A collection of "stories untold" with varying line-ups, from a duo with Fala Mariam to a sextet with Mariam, Nuno Torres, Rodrigo Amado, Jose Bruno Parrinha & Paulo Curado, including the participation of other musicians like Carlos Santos, Hernani Faustino, Luis Desirat & Moz Carrapa.
Label: Clean Feed
Catalog ID: CF 374CD
Squidco Product Code: 22128
Packaging: Cardstock Gatefold Sleeve
Track 1 recorded at ZDB, during Creative Fest #8 on November 8th, 2014, by Cristiani Nunes.
Track 2 recorded at Namouche Studios on november 19th, 2014 by Joaquim Monte.
Track 3 and 4 recorded at Namouche studios on April 13th, 2015 by Joaquim Monte.
Moz Carrapa-acoustic guitar (on track 2)
Carlos Santos-computer (on track 3, 4)
Nuno Torres-alto saxophone (on track 5)
Rodrigo Amado-tenor saxophone (on track 5)
Bruno Parrinha-alto clarinet (on track 5)
Paulo Curado-flute (on track 5)
Pedro Lourenço-electric bass (on track 5)
Hernâni Faustino-electric bass (on track 3, 4, 5)
Luìs Desirat-drums (on track 3, 4)
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1. Asterion 9:20
2. Abrigo Dos Passaros 17:33
3. Os Ceus 9:25
4. Oito Lancamentos para Pedro Caveira 9:03
5. Sentinela 16:57
Related Categories of Interest:
European Improv, Free Jazz & Related
New in Improvised Music
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sample the album:
"A new record by the "best kept secret of Portuguese creative music", as one British critic once wrote about trumpeter extraordinaire Sei Miguel. Specifically, a collection of "stories untold" with different line-ups, from a duo with Fala Mariam to a sextet with Mariam, Nuno Torres, Rodrigo Amado, José Bruno Parrinha and Paulo Curado, including the participation of other musicians like Carlos Santos, Hernâni Faustino, Luís Desirat and Moz Carrapa.
This is how jazz sounds when inspired by John Cage and Alvin Lucier, each piece creating its own world, either reminiscent of Greek and Balkan chants, based on a Raksin-Mercer song, "Laura", dedicated to the guitarist of the free rock band Caveira or having the same notion of space Miguel finds in both Gil Evans and Keith Rowe. A veteran of the Portuguese scene, active since the Eighties, revered by some and misunderstood by others, Sei Miguel refuses to be considered an "institution" by always renewing his concepts and his playing, facing each project simultaneously as the first and the last one, letting himself to be surprised and at the same time dealing with it as a definitive statement.
The consequence: a shining diamond, for you to take and cherish..."-Clean Feed Records