Drummer Joe Herteinstein's followup to his 1st Clean Feed HNH album from his New York trio with Pascal Niggenkemper on bass and Thomas Heberer on cornet, adding a New York attitude to European modern jazz, with oustanding playing using a mix of traditional and inventive approaches.
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Label: Clean Feed
Catalog ID: CF332
Squidco Product Code: 20842
Packaging: Cardstock Gatefold Sleeve
Recorded live in New York City, New York, in March 2013 by Rick Krahn.
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• Show Bio for Joe Hertenstein
"Joe Hertenstein is among the busiest and most versatile drummers and band leaders of the improvised-music scene of New York City. Trained at the Hochschule for Music and Dance in Cologne, Germany, he came to New York in 2007 to complete his Master of Arts studies at City University of New York. His mission was to learn from and explore music with many master musicians, some of which he calls friends and colleagues by now. He hopes to encourage and experience the dialogue with all cultures through music, through the abstract, through friendship and inspiration.
Joe has released five albums as a leader with the bands HNH, POLYLEMMA, Future Drone and TØRN and many more as a sideman on labels such as MoersMusic, Cleanfeed, Red Toucan, jazzwerkstatt Berlin, Creative Sources, 2nd Floor/Loft-Cologne, Skirl, Leo, Engine, and Konnex.
He has performed at the Philharmonic in Cologne, and at the Moers Festival in Germany, the Warsaw Jazz Summer Days, the Bush Hall London for BBC, the Opera House in Toronto, the World Trade Center in Dubai, the John F. Kennedy Center for the Performing Arts in Washington DC, as well as Carnegie Hall, Webster Hall, Roulette, Issue Project Room, Dizzy's Club, The Stone, Nublu and the Vision Festival in New York City among many others.
In 2005, the magazine AllAboutJazzNewYork hailed his drumming style as "...shaping the music from the bottom up." and for April 2011, the Managing Editor of TheNYCJazzRecord, Laurence Donohue-Greene, selected Joe's album Crespect by TØRN as "Recommended New Release". The same year, the website www.allaboutjazz.com praised his album POLYLEMMA as thus: "The soloists' focused interactions intimate a highly artistic game plan that supersedes the tried and true." POLYLEMMA won Belgian music critic Stef Gijssels' freejazzblog's Happy-New-Ears-Award 2011 for most innovative listening experience. Joe's latest album HNH2 made it on Gijssels' list of top 10 albums of 2015: "Fantastic trumpet, bass, drums trio redefining the format through inventive music."
Some of the international festivals Joe has performed at are the Hoeilaart Jazzfestival Brussels (BE), JekerJazz Maastricht (NL), the Leverkusener Jazztage, Moers New Jazz Festival, Triennale 2007, ViveLeJazz (GER), Portalegre Jazzfest (PGL), Warsaw Jazz Summer Days (P), Vision Festival, Red Hook Jazz Festival and Nublu Festival NYC, Clean Feed Festival at The Stone NYC, and many more.
The growing circle of international musicians he has worked with include Ravi Coltrane, Kenny Werner, Chris Potter, Tim Hagans, Rufus Reid, Steve Wilson, Jay Anderson, Butch Morris, Juini Booth, Kenny Wollesen, Graham Haynes, Brandon Ross, Matthew Shipp, Elliott Sharp, Alvin Fielder, Doug Wieselman, Ken Filiano, Anthony Coleman, Tristan Honsinger, Damon Choice, Damon Smith, Daniel Levin, Michael Attias, Daniel Carter, Mossa Bildner, Phil Gibbs, Sylvain Leroux, Steve Swell, Mat Maneri, Darius Jones, Jon Irabagon, Sean Conly, Todd Neufeld, Leo Genovese, Mikko Innanen, Achim Tang, Thomas Lehn, Frank Gratkowski, Scott Fields, Dieter Manderscheid, Matthias Schubert, Thomas Heberer, Achim Kaufmann, Sebastian Gramss, Thomas Helton, Damon Smith, Blaise Siwula, Carsten Radke, Terrence Ngassa, Adam Rudolph's GO:Organic Orchestra and Karl Berger's Improviser's Orchestra. He was a member of Butch Morris' ensembles Nublu Orchestra and LuckyCheng Orchestra as well as Cologne's The James Choice Orchestra.
Hertenstein is a member of the Tim Hagans Quintet with Steve Wilson, Luis Perdomo/Leo Genovese and Jay Anderson. He is also the drummer for Thomas Helton's The Core Trio with Seth Paynter, which will release its second album featuring pianist Matthew Shipp in the summer of 2016 on Berlin's EvilRabittRecords.
2015 Joe was artist in residence at The Atlantic Center for the Arts, Florida. "-Joe Hertenstein Website (http://joehertenstein-bio.tumblr.com/)
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• Show Bio for Pascal Niggenkemper
"New York City-based German-French bassist, composer and improviser Pascal Niggenkemper is a performing and recording artist active on the creative music scene in the US and in Europe.
