The Squid's Ear Magazine


Costa, Carlos: Door of No Return (Aural Terrains)

Double-bassist Carlo Costa, originally from the Canary Islands and who has worked with Tim Berne, Tomas Fujiwara, Ingar Zach, Wade Matthews, &c. in a solo album of solid and unusual bass technique including plucking, bowing and scraping, in his 9-part series of "Doors".
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Carlos Costa-doublebass


Click an artist name above to see in-stock items for that artist.




Label: Aural Terrains
Catalog ID: TRRN1033
Squidco Product Code: 22360

Format: CD
Condition: New
Released: 2016
Country: Greece/UK
Packaging: Jewel Case
Recorded at Smiling Cow Studios, in Madrid, Spain, April 23rd, 24th, and 25th, 2015 by Wade Matthews.

Descriptions, Reviews, &c.

"Costa is originally from Santa Cruz de Tenerife, Canary Islands. He is a double-bass player who focuses his work on improvised music. He participates in various works from his solo project, "Door of No Return", which was immersed into the production of his first album; a duet with guitarist Manolo Rodríguez, "Costa-Rodriguez" in which he presents his new recording "1+1=1". Costa is preparing a concert series to present this new album. He has also participated in various bands where the interaction between improvisation and composition predominates, highlighting his most recent project, "Chaira".

Although Costa has participated in numerous recordings with musicians from very diverse styles, his most important recording projects are: "Espacios", with his band Jet-Set, where he acts as composer, producer, and bass player; "Energy", a trio formed by Carlos Costa, José Miguel Méndez (drums) and Manolo Rodríguez (guitar); "Both Sides of the Coin", a project led alongside the guitarist, Manolo Rodríguez; "1+1=1", by the duo Costa-Rodríguez.

In recent years, after studying at SIM (School for Improvovisational Music), Costa has performed concerts with Manolo Rodriguez, Tim Berne, Tomas Fujiwara, Ingar Zach, Wade Matthews, Javier Pedreira, Kike Perdomo, Abdul Moimeme, and many others.

At an educational level, Costa teaches at the Guillermo González School of Music and participated in the Castillian translation of double-bass player Mark Dresser's method.

Costa has always been interested in training with other double-bass players like Ladislav Stukowski, Alain Bourgignon, Mark Dresser, Mark Helias and Ben Street, as well as other musicians like Ralph Alessi, Tomas Fujiwara, Miles Okazaki, Steve Coleman, Gerald Cleaver, Marc Ducret, Andy Milne, Sergio Brandao, Matthew Garrison, Jeff Andrews, and many others."-Aural Terrains



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Originally from Santa Cruz de Tenerife, Canary Islands. Double-bass player who focuses his work on Improvised Music. Participates in various works from his solo project, "Door of No Return"; a duet with guitarist Manolo Rodríguez, "Costa- Rodríguez"; to his participation in various bands where the interaction between improvisation and composition predeominates, highlighting his most recent project, "Chaira".

Costa's musical career is marked by his participation is numerous projects, both with electric bass and the double-bass, from all styles of music ranging from jazz, pop, funk, mpb, and other styles which make him a versatile musician. The varieties in style have his own sound and personality enriched by these diverse influences.

Although Costa has participated in numerous recordings with musicians from very diverse styles, Triptych, Emilio Rosaleny, Wood Choro, Ziriab or " Freak" Manolo Rodríguez, among others, his most important recording projects are "Espacios" with his band Jet-Set, where he acts as a composer, producer, and bass player; "Energy", a trio formed by Carlos Costa, José Miguel Méndez- drums and Manolo Rodríguez- guitar; "Both Sides of the Coin", a project led alongside the guitarist Manolo Rodríguez; "1+1=1", by the duo Costa-Rodríguez.

In recent years, after studying at SIM (School for Improvovisational Music), Costa has performed concerts with Manolo Rodriguez, Tim Berne, Tomas Fujiwara, Ingar Zach, Wade Matthews, Javier Pedreira, Kike Perdomo, Abdul Moimeme, among others.

