The freely improvising quartet of Ernesto Rodrigues, Axel Dorner, Nuno Torres and Alexander Frangenheim recorded this beautiful album of dark sound in Germany in 2014, 3 movements of understated dialog using unexpected techniques in a subtle dialog.
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Label: Creative Sources
Catalog ID: cs289
Squidco Product Code: 21498
Packaging: Jewel Case
Recorded at Studioboerne45, Berlin Weissensee, Germany, on May 2nd, 2014 by Alexander Frangenheim.
Nuno Torres-alto saxophone
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1. Nor 1 21:25
2. Nor 2 12:53
3. Nor 3 13:00
European Improv, Free Jazz & Related
lowercase, micro-improv, sound improv
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A mature work from quartet of Ernesto Rodrigues, Axel Dorner, Nuno Torres and Alexander Frangenheim, using their instruments in unexpected ways to create a slowly breathing work in three movements. The orchestration of strings, horns, reeds, and brass allow a rich set of tones and sonic environment to emerge, fueled by extended techniques that create other-worldly sound. Through intent listening each player allows his partners room for distinction with complementary timbre and tone, motion, ebb and flow. It's a beautiful creation, fragile yet with a solidity born from the confidence of each player and their wildly imaginative approach to their instrument. An album to set the lights low, letting this album's seductive and mysterious sound bloom.
• Show Bio for Ernesto Rodrigues
"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.
His main interest shifted towards contemporary improvised and composed music.
The relationship with his instruments is focused in sonic and textural elements.
Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.
Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.
Music for Dance, Cinema, Video and Performance.
Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
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• Show Bio for Axel Dorner
"Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German jazz musician (trumpet and piano) and composer.
Dörner studied piano in the Dutch town Arnhem (1988-89) and at the Music Academy in Cologne (1989-1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light in the "The Street Fighters Duo". At this time he also joined the ensembles "The Street Fighters Quartet" and "The Street Fighters Double Quartet" together with Matthias Schubert, Bruno Leicht, and Claudio Puntin. In addition the "Axel Dörner Quartet" was initiated (with Frank Gratkowski, Hans Schneider and Martin Blume). With saxophonist Matthias Petzold. he participated on the albums Lifelines and Psalmen Und Lobgesänge.
Dörner has resided in Berlin since 1994, and occurs in the most diverse settings like "The London Jazz Composers Orchestra" and with "Hedros" (together with Mats Gustafsson, Günter Christmann, Barry Guy and others). Since then he has contributed on more than 50 album recordings.
Dörner is distinguished mainly by his versatility. He bouth play the more traditional Bebop, just like he fits in to classic Free Jazz or electronic music. He playd with Otomo Yoshihide at the Donaueschinger Musiktage in 2005. Dörner play both solo concerts and collaborates with his trio "TOOT" (together with Phil Minton and Thomas Lehn) and "Die Anreicherung" with Christian Lillinger, Håvard Wiik and Jan Roder, and in Ken Vandermarks "Territory-Band". Dörner is an integral part of the Berlin scene of experimental new improvisational music. Dörner was given special attention for his interpretation of all compositions by Thelonious Monk, with the pianist Alexander von Schlippenbach and his own band "Die Enttäuschung" released on a three CD album (Monks Casino, Complete 2005)."-Wikipedia-Wikipedia (https://en.wikipedia.org/wiki/Axel_D%C3%B6rner)
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• Show Bio for Nuno Torres
"Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives."-Creative Sources (http://creativesourcesrec.com/artists/n_torres.html)
^ Hide Bio for Nuno Torres
• Show Bio for Alexander Frangenheim
"Born in Wuppertal, he studied sculpture at the academy of fine arts in Stuttgart and at the same time classical Doublebass with Reinald Schwarz, soloist of Stuttgart Philharmonics. Having encountered experimental music in his youth, beside classical playing he soon ventured into free improvisation as well as working with graphic notations in the ensemble of composer Klaus Fessmann, who holds a professorship at Salzburg Mozarteum. After having met Günter Christmann in the early 90s, who became a close friend over the years, a grant offered the possibility to go to London, where he finally was able to explode into a most intense period of sessions, collaborations, concerts and recording sessions, this all with help by John Russell, Chris Burn and John Butcher. Back in Stuttgart he was asked to teach experimental music at the academy of fine arts Stuttgart, which he did for a period of ten years and which led him to extended sound and performance explorations in collaboration with his students. He continued to organize the festival concepts of doing - Interaktion Tanz Musik (1992 - 2003) and, after an intense trip through many european countries meeting dancers for free improvisations and an invitation to the 5th Composers Choreographers Exchange (Southbank Center London), he was co-founding the production center for dance and performance Stuttgart. Being the head of this association for three years and after the festival of concepts of doing 2003, he pushed these structures aside for regaining breath and new freedom and inner engagement in life and arts. At the same time this moment was accompanied by his last days in ensemble zeitkratzer, which he was member of since its beginning in 1997 (performances of famous MMM by and with Lou Reed as well as music by alva noto, Merzbow, Lee Ronaldo, Elliott Sharp, DJ's a.o.).
