A beautifully paced and uniquely voiced album of electronic soundscapes from luminary New York performer Ikue Mori, 10 works including a realization of Izumi Kyoka's story "Koya Hijuri", 3 pieces for Mozu birds, the 2-part "Pomegranate Seeds", and one of Zorn's Masada compositions.
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Catalog ID: TZA-CD-4007
Squidco Product Code: 20499
Mixed at at East Side Sound NYC, on September 21st, 2014 by Marc Urselli.
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1. Koya Hijiri (Holy Man Of Mount Koya) 15:22
2. Agate Amulets 3:48
3. Mozu #1 (One Hundred Tongues) 3:27
4. Orot 4:39
5. Mozu #2 3:37
6. Basharaf 4:38
7. Mayukakushi (Wandering Spirits Of