Clarinetist Tom Jackson and pianist Keith Tippett have worked together since 2001, with bassist Ashley-John Long joining them in improvisation in 2009, adding violist Benedict Taylor that same year in London, here meeting in the studio for 4 subtle and expansive recordings.
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Catalog ID: ccs 68
Squidco Product Code: 22689
Country: Great Britain
Packaging: CD in a tin case with
Recorded at Fieldgate Studio, in Cardiff, in July 2014, by Andrew Lawson.
Tom Jackson-clarinet, bass clarinet
Ashley John Long-double bass, prepared double bass
Keith Tippett-piano, woodblocks, pebbles, maraca, music box
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1. Untitled 37:53
2. Untitled 3:07
3. Untitled 25:54
4. Untitled 5:14
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"Tom Jackson and Keith Tippett met at Tippett's educational sessions on free improvisation in 2001. When Ashley-John Long joined those classes in 2004 he and Tom immediately formed a duo and began performing together in 2009. After moving to London later that year Tom and Benedict Taylor began playing together regularly and together they organise CRAM records and CRAM festival.
The formation of this quartet thus serves to unite several histories. Keith Tippett has been at the forefront of European jazz and improvised music for half a century and his distinctive piano sound has graced hundreds of recordings. Very much a quartet of four equal parts - there is no inherent hierarchy - just beautiful music crafted out of the air by four masterful musicians."-Confront
• Show Bio for Tom Jackson
"Tom Jackson is a clarinettist and saxophonist active in London and Europe, largely dedicated to the fields of contemporary classical music and free improvisation. He maintains an extensive and eclectic performance schedule and has performed throughout Europe, Australia and Hong Kong.
Tom has performed as principal clarinet with many orchestras including New London Sinfonia and British Sinfonietta and National Chamber Orchestra of Wales. He has worked with various contemporary chamber groups such as Apartment House, Lontano, Plus-Minus and Cardiff New Music Collective, which he co-founded. He is an active session musician, playing for albums and live shows. He has recently completed a PhD at Canterbury Christ Church University entitled "A practice-based investigation of the clarinet through free improvisation".
Tom is vastly experienced in teaching all ages and is regularly consulted on the publication of pedagogical material. He is currently preparing four books of etudes for clarinet and saxophone for 360 Music. He is the recording artist for Schott's Romantic Clarinet and Klezmer Clarinet series."-Tom Jackson Website (https://musictomjackson.com/)
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• Show Bio for Ashley John Long
"Ashley-John Long is a virtuoso bassist and composer active in a diverse range of musical idioms including Jazz and Improvisation, Session Music, Early and Contemporary Chamber Music, and as a Soloist. He graduated from the Royal Welsh College of Music and Drama with 1st Class Honors where he studied double bass with Dominic Seldis, Dudley Phillips, Nick Weldon and Paula Gardiner, and composition with Tim Raymond and Peter Reynolds.
Since graduation he has maintained a busy and varied freelance career which has taken in many strands. He has performed and recorded with some of the UK's leading Jazz musicians including Art Themen, Simon Spillett, Brandon Allen, Craig Millverton, Alan Barnes, Dave Newton, Geoff Eales, Damon Brown, Bobby Wellins, Osian Roberts, Steve Melling, as well as visiting artists including Scott Hamilton, Erin Dickens, Greg Abate and Daryl Sherman.
Ash has performed internationally as a soloist and has given premiers of numerous new works for solo bass, and toured in 2008 with French double bassist Louis-Michel Marion with a series of recitals featuring music by Xenakis, Bussotti, Scelsi and Barry Guy. Over 20 composers have written new works for him and has had performances broadcast on television and radio throughout the U.K and Europe..
A virtuoso improviser, Ash has developed a unique approach to the instrument creating innovative new performance techniques including methods of preparing the bass whilst performing and recording with some of the music's leading players, including Keith Tippett, Paul Dunmall, Phillip Gibbs, Eugene Chadbourne, Rhodri Davies, Mark Wastell, Patrick Farmer, Paul Dunmall, Dominic Lash, Alex Ward, Bruce Coates, Paul Hession and Christian Munthe.
His work in the orchestral world has taken in everything from Gabrielli to Stockhausen and he has performed as principal double bass with various ensembles, as well as playing a great deal of chamber music and co-founding Ensemble Wreckhead with Adam Bell.
From 2012-14 he toured the world with Nofit State Circus' critically acclaimed show Bianco out of which grew his collaboration with Gareth Jones, resulting in the 'A Place to Start' EP by Fireproof Giant.