From 1999-2005 he was musicaly active in Cologne having studied jazz & classical double bass at the Hochschule für Musik. In 2005 he received the DAAD award and moved to New York.
From 2008 to 2010 Pascal led the PNTrio with Tyshawn Sorey and Robin Verheyen. (CD "pasàpas" Konnex 2008 & "urban creatures" JazzHausMusik 2010). The trio toured extensively in Europe performing at the Jazzcologne Festival, Jazzherbst Konstanz and at the Kennedy Center in Washington. Recordings for the WDR and the BR Radio.
In cooperation with Jazzdor Strasbourg-Berlin, Pascal formed the septet vision7 that performed at Jazzdor Strasbourg-Berlin, Vive le Jazz in Cologne, Jazz à la Cité in Paris and at the Pori Jazz in Finland. (CD 'Lucky Prime' clean feed records Sept 2013)
In September 2011 Pascal released with Simon Nabatov and Gerald Cleaver the CD/LP upcoming hurricane on NoBusiness Records which is listed among 'Albums of the year' 2011 in the 'The New York City Jazz Record'. The trio performed in Canada and the USA.
He recently recorded a new solo program called: 'look with thine ears' music for bass & preparations was premiered at the Jazzdor Festival in Strasbourg in November 2013. The CD was released in March 2015 on clean feed records. He performed for the France Musique radio broadcast by Anne Montaron called 'a l'improviste'.
In 2014 he presented the double trio 'le 7eme continent' with the program 'talking trash' at the Vive le Jazz festival in Cologne, Germany and the concert was broadcast by WDR3 radio. Their CD was released in May 2016 on clean feed records and the group performed in France, Belgium and Germany.
Pascal is co-leading the groups baloni with Frantz Loriot viola and Joachim Badenhorst clarinets (CD 'fremdenzimmer' 2011, 'Belleke' 2014 & 'Ripples' 2015 clean feed records) PascAli a duo for two prepared basses with Sean Ali (CD 'suspicious activity' creative sources 2012) and Miner's Pick with Thomas Heberer. (CD 'miner's pick' FMR records 2014)
With friends, he curates in NY the house concert series ze couch, where every month artists meet to present their work.
Festival presence includes: Jazzdor Strasbourg-Berlin, Vision Festival New York, Umbrella Festival Chicago, Banlieues Bleues Paris, Strade del Cinema Aosta, météo Mulhouse, Jazzcologne, JIGG Lisbon, Taktlos Zurich, Jazz à la Cité in Paris, ESCUCHA Madrid, Washington DC Jazz Festival, Pori Jazz Festival, Middelheim Antwerp, Grenzenlos Köln, undead Jazzfest NYC, D'Jazz Nevers, NewAdits Klagenfurt, Font New York, Music Unlimited Wels, Vive le Jazz Cologne, GONG Aarau, Konfrontationen Nickelsdorf, Ljubljana Jazz Festival etc...
He received the following scholarships/grants: DAAD, Henry Mancini Institute, North Rhine-Westphalia composition stipend."-Pascal Niggenkemper Website (http://www.pascalniggenkemper.com/bio_english.html)
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1. Wurste & Sozialsysteme 4:21
2. Threefold Collision I 1:49
3. Pitch 3:58
4. Backwards 6:13
5. Glutamat & Menschenrechte 3:54
6. Centerpeace 5:55
7. Threefold Collision 2 2:21
8. Let's Flee 5:24
9. Nine E 3:43
10. Man On Wire 7:10
11. Loose Ends 6:53
sample the album:
"Here it is, the follow-up HNH album we hoped for so long. Joe Hertenstein's trio with the surname initials of the three German musicians living in New York: Joe Hertenstein, Pascal Niggenkemper and Thomas Heberer. And indeed it's a special album and the new music is quite different from their debut disc we released in 2010.
From the beginning HNH was mixing the Big Apple feeling and the European gusto to turn things upside down. It grabs you from the beginning, the energy, the sound, the interplay. The drummer, the bassist and the cornetist are masters of their skills and they might just have created a grand opus, and they did it with a good amount of irony and humor and with lots of punch and cleverness.
What we have here is angular music with lots of brain cells acting, but make no mistake: it's also some of the most vibrant, pulsating jazz and improvised music you can get these days. Happening in a wide spectrum of nuances, going from recognizable procedures (Heberer is a classicist of the jazz trumpet, even when in avant-garde contexts) to the most unusual and surprising (Niggenkemper's double bass preparations with metal lampshades), with Hertenstein pushing everything forward and expanding the drum set possibilities by adding unusual percussive instruments, they truly found their own ways of making music.
Hertenstein's and Heberer's writings trigger group improvisation in a unique way and the improvised parts include structural cues for the band to move seamlessly in and out, always renewing the interactions between composition and intuitive play. HNH do it in such a way that, sometimes, you can't distinguish one from the other. This music pulls you through every emotion and ultimately, everything grooves..."-Clean Feed
NY Downtown & Metropolitan Jazz/Improv
Melodic and Lyrical Jazz
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