Rydberg was a Swedish physicist with a moon crater named after him, here celebrated by the the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics) in an album blending ambient electronics and muted, guiding rhythms.
Squidco Sale Item:
Buy 1 this item, Take 50.00% Off
(checkout price: $6.47)
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: mono092
Squidco Product Code: 21100
Condition: Sale (New)
Packaging: Cardboard Gatefold
Recorded at Studio Beige in Berlin, Germany in 2013 and 2014.
Werner Dafeldecker-function generator, electronics
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for Werner Dafeldecker
"Werner Dafeldecker was born in Vienna in 1964 and studied the double bass which he plays with passion. As a musician, composer and sound artist he takes advantage of the manifold possibilities offered by electro-acoustics. His musical projects are often inspired and deduced by outside influences such as architecture, science, photography and film - partially resulting in the creation of graphical scores for various ensembles and instrumental performers. Werner also focuses on site specific projects, field recording and opposing natural and environmental sounds with synthetic variants. He has built up an extensive sound archive and created several electroacoustic pieces for radio and film. Around ninety sound-recordings are documenting his artistic framework. He held lectures and workshops presenting his work i.a. at University Bellas Artes-Madrid, Hochschule für Gestaltung-Karlsruhe, RMIT University-Melbourne and Edith Cowan University-Perth.
Commissions / Exhibitions / Performances:
Kammermusiktage Witten; Contemporary Arts Museum, Houston; Berliner Festspiele Maerz Musik Festival; Sound field Festival, Chicago; Festival Wien Modern; Festival Hörgänge, Wien; Centre Pompidou, Paris; Steirischer Herbst, Graz; What is Music Festival, Australia; International Music Festival, Vancouver; LMC Festival, London; Dundee Media Festival; Ultraschall Festival, Berlin; SWR; ORF; Salzburger Festspiele; Liquid Architecture Festival, Australia; Darmstädter Ferienkurse; Serralves Festival, Porto, ZKM, Karlsruhe; Museum of Contemprary Art, Zagreb; Museo Reina Sofia, Madrid; Gronland Kammermusikk Festival, Oslo; Festival Mikromusik, Berlin; Borealis Festival, Oslo; Akademie der Künste, Berlin; Klangspuren Schwaz, Tirol; Transmediale Festival, Berlin"-Werner Dafeldecker Website (http://www.dafeldecker.net/information/biography-english.html)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Werner Dafeldecker
1. Elevator 19:16
2. Gardening 7:27
3. And The Science 14:29
sample the album:
"Rydberg, I discovered, was a Swedish physicist who has both a highly regarded constant and a moon crater named for him. Here, it's the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics). The first of three tracks, "Elevator", starts ingratiatingly enough, gentle faux-cello strums in an ambient soundscape, soon infiltrated by slow beats, which make for a kind of duet with that "cello", rather plaintive and attractive, slowly bleeding out into a hazier space, the beats still there but dissolving a bit. It's a lovely, complex location with much "minor" activity occurring--think a less fussy Radian. "Gardening" is a little jauntier, again, as in some of the music from Mirt, striking me as relating to investigations begun long ago by Jon Hassell. There's an interesting kind of discretion in play, the pair laying back, issuing new lines unaggressively (another sampled cello, if I'm not mistaken), allowing the steady but unplodding beat to absorb the various elements in stride, though it overstays its welcome a tad. In the final track, "And the Science", everything is given over to the beat and, to my ears, a pretty dull one, oppressively regular with tiresome synthed sock cymbals; the ornamentation with squelches and static can only do so much. It's very well produced, sounds great and has its charms but, obviously, will appeal to those who have more tolerance for regular beats than I do."-Brian Olewnick, Just Outside
New in Experimental & Electronic Music
Friends of Squid
Search for other titles on the Monotype label.