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© 2002-2017, Squidco LLC


Kuhn, Peter (w/ Toshinori Kondo / Arthur Williams / William Parker / Denis Charles): No Coming, No G (NoBusiness)

Two recordings from multi-reedist Peter Kuhn from 1978-79; a reissue of an LP of a '78 radio broadcast with Toshinori Kondo (trumpet), Arthur Williams (trumpet), William Parker (bass), and Denis Charles (drums); and a live concert with Denis Charles in Massachusetts in '79.
 

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Includes 26 page booklet with archival photos and an extensive essay from Peter Kuhn.

Label: NoBusiness
Catalog ID: NBCD 89-90
Squidco Product Code: 22181

Format: 2 CDs
Condition: New
Released: 2016
Country: Lithuania
Packaging: Jewel Case
Live broadcast recording at Columbia University Radio WKCR-FM, in New York City, New York on December 19th, 1978. Originally released on LP on the Big City Records label.

Recorded live in concert at the New England Repertory Theatre, in Worcester, Massachusetts on September 29th, 1979 by John Voci.


Personnel:

Peter Kuhn-B flat clarinet, bass clarinets

Toshinori Kondo-trumpet, alto horn

Arthur Williams-trumpet

William Parker-bass

Denis Charles-drums

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track listing:


CD1



1. Chi 5:51

2. Manteca, Long Gone, Axistential 29:49

3. Red Tape 13:15

CD2



1. Stigma 11:24

2. Axistential 8:57

3. Drum Dharma 15:57

4. Headed Home 18:15

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Parker, William
Quintet Recordings
Duo Recordings
New in Improvised Music
Recent Releases and Best Sellers
Jazz Reissues
Instant Rewards

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descriptions, reviews, &c.

"Livin' Right is a product of the amazing NYC loft scene of the 1970s, where players from around the world gathered in a rare period of community, harmony, and creativity, a time when a relative unknown from California could meet and play with the great musicians on this disc. William Parker was already a phenomenon at the time, but there was no way to predict the depth of his amazing ultimate contribution to music. Denis Charles had already been on pivotal albums with Sonny Rollins, Cecil Taylor, and Steve Lacy but was just coming back from the obscurity of his own musical hiatus. Arthur Williams had played with Milford Graves and Cecil Taylor but was greatly unrecognised beyond the Lower East Side. Kondo was just over from Japan and a relative unknown in the US but, like William, a phenomenon in the making. There is exuberance in the music that reflects the spirit of the times, and I am really happy to have the unedited live broadcast performance released as played for the first time. (The original release was edited to fit the limitations of an LP).

The live set with Denis is an added bonus for me. I had no idea the recording existed, and we simply don't have enough of Denis' music in this world. He's in great spirits here and a joy to listen to, as always. It was a fun night and road trip as he told stories about his mentors Art Blakey, Ed Blackwell, and Sonny Rollins and we discussed the night's music.

The jazz life is known for tragedy and majesty. Arthur died only a few years after this broadcast, and while Denis lived decades more, he too is no longer with us. Balancing the heights of near telepathic communion and creative openness with the harsh realities of economics, politics, and daily life is a tall order even for a creative improvising artist. Too many of us burn out, die young, or succumb to addiction or other maladies. In my case, as I was gaining international acclaim with Livin' Right and albums on the Hat Hut and Soul Note labels, the disease of addiction was progressing to the point I could barely function as a human being, let alone as a creative artist. While John Coltrane was a huge inspiration, it took me many years and a lot of suffering before I could follow his example finding freedom from addiction and on a spiritual path. In my ignorance, I had confused drugs as being spiritual for many years.

Addiction led to jails and other institutions before I found my way to recovery in 1986. As I struggled to support a habit, music clearly fell to the wayside and most of my instruments were lost to the pawn shop. In recovery, music was always in my heart, but I had to learn how to square up, hold a job, raise a family, and take care of the inner work needed to have what I most wanted to offer. Where music was a path to well-being back in the day, the rest of my life was pretty much a drag. Today the path of well-being has led me back to making music, and I can approach the instrument with a greater sense of identity and fulfillment."-Peter Kuhn


Includes 26 page booklet with archival photos and an extensive essay from Peter Kuhn.

Artist Biographies:

"Toshinori Kondo (December 15, 1948 in Ehime Prefecture) is an avant-garde jazz and jazz fusion trumpeter. Kondo attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. In 1972 the pair left university, and Toshiyuki went on to work with Peter Brook, while Kondo joined Yosuke Yamashita. In 1978 he moved to New York, and began performing with Bill Laswell, John Zorn, Fred Frith, and Eraldo Bernocchi. A year later he released his first recording, toured Europe with Eugene Chadbourne, and collaborated with European musicians such as Peter Brotzman. Returning to Japan, he worked with Ryuichi Sakamoto, Kazumi Watanabe, and Herbie Hancock. In the mid-1980s he began focusing on his own career, blending his avant-garde origins with electronic music. In 2002, he worked on an international peace festival in Hiroshima after being approached by the Dalai Lama about organizing one. He is a former member of Praxis. Kondo cooperated with Bill Laswell to make the album Inamorata in 2007.

He founded the band Kondo IMA in 1984. Kondo IMA achieved commercial success but moved to Amsterdam to be alone and to start "Blow the Earth" in 1993. They started "Blow the Earth in Japan" in the summer of 2007 and ended in the autumn of 2011. The film Blow the Earth in Japan is his first experience as a film director."

-Wikipedia (https://en.wikipedia.org/wiki/Toshinori_Kondo)
11/21/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
11/21/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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Shipp, Matthew
Magnetism(s) [2 CDs]
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Parker, William Quartets
Meditation / Resurrection [2 CDs]
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This Is Beautiful Because We Are Beautiful People
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Eloping with the Sun (William Parker / Morris / Drake)
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Steve Swell Quintet (Swell / Moondoc / Burrell / W. Parker / Cleaver)
Soul Travelers [VINYL + DOWNLOAD]
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Brotzmann, Peter Group
Alarm (1981)
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Parker, William / Raining on the Moon
Great Spirit
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Swell's, Steve Kende Dreams (Swell/ Brown / Crothers / Parker / Taylor)
Hommage A Bartok
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Parker, William
For Those Who Are, Still [3 CD BOX]
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