Composer Jean-Luc Guionnet wrote "Distances ouies Dites" ("Distances: Hearsay") for the 7-piece Dedalus Ensemble, who are positioned in separate rooms at Le Consortium, each having to use the features of the room and distance from each other to confer liked musical ideas.
Catalog ID: P416
Squidco Product Code: 22968
Packaging: Cardboard Gatefold
Recorded live at Dijon, France, on March 1st, 2013 at Le Consortium, by Jean-Luc Guionnet.
Jean Luc Guionnet-composer
Didier Aschour-electric guitar
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1. Combinatoire I II 5:35
2. Signal Bruit 2:20
3. Mixage Combinatoire 7:01
4. Melodie I - Influence Par Le Lointain 3:13
5. Propagation En Tirets Des Ondes Stationnaires - Du Lointain Au Proche 2:40
6. Faire Mentir Aphorisme La Proximite Ne Prouve Rein 1:43
7. Memoire Vive 0:37
8. Hauters Sous Plafond 4:39
9. Dans L' Espace Mental - Arpenter Les Salles 5:15
10. Entree Des Ondes Stationnaires Subjectives 3:33
11. Melodie II - Influence Par Le Proche 2:54
12. Melodie III - Influence Par Le Milieu 1:54
13. Faire Mentir L 'Aphorisme Lontain, Meme Le Pir Est Beau Quand On L 'Ecoute 2:33
14. Propagation Continue Des Ondes Stationnaires - Du Proche Au Lontain 2:39
15. Imitation De L 'Imitation 4:49
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"For this live recording, the seven musicians were placed in different rooms on the ground floor of an art center as if they were forming a chain from one space to the next. The audience took place in the first room in front of the first instrumentalist, without seeing the remote other members of the orchestra. The score incorporates links with the structure of the place by considering such parameters as distances and diffusion between instrumentalists. Jean-Luc Guionnet'score Distances ouïes Dites, pursues two goals. First, musicians have to mix several spaces focusing on their distinctive features (including distances) as if they were making a sound description of them, and simultaneously, they work on the global space considered as a tool to spread musical ideas in their environment. They have to deal with the specificity and standing waves of each space, reproduction, learning in real time, distances between instruments, distances between the audience and each instrument, room reverberation, sound spreading in space from one instrument to another, and from one room to another."-Potlatch
• Show Bio for Jean Luc Guionnet
"Jean-Luc Guionnet is an elusive figure. A Parisian artist active in many fields (music, visual arts, cinema), he has mostly worked in electro-acoustics but also has a career in free improvisation, playing alto saxophone, soprano saxophone, church organ, and piano. He has collaborated with Éric La Casa, Éric Cordier, and André Almuro on tape music. His main free improv and jazz projects include Hubbub, Schams, Return of the New Thing, and the Joe Rosenberg quintet.
Guionnet made scientific studies before shifting to fine arts. He studied musique concrete under Iannis Xenakis and Michel Zbar, but also pursued studies in philosophy (esthetics) with Geneviève Clancy. His first works date from the late '80s and are mostly collaborations with filmmaker André Almuro (some have been issued by Ground Fault). Then came a lasting partnership with electro-acousticians Éric Cordier and Éric La Casa. Together they wrote the series "Afflux." Guionnet also produces the Ateliers de Création Radiophoniques ("creative radio workshops") for France Culture. His eclecticism has kept him at bay of recognition -- because to the eye of the press it strips him from some credibility and because running careers in philosophy (he was co-director for the review Terre des Signes from 1993 to 1996), painting (he exhibited from 1992 to 1997), and music simultaneously tends to be time-consuming.
The release of an eponymous CD by Dan Warburton's free jazz quartet Return of the New Thing in 1999 on the respected label Leo Records introduced Guionnet to a wider audience. Since then his activities as an improviser have constantly stretched toward the fringes of experimentalism. His participation in the French-Swiss group Hubbub and his duo with guitarist Olivier Benoit (&Un, 2002) follow the school of Berlin reductionism."-All Music, François Couture (http://www.allmusic.com/artist/jean-luc-guionnet-mn0000231714)
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• Show Bio for Deborah Walker
"Deborah Walker is a new music performer and improviser based in Paris. She was born in Reggio Emilia, Italy, in 1981 and studied cello in her hometown. After graduating she moved to Paris to continue her cello studies with Agnès Vesterman and Anssi Karttunen. Since 2007 she is a member of Dedalus, a variable ensemble which plays experimental and contemporary music, who has collaborations, among others, with Tom Johnson, Pascale Criton, Christian Wolff, Antoine Beuger and Jurg Frey.
Deborah Walker has collaborated with artists like Joëlle Leandre, Markus Stockhausen, Garrett List and Teri Weikel. She's currently working with composers Pascale Criton and Eliane Radigue in pieces for solo cello or small ensembles. She has played in many festivals such as I Suoni delle Dolomiti, Italia Wave, ZKN in Karlsruhe, Festival d'Avignon, Festival Nomad in M'Hamid (Morocco), Ze Couch (New York) and tours regularly around Europe. She also takes part in theater, dance and circus performances, both as composer and performer. Deborah is doing a Master in Sound and Music Composition at the University of Paris 8 (St. Denis). Her recordings include works by Tom Johnson played by the Dedalus Ensemble (New World), a live recording of the intuitive music quintet Flowers of Now(21st Records) as well as Frammenti di Scrittura Prematura (Imprint Records) and Imagine Book (ILDE)."-euromicrofest (https://euromicrofest.wordpress.com/2013/05/06/deborah-walker-cellist/)
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• Show Bio for Vincent Bouchot
"Born: 1966 Country: Toulouse, France. A composer, tenor and baritone, Vincent Bouchot is also a member of the Ensemble Clement Janequin and the ensemble Ludus Modalis."-ArkivMusic (http://www.arkivmusic.com/classical/Name/Vincent-Bouchot/Composer/25962-1)
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• Show Bio for Christian Pruvost
"Christian Pruvost plays in Circum Grand Orchestra, Feldspath, La Pieuvre, Flu(o) / Impression, Kaze, Christian Pruvost, Pruvost / Mahieux, Signal Box, Quartet Base, Ziph, Wabla, Moondog Madrigals, PCM Bla∫t, Intento, Le Grand Orchestre de MuzzixGenerous, insatiable and prolific musician, Christian Pruvost multiplies the cooperations for several years, whether it is in jazz, improvised music or live performing arts.Solo, (" Ipteravox " released in 2010 on Helix / Circum-Disc), he explores the spectrum of the trumpet, from the softest blowing to the strongest bursts. Playing all acoustic, he develops his repertoire very serenely, and adds some objects that bring him a wealth of extra tones. His inventiveness and the originality of his approach has taken him to perform solo in Brest, Montreuil, Paris, Besançon, Tours, Nantes, Montpellier, Amsterdam and Australia (Melbourne, Adelaide, Brisbane), invited by pianist Anthony Pateras.With Didier Aschour, he is a co-director of " Round the World of Sound ", creation gathering 14 musicians from the Muzzix collective and Dedalus ensemble in a work on Moondog's madrigals. He can be seen alongside Satoko Fujii, Natsuki Tamura and Peter Orins in the spectacular franco-japanese quartet Kaze (2 albums and several tours in Japan, Israel, and in the USA/Canada since 2011, and a Japanese tour in preparation for september 2014).In a new project called PCM Bla∫t, Christian Pruvost surrounds himself with Maxime Morel (tuba) and Samuel Carpentier (trombone). Together they explore many repertoires - from medieval music to the composers of the XXIst century - but also improvised forms ; altogether in a theatrical and experimental approach. He is also a member of Circum Grand Orchestra, which releases its third album composed by Christophe Hache in 2014, and la Pieuvre, the improvisation orchestra conducted by Olivier Benoit.Blowing masseur in Ziph (collective of individual balloon-membrane horns and creator of the concept of sound massages), he also takes part in the Wabla project with Thierry Madiot, Yanik Miossec and David Bausseron. He can be seen in duo with bass player Nicolas Mahieux, in Flu(o), Arsis quartet, in the orchestra of Zoone Libre collective Vazytouille and in two shows carried by la Cie Générale d'Imaginaire [dukõne] and [ nu ].Collaborations with Axel Dörner, Olivier Benoit, Jérémie Ternoy, Nicolas Mahieux, Otomo Yoshihide, Mina Small, Sean Baxter, Benoît Delbecq, Alain Gibert, Carole Rieussec, Roger Cochini, Sophia Domancich, Giovanna Marini, Didier Levallet, Lucia Recio, Li Ping Ting, Patricia Kuypers, Thierry Madiot, Sophie Agnel, Satoko Fuji, Natsuki Tamura, Jérôme Noetinger, Benjamin Duboc, Didier Lasserre, Makoto Sato, Lionel Marchetti, Cor Fuhler, John Edwards, Tony Buck, Daunik Lazro..."-Muzzix (http://muzzix.info/Pruvost?lang=en)
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• Show Bio for Thierry Madiot
"Thierry Madiot French parisian sound artist
a breather, inventor of instruments and collector of accessories, sound massage maker and trombonist who furrows the improvise and the contemporary music and leads musical time by a perpetual transgression with a true direction of improvisation and the deep interest in collaborations.
He is near of the "Instants chavirés team" until the beginning (18 years) where he organize a lot of concerts, performances and last years a festival "ça vaut jamais le réel". He work a lot too until ten years with CCAM, musical scene of the well known Vandoeuvre festival of experimental music "musique action international" in East France.
He work recently with Le Quan Ninh, Thomas Lehn, Malcolm Goldstein, Jim Denley, Matthias Kaul, Axel Dörner, Seijiro Murayama, Tom Johnson (recording)...
He was invit by Derek Bailey in 1993 at "the company week" at the place theater in London with Ikue Mori Phil Minton ...
Improvised and composed Music with or without texts, images, dance, in solo or with for ea those musicians and artists: Frédéric Acquaviva, Sophie Agnel, Noël Akchoté, Steve Arguelles, Didier Aschour, Derek Bailey, Richard Barrett, Pascal Battus, Claude Barthelemy, Christoph Baumann, Olivier Benoit, Frédéric Blondy, Jaap Blonk, Pierre Boesflug, Raymond Boni, Hélène Breschand, Hans Burgener, Don Byron, Jean-François Canape, Mathieu Chamagne, Fabrice, Laurent et Xavier Charles, Denis Charolles, Bruno Chevillon, Denis Colin, François Corneloup, Pablo Cueco, Roland Dahinden, Laurent Dehors, Benoit Delbecq, Caroline Delume, Axel Dörner, Quentin Dubost, Marc Ducret, Daniel Erdmann, Jean-Christophe Feldhandler, Esther Ferrer, Alexander Frangenheim, Stéphane Garin, Anne Garrigues, Olivier Gelpe, Christian Germain, François Guell, Jean-Luc Guionnet, Olivia Grandville, Kamal Hamadache, Günter Heinz, Jean-Pierre Jullian, Kristoff Kroll, Franck Lambert, Daunik Lazro, Le Quan Ninh, Urs Leimgruber, Didier Levallet, George E Lewis, Joëlle Léandre, Ramon Lopez, Kamel Maad, Alain Mahé, Jean-Michel Marchetti, Lionel Marchetti, Jim Meneses, Phil Minton, Yanik Miossec, Jean-Marc Montera, Ikue Mori, Seijiro Murayama, Theo Nabicht, Michael Nick, Jérôme Noetinger, Annick Nozati, Stéphane Oliva, Guillaume Orti, Evan Parker, Didier Petit, Emmanuel Petit, Ulrich Philipp, Dominique Répécaud, Margritt Rieben, Stéphane Rives, Jean-Pierre Robert, Yves Robert, Carol Robinson, Felix Rückert, Joël Ryan, Camel Zekri, Alexander von Schlippenbach, Jacques Siron, Alfred Spirli, Claude Tchamitchian, Patricio Villaroël, Bert Wrede, Carlos Zingaro ...
Last years Works: "In-ouïr" (performances in duet with dancer Li-Ping Ting), "Lo" with Pascal Battus and Seiji Murayama, "Rekmazladzep" with Dominique Répécaud, Daunik Lazro and Camel Zekri, duo with Alfred Spirli, " In sonoris Causa " of Daunik Lazro, " Garazi ", ", Informo live revue and "Ziph" Tub ensemble with " le Crime ". He ground in collaboration with Pascal Battus the " sound massages " cf http://soundmassage.free.fr wich is not a new age experience but an individual art sound concert with tiny object near the ears.
And work with a air compressor and long telescopic tubes on an sound installation (without electronics)
It's happen for example at "Musique Action" Scène nationale de Vandoeuvre, at Fondation Cartier, at Le Mans Europa festival, Musée de Tourcoing, de Villeneuve d'Asq, in Le tipi centre Georges Pompidou, at Banlieues Bleues, at la Company Week 93, WIM Bern, at Instants Chavirés, at Cyclop of Jean Tinguely, at festivals "Musiques en scène" de Lyon, "Fruits de Mhere", Asprojazz, Polysonneries in Lyon, de Mulhouse, "Densités", "Ouverture Danse" in Marseille, "Ecoute si il pleut" in Rouen, de jazz de Grenoble, d'Apt, in la Seyne sur mer, "Xiru", Ixtaxou, Jazz au fil de l'eau, in Lausanne, at Geneve AMR, "Humanoise", "Résonances" in Saint Nazaire, "Poésie Mode d'emploi" in Béssèges, "Audio Frames" Lille 2004, Rurart... In Germany, England, Belgium, Antigua, Armenia, Belgium, Congo, Espana, Finland, Italia, Algeria, Lebanon, Sweden, Swiss, Taiwan and of course France. He ground some experimental art production associations, Astrolab, In-ouïr, Topophonie" or Informo. He had been invited by collectives as LMC of London, Le Crime/ Malterie in Lille, Wim Bern, Wie of Wiesbaden, ARFI of Lyon, Emil 13 Nancy... Organize the festival In ouïr "Ca vaut jamais le réel" until 2004 to 2009 at Instants Chavirés.(Ben Patterson, Roi Vaara, Malcolm Goldstein, Luiz Enrique Yudo, Esther Ferrer, Tom Johnson, Serge Pey, Julyen Hamilton...) He also play often some modern written music in various group as Dedalus (dedicated to minimal music) or Hiatus (dedicated to improvised and written music) as John Cage, Tom Johnson, Giancinto Scelsi, Vinko Globokar, Dieter Schnebel, Pierre Jodlovsky Jean-Christophe Feldhandler, Art Clay, quatuor Hélios, Pascale Criton."-Thierry Madiot Website (http://madiot.free.fr/spip.php?article109)
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• Show Bio for Didier Aschour
"After studying the guitar at the CNSM of Paris, Didier Aschour was awarded a prize from the Yehudi Menuhin Foundation and a scholarship from the Darmastadt Ferienkurse für Neue Musik (1992 and 1994). A committed soloist fond of contemporary music, he premieres many works written for him and performs with Ensemble 2e2m, TM+, Aleph, L'Instant Donné, Zellig and Montpellier Philharmonic Orchestra. In 1996, he founded Ensemble DEDALUS, specializing in minimalist music and free instrumentation scores, with which he stands in favour of experimental contemporary music. He plays with Sejiro Murayama, Kristoff K.Roll duett, La Fanfare E. and Kasper T. Toeplitz.
As a composer, he works for dance - with choreographers such as Mathilde Monnier, Germana Civera, Patrice Barthès - and performance, imagining acoustic devices that question the relationship between music and sound phenomena.
Since 2007, he has been taking part in the Montpellier Sonorités Festival collective activities."-Ensemble 2E2M (http://www.ensemble2e2m.com/en/page-4/bio-78-17/didier-aschour.html)
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