Costa is the co-director of the Loft Music Festival (festival of free improvisation) alongside the guitarist Manolo Rodríguez.

At an educational level, Costa teaches at the Guillermo González School of Music and has participated in the Spanish translation of double-bass player Mark Dresser's method.

Always interested in training with other double-bass players like Ladislav Stukowski, Alain Bourgignon, Mark Dresser, Mark Helias and Ben Street, as well as other musicians like Ralph Alessi, Tomas Fujiwara, Miles Okazaki, Steve Coleman, Gerald Cleaver, Marc Ducret, Andy Milne, Sergio Brandao, Matthew Garrison, Jeff Andrews, among others."

-Carlos Costa Website (http://carloscostamusic.com/biography.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Door I 1:23

2. Door II 4:17

3. Door III 2:51

4. Door IV 4:59

5. Door V 6:42

6. Door VI 3:47

7. Door VII 3:23

8. Door VIII 3:30

9. Door IX 6:46

Related Categories of Interest:


Improvised Music
Free Improvisation
Stringed Instruments
Solo Artist Recordings
European Improvisation and Experimental Forms

Search for other titles on the label:
Aural Terrains.


Recommended & Related Releases:
Other Recommended Releases:
Petit, Philippe
In A State of Weightlessness
(Aural Terrains)
Four distinct compositions from French electroacoustic composer Philippe Petit, each using analog synthesizers including Buchla Easel K & Buchla 200 synthesizers, EMS Synthi and a Landscape Stereofield analog synthesizer, interestingly layered and captivatingly paced against processed voices, percussion, insider piano work, broken glass, samplers and turntables.
Venable, Phil
Bassworks, Vol 1
(Soul City Sounds)
Three muscular and inventive solo improvisations on the acoustic upright bass from North Carolina bassist and composer Phil Venable, a member of Tragic Assembly and The Phil Venable - Paul Swest Duo, recorded in the studio in 2022, the three "Basswork" parts are mostly demonstrating his strong walking and plucking skills, at times applying objects to his strings.
Cundy, Chris
Mountains
(Aural Terrains)
Bass clarinetist Chris Cundy, uses the studio as a performance tool for accompaniment along with pre-recorded tapes, as he contrasts two different composers--Cornelius Cardew & Ton de Leeuw and their compositions titled "Mountains", alongside a Cardew graphic score piece, and 2 work for 5 bass clarinets, from Thanos Chrysakis and John Cage, the latter from his Numbers series.
Rodrigues, Ernesto / Carlos Costa / Manolo Rodriguez
Macaronesia
(Creative Sources)
Mezei, Szilard Trio
Secret Public
(Aural Terrains)
Serbian violist Szilard Mezei trio with double bassist Ervin Malina and drummer/percussionist Istvan Csik, in two extended works that blend seemingly chaotic approaches to improvisation with subtle and spacious playing, a tremendous achievement.
Elyakim, Dganit
Failing Better
(Aural Terrains)
Using electronics and voice, composer & sound artist Gtanit Elyakim presents a diverse set of compositions in collaboration with other acoustic, voice and electronic artists, a superb debut for an artist interested in aspects of the human and the digital paradigm.
Chrysakis, Thanos / Chris Cundy
Music for Chamber Organ & Contra Bass Clarinet
(Aural Terrains)
Electroacoustic improviser Thanos Chrysakis performing on the chamber organ at the University of Gloucestershire, UK in a collaboration with Chris Cundy on contra bass clarinet, for a subtle, mysterious and uncompromising four-part improvisation.
Chrysakis, Thanos
Above the Hidden Track An Endless Blaze
(Aural Terrains)
Composer/performer Thanos Chrysakis in a studio electronic work, using a diversity of methods and approaches that imply his usual free improvisational approaches by creating a rich and elaborate sound world of distinctive, unique and often warped electronic sound.
Chrysakis, Thanos / Chris Cundy / James O'Sullivan
Asphodels Abide
(Aural Terrains)
Sophisticated and interactive electroacoustic improvisation from the trio of Chris Cundy on bass clarinet, James O'Sullivan on guitar, and Aural Terrains label leader Thanos Chrysakis on laptop, synth and radio, performing the six part "Asphodels Abide".
Edwards, Michael
For Rei As A Doe (for piano and computer)
(Aural Terrains)
UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.
Tabuenca, Luis
Volaverunt
(Aural Terrains)
Combining composition & improvisation, percussionist Luis Tabuenca based each of these 9 pieces on a print from Goya's critical series "Los Caprichos", orchestrating with saxophone, cello, clarinets, piano, & voice, allowing freedom around determined structure.
Chrysakis, Thanos / Wade Matthews / Javier Pedreira
Garnet Skein
(Aural Terrains)
The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.
Chrysakis / Slaven / O'Sullivan / Wigens
Zafiros en el Barro
(Aural Terrains)
Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).
Chrysakis, Thanos
ΕΚΝΗΨΙΣ
(Aural Terrains)
Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in three movements based on a blending of electronics and acoustic instruments.
Branche / Chrysakis / Soloveitzik / O'Sullivan / Vidal / Wigens
Magnetic River
(Aural Terrains)
Electroacoustic improvisation with unusual techniques from the sextet of saxophonist Sebastian Branche, laptop electronicist Thanos Chrysakis, saxophonist Tom Soloeitzik, guitarist James O'Sullivan, saxophonist Artut Vidal and clarinetist Jery Wigens.
Chrysakis, Thanos / James O'Sullivan / Jerry Wigens
Syneuma
(Aural Terrains)
The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.
Eventless Plot
Recon
(Aural Terrains)
The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.
Chrysakis, Thanos / Wade Matthews
Numen
(Aural Terrains)
The duo of Thanos Chrysakis on laptop and electronics, Wade Matthes on digital synthesis and field recordings, in an album of improvisations where synthetics and real-word sounds combine and collide in intriguing ways.



