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Double-Basse (Petit / Duboc): This is Not Art (Clean Feed)

French free improvisers Benjamin Duboc (double bass) and Jean-Luc Petit (contrabass & clarinet) in a moody album of bass tones, deep harmonics and rich timbral interaction with beautiful pacing that rises in confrontation and then descends back to artful darkness.
 

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product information:


UPC: 5609063003338

Label: Clean Feed
Catalog ID: CF 333
Squidco Product Code: 20843

Format: CD
Condition: New
Released: 2015
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded Eglise St Martin a Bignac, France, in April, 2013 by Benjamin Duboc.


Personnel:

Jean-Luc Petit-contrabass, clarinet

Benjamin Duboc-doublebass

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track listing:


1. Craftsmen I 25:08

2. Craftsmen II 17:47

Related Categories of Interest:


Improvised Music
Free Improvisation
Duo Recordings
Recordings by or featuring Reed & Wind Players
Stringed Instruments
Clean Feed
New in Improvised Music
Squidco's Clean Feed $12.00 Sale

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descriptions, reviews, &c.

"This is Not Art is the recorded beginning of a second life for the duo maintained by Benjamin Duboc and Jean-Luc Petit, finally justifying the name of the project. Before switching for the contrabass clarinet, Petit played tenor and baritone saxophones and "Double-Basse" wasn't quite what it announced, a pair of basses. Now, Duboc's contrabass violin has a most appropriated companion. Because of the timbral proximity of the two instruments, wonderful things happen in terms of dynamics and harmony, resulting in one of the most original proposals in creative music these last years, in France and everywhere.

Duboc became a top bassist, acting in the international jazz and free improvisation fields. He played with many of the best, from Sunny Murray, Henry Grimes, Roy Campbell and Joelle Leandre to Jean-Luc Guionnet, Oliver Lake, Jean-Luc Cappozzo and Tom Chant.

Petit may not have the same public projection as his partner, but his importance is growing fast, mainly because no-one else masters the lowest specimen of the clarinet family like him. He does impossible things with it, but going beyond mere technical virtuosity.

The resulting music is heavy, full of grain, dense, but at the same time delicate, sparse and detailed. You must listen to believe it."-Clean Feed



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Artist Biographies:

"Jean-Luc Petit

Saxophones sopranino, alto and baritone, clarinet double bass

Born on 22 November 1954

Alongside his studies at the School of Art in Angoulême, he began learning saxophones and clarinets in a self-taught way. His decisive encounters with first the composer Etienne Rolin and later Kent Carter reinforces him in the idea of ​​becoming a musician. He collaborated for a long time with Etienne Rolin and founded the Trio EVER with him and participated in his many other projects. He meets composer and improviser François Rossé , plays quartet with Kent Carter and meets Kent Carter , musicians like Olivier Johnson , Jean-Jacques Avenel , Takashi Kako , Carlos Zingaro , Glenn Ferris ...

He composes music for the theater and participates with the actor and poet Daniel Crumb in several shows "The small studies of self" , "Love is a dog of hell" on poems of Charles Bukowski , ...

From the beginning improvisation is at the center of his practice and his preoccupations. He performed solo and formed several duets with Benjamin Duboc , Mathias Pontévia , Didier Lasserre , pianist Didier Fréboeuf , trombonist Christiane Bopp , founded with Fabrice Favriou and Adrien Monteiro "Rossignol Genocide", participated in the Orchestra "Le Lobe" Directed by Claire Bergerault , has multiplied the recontres with musicians such as Eric Brochard , Louis-Michel Marion , Claude Parle , Daunik Lazro , Jean-Marc Foussat , Joel Grip , Makoto Sato , Jean-Luc Cappozzo -Brice Godet , etc ...

"I believe that music is formed in time and finds its fulfillment. Programming, defining, schematizing, improvising are the different and not contradictory ways of accompanying the growth of an organism that, like every living thing, is born, grows , Becomes individualized and extinct.The necessity of the ephemeral is the credibility of the form: I do not know the aesthetics of the piece globally, but only the form of a fragment which reproduces constantly as it transforms itself. "

Franco Donatoni"

-Jean-Luc Petit Website (translated by Google) (http://jeanlucpetit.name/spip.php?article10)
6/13/2017

"Benjamin Duboc is a very strong voice on double bass, born 1969, studied with JF Jenny-Clark & Bernard Cazauran, and has played with many great musicians (as Ernest Dawkins, Bertrand Denzler, Roy Campbell, Jean-Luc Cappozzo, Sabir Mateen, Byard Lancaster, Daniel Erdmann, Abdelahaï Bennani, Michel Doneda, Daunik Lazro, Sunny Murray, John Betsch...). And also with Henry Grimes for a great duet in Paris. He leads the "Nuts" quintet with Itaru Oki & Rasul Siddik on trumpets, & Makoto Sato & Didier Lasserre on drums. He plays in "The fish" with Jean-Luc Guionnet on alto sax & Edward Perraud on drums (double cd on Ayler Records) and Rocks in the Sea with Mario Rechtern, Eric Zinman and Didier Lasserre. Benjamin has a beautiful and big sound, you really feel the ground while hearing him... it's somethin' ! He also is recorded on Amor Fati, Futura Marge, Creative sources, le petit label, sansbruit."

-Benjamin Duboc Website (http://benjamin.duboc.free.fr/biography.htm)
6/14/2017

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