2005 saw him establishing himself in a space in Berlin to seek new projects. Since then he has recorded three cds, created the music for the experimental film "Lupinen löschen" by Sabine Schöbel, which was shown at the Berlinale 2007, and started to work with analog electronics on the acoustic double bass as well as on an electric one, introducing this to his collaborations with dance.
He played in groups... trio with Jim Denley and Steve Noble; duo with Phil Durrant (cd); quintet with Evan Parker, Phil Wachsman, Thomas Lehn, Roger Turner; duo with Günter Christmann (cd); "Ein Quartett" with Bieler-Wendt, Kolkowski, Zimmerlin; trio with Chris Burn and Axel Dörner.
Projects with Günter Christmann: Sextett Vario 34 (cd) und "con moto" (music, dance, sound poetry, film) with David Zambrano, Urs Leimgruber, Fine Kwiatkofski, Elke Schipper (dvd).
Concerts with... Paul Lovens, John Butcher, Phil Minton, Derek Bailey, Sven-Ake Johannson, David Moss, John Russell, Johannes Bauer, LeQuan Ninh, Dietmar Diesner, LaDonna Smith, Malcolm Goldstein, Fred Frith, Vinko Globokar, Barry Guy, Torsten Müller, Carlos Zingaro, Fred van Hove, Urs Leimgruber, Mats Gustafsson, Dorothea Schürch, Herb Robertson, Alberto Braida, Michael Griener, Yumiko Tanaka a.o.
Intense work with dancers in diverse performing and rehearsing situations.
Collaborations with Julyen Hamilton, Vera Mantero, Benoit Lachambre, Ingo Reulecke, Josè Luis Sultàn, Mark Tompkins, Junko Wada, Fine Kwiatkofski, Regina Baumgart, David Zambrano, Sasha Waltz, Katie Duck, Joachim Schlömer, Thomas McManus, Nigel Charnock, Xavier Le Roy, Frans Poelstra, Virpi Pakhinen, Russell Maliphant, Anzu Furukawa, Pal Frenak, Anna Huber, Andreas Müller, Astrid Endruweit, Jennifer Lacey, Lin Yuang Shang.
concepts of doing. Between 1992 and 2003 he organized the festival "concepts of doing - Interaktion Tanz Musik" which became an important european plattform for the exchange of the arts inviting many notable artists for free collaborations during 4 days. (Please see: www.concepts-of-doing.de). cd: "screen. Festival concepts of doing 1999" mit Yoshihide, Turner, Leimgruber, Schürch, Parkins, Newton, Frangenheim.
Critics: "mikrotonale Edelsteine" (Markus Müller, Jazzthetik), "deliciously subversive" (Cadence), "music straight from the dynamo" (The Wire), "Frangenheim uses extended string techniques Gidon Cremer supplied for Luigi Nono" (The Wire).
Lives in Berlin since 2005. In preparation for creative space for 2009, which will allow him to continue his work with dance and other media.
Projects: trio with Chris Burn and Axel Dörner; quartet with Thomas Lehn, Le Quan Ninh, Frederic Blondy; duo with Günter Christmann /as well as other formations; trio with Floros Floridis and Ray Kaczynski; cds in prep: quartet with Moss/Bauer/Tanaka, quartet with Turner/Wachsman/Pat Thomas. performance project "streugut" together with Clausen, Reulecke, Rudstrom, Simon."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Alexander Frangenheim
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