Customers Who Bought This Item Also Bought:
Johnson, Max
Hermit Music
(Unbroken Sounds)
An extraordinary set of solo double bass improvisations captured in the warm Booklyn Conveyor Recording Studio, Johnson showing his strength with his fingers on the large strings or a bow in his hand, in five turbulent and superb solos under reflection of personal struggles and the strain of pandemic, bringing a new sense of self and determination to his playing.
Ali, Sean
A Blink in the Sun
(Neither/Nor Records)
NY double bassist Sean Ali presents an engrossing journey in seven pieces that depict an inner journey through tone, technique and words, using the double bass to create deep sonic environments through interactively playing and layering, using extended approaches that support and contrast his narration; a compelling and descriptive observation on the nature of self.
Ali, Sean
My Tongue Crumbles After
(Neither/Nor Records)
New York bassist Sean Ali demonstrates his astonishing bass technique and creative momentum in a solo album, accompanied at times by collages assembled from field and voice recordings, creating unusual sonic backdrops against which his powerful playing, preparations, bowing and other extended techniques reveal an optimistic and unusual creative intent.
Vazquez, Pablo
Solo 1 (Seres Imaginarios)
(Creative Sources)
Buenos Aires double bassist Pablo Vazquez presents nine solo improvisations using an impressive and diverse set of approaches to the instrument, utilizing every inch of the bass to evoke the supernatural beings of Argentine popular culture, in an imaginative approach to sonic narrative that demonstrates powerful control and masterful technique.
XT (Seymour Wright / Paul Abbot)
Pah'
(Pleasure of the Text Records)
The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.
Alonso, Edith
Collapse
(Aural Terrains)
Madrid multi-instrumentalist and cross media artist Edith Alonso in an album of prepared solo electric bass improvisations, a four part work of muscular and shadowy sound, dark vibrations with crepitating edges making a sinister and cathartic dungeon of sound.
Mezei, Szilard
Ho
(Aural Terrains)
Serbian string player and band leader Szilard Mezei in an impressive solo performance of three works - Heat; Snow; and Chrom - performed on viola and double bass.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC