
"Cuban-born, Brooklyn-based pianist, violist, and composer Aruán Ortiz has written music for jazz ensembles, orchestras, dance companies, chamber groups, and feature films. His work incorporates influences from contemporary classical music, Cuban-Haitian rhythms, and avant-garde improvisation; and consistently strives to break stylistic musical boundaries. He has been called "the latest Cuban wunderkind to arrive in the United States" by BET Jazz and "one of the most versatile and exciting pianists of his generation" by Downbeat Magazine.
He has received numerous accolades such as the Doris Duke Impact Award (2014); Composers Now Creative Residency Award at Pocantico Center of the Rockefeller Brothers Fund (2014); the Jerome Foundation Travel & Study Grant (2013); Latin Jazz Corner's Arranger of the Year (2011) for his contribution on the album, "El Cumbanchero" by flutist Mark Weinstein (Jazzheads, 2011); Fundación Autor, SGAE, and Generalitat de Catalunya Grant study grants (2002); Semifinalist, Jas Hennessy Piano Solo Competition, Montreux, Switzerland (2001); and Best Jazz Interpretation, Festival de Jazz in Vic, Spain (2000)."-Aruan Ortiz Website (http://www.aruan-ortiz.com/)
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• Show Bio for John Hebert
"John Hebert was born in New Orleans, LA. He attended Loyola University from '90 to '92 where he was awarded with a complete scholarship. In 1992, John moved to the New York State area, completing his formal studies at William Paterson University in New Jersey; he graduated with a B.M. in Jazz Performance in 1994. After graduating, John moved to New York City where he quickly became a highly in demand bassist, both for live performances and studio sessions."-Marc Mommaas (http://www.mommaas.com/JohnHebert.html)
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• Show Bio for Nasheet Waits
"Nasheet Waits, drummer/music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits. Over the course of his career, Freddie Waits played with such legendary artists as Ella Fitzgerald, Sonny Rollins, Max Roach, McCoy Tyner, and countless others.
Nasheet's college education began at Morehouse in Atlanta, GA, where he majored in Psychology and History. Deciding that music would be his main focus, he continued his college studies in New York at Long Island University, where he graduated with honors, receiving his Bachelor of Arts in Music. While attending Long Island University, Waits studied privately with renowned percussionist, Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.
Nasheet's talent came to the attention of reedman Antonio Hart, who asked Waits to originate the percussion chair of his first quintet. Waits remained a standing member of Antonio's various ensembles, recording three albums and touring nationally and internationally in noted venues, jazz festivals, as well as live television and radio performances. Nasheet remained a member of Antonio's group through 1998.
Most recently Nasheet has been a member of Andrew Hill's various bands, Jason Moran's Bandwagon, and Fred Hersch's trio. As an originating member of pianist Jason Moran's Bandwagon, Jason, bassist Tarus Mateen, and Nasheet have been deemed, "the most exciting rhythm section in jazz" by JazzTimes, The 2001 recording "Black Stars" with the Bandwagon, featuring Sam Rivers was named the "Best CD of 2001" in (Jazz Times, Jan 2002) and "The New York Times".Nasheet's recording and performing discography is a veritable who's who in Jazz, boasting stints with jazz notables such as Geri Allen, Mario Bauza, Hamiett Bluiett, Abraham Burton, Ron Carter, Marc Cary, Steve Coleman, Stanley Cowell, Orrin Evans, Stefon Harris, Andrew Hill, Bill Lee, Jackie McLean, The Mingus Big Band, The New Jersey Symphony Orchestra, Greg Osby, Joshua Redman, Vanessa Rubin, Antoine Roney, Wallace Roney, Jacky Terrason, Bunky Green, and Mark Turner. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United Stat
Amidst his performing, recording and touring activity, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music. He has been heralded for his musicality and creativity by such virtuosos as Ed Thigpen, Max Roach, Andrew Hill, and Stanley Cowell . True to his personal philosophy of the necessity to balance Tradition and Modernism, Waits collaborates and performs regularly with a wide range of artists. He remains dedicated to exploring his role and creative path in music."-Nasheet Waits Website (http://www.nasheetwaits.com/biography.htm)
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