As a composer, Ash has carved a niche as a creator of innovative scores that balance fine detail with freedom and flexibility whilst retaining a strong melodic sense. Recent commissions have been acclaimed for their original and inventive writing including; Flux (2006) and Hevelspending (2010) for the Lunar Saxophone Quartet, Songs of the Night (2007) for Joel Garthwaite, and XAS (2008) for himself and Louis-Michel Marion and Dance Miniatures (2013) for the Syzygy Saxophone Quartet and Shelter (2015), an opera for Asking4it productions. His works are published by Staunch Music, Recital Music and Alto Publications.
He also works as an educator and has taught at The University of Glamorgan, Royal Welsh College of Music and Drama, Cardiff University, County Wexford School of Music (Ireland) and MusicTime School (Milan, Italy) and also teaches Mini Bass projects for Gwent Music.
He was awarded a PhD scholarship by Cardiff University in 2015 where he is undertaking research into contemporary performance practice.
Ashley is a D'Addario Performing Artist and uses Zyex and Helicore bass strings."-Ashley John Long Website (http://www.ashleyjohnlong.co.uk/about.html)
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• Show Bio for Benedict Taylor
"Benedict Taylor is an award winning composer & solo violist specialising in contemporary music and improvisation. He studied at the Royal Northern College of Music & Goldsmiths College, and is a leading figure within the area of contemporary composition & string performance, at the forefront of the British & European new and improvised music scene.
He composes, performs & records internationally, in many leading venues and festivals including: Royal Court Theatre, Rambert Dance Company, BBC Arts Online, Berlinale, Venice International Film Festival, BFI London Film Festival, Toronto Film Festival, Huddersfield Contemporary Festival, London Contemporary Music Festival, Aldeburgh Festival, Cantiere D'Arte di Montepulciano, Edinburgh Festival, CRAM Festival, Cafe Oto, The Barbican, Royal Albert Hall, Southbank Centre, The Vortex, Ronnie Scott's, ICA, BBC Radio 3 & 2, Radio Libertaire Paris, Resonance FM London.
Through his work he is involved with a number of higher education institutions, giving composition, improvisation & performance lectures at the Royal College of Music, City University and Goldsmiths College amongst others. He is the founder and artistic director of CRAM, a music collective and independent record label dedicated to new music."-Benedict Taylor Blogspot (http://benedict-taylor.blogspot.com/p/benedict-taylor-is-award-winning_2.html)
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• Show Bio for Keith Tippett
"Keith Tippett (born Keith Graham Tippetts; 25 August 1947) is a British jazz pianist and composer.
Tippett was born in Southmead, Bristol. The son of an English father who was a policeman and an Irish mother name of Kitty. Keith wrote music dedicated to her after she died. Keith was the oldest of three siblings and had Clive and Thomas as brothers. Tippett went to Greenway Secondary Modern school in Southmead, Bristol. He formed his first band when he was fourteen with school friends, such as Richard Murch, Mike Milton, Terry Pratt and Bob Chard. They were called the KT Trad Lads performing Traditional jazz. Later Keith formed a modern jazz trio in Bristol and played regularly at the Dugout Club in Park Row, Bristol. He studied Piano and Church Organ, was a chorister and played with the school and Bristol youth brass bands. He moved to London in 1967, to pursue a musical life.
In the late 1960s, Tippett led a sextet featuring Elton Dean on saxophone, Mark Charig on trumpet and Nick Evans on trombone. Tippett married singer Julie Driscoll and wrote scores for TV.
In the early 1970s, his big band Centipede brought together much of a generation of young British jazz and rock musicians. As well as performing some concerts (limited economically by the size of the band), they recorded one double-album, Septober Energy.
He formed, with Harry Miller and Louis Moholo a formidable rhythm section at the centre of some the most exciting combinations in the country, including the Elton Dean quartet, and Elton Dean's Ninesense. Around the same time, he was also in the vicinity of King Crimson, contributing piano to several of their records including "Cat Food" (and even appearing with them on Top of the Pops). His own groups, such as Ovary Lodge tended towards a more contemplative form of European free improvisation. He continues to perform with the improvising ensemble Mujician and more recently (2006) Work in Progress.
Tippett has appeared and recorded in a wide variety of settings, including a duet with Stan Tracey, duets with his wife Julie Tippetts, solo performances, and appeared on three King Crimson albums."-Wikipedia (https://en.wikipedia.org/wiki/Keith_Tippett)
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