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© 2002-2017, Squidco LLC


Fraser, Nick (feat. Tony Malaby and Kris Davis): Too Many Continents (Clean Feed)


Toronto drummer and composer Nick Fraser in a superb trio with saxophonist Tony Malaby and pianist Kris Davis, performing Fraser originals that merge free improvisation, jazz and avant compositional approaches with astonishing solos from all three.
 

Price: $14.95

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Shipping Weight: 2.00 units

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product information:


UPC: 5609063003369

Label: Clean Feed
Catalog ID: CF 336
Squidco Product Code: 20998

Format: CD
Condition: New
Released: 2015
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded and mixed by Michael Brorby.


Personnel:

Nick Fraser-drums

Tony Malaby-tenor saxophone, soprano saxophone

Kris Davis-piano

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Too Many Continents 9:56

2. Recovered as Granted (Sketches 28 & 27) 3:46

3. I Needed It Yesterday 6:04

4. Also 4:23

5. Nostalgia for the Recent Past 9:51

6. Sketch #25 4:28

7. There'll Be More Dreams to Come 8:18




Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Trio Recordings
Clean Feed
New in Improvised Music
Recent Releases and Best Sellers

sample the album:








descriptions, reviews, &c.

"Little by little (we would prefer otherwise, but that's how things go), all that the Canadian scene has to offer comes to light. Drummer and composer Nick Fraser is a fundamental figure of the progressive jazz circuit established in Toronto, due to his "feeling for economical gestures and innate sense of form", as critic Mark Miller wrote. And indeed, he's out in the open: after playing with the likes of Anthony Braxton, Dave Liebman, Marilyn Crispell and David Binney, in this new opus he has the company of two other notable musicians with international reputations: Tony Malaby and Kris Davis. They enable him to give some groove to the music (wrong: lots of it!) and to be a colorist whenever needed, going to avant-garde land without losing sight of the jazz tradition. If you've already heard him with the bands Drumheller, Ugly Beauties, Peripheral Vision and Titanium Riot, "Too Many Continents" is something else. Between Malaby's tenor sax harshness and Davis' refined piano constructions, Fraser has enough room to surprise us. And he does. They all do, over and over and over."-Clean Feed



Nick Fraser's notes on the music:

"Too Many Continents expands on my interest in geography, in the world around us, in language and space. In where people choose to make their lives and why.I've known Kris and Tony for close to twenty years and have long felt a kinship with their music. The title piece is the first thing that we played together on the day we recorded and it offers a patient, rambling, and expansive improvisation to open the album.

"Recovered As Granted (Sketch 28/27)" is a reading of two pieces indebted to Edgar Varese. After stating the melody a few times, Tony plays a solo that really goes from zero to sixty (and back again). One thing that this album offers is (I believe) a more complete portrayal of Tony's soprano saxophone playing than I have heard on record.

"I Needed It Yesterday" is about patience and impatience. The title is from some graffiti that I found near my house in Toronto. A cryptic and vaguely threatening message writ large. Kris really slams the door on this one. What Kris offers a group of improvisers as a structuralist is unparalleled. She has an uncanny ability to frame abstract material into clear, cogent musical statements.

"Also" is a piece that I have recorded four times, making it possibly the most recorded piece in the history of Canadian free jazz. It's a ballad.

"Nostalgia for the Recent Past" opens with a soprano and drum improvisation over an insistent repeated single piano note. Kris continues to use that single note as the theme for further improvisation. A weighty improvised ballad follows.

"Sketch #25″ was inspired by the great Muhal Richard Abrams.

"There'll be More Dreams to Come" could be the title of a jazz standard. It features some more of Tony's deeply swinging soprano playing.

I hope you enjoy the music."-Nick Fraser, 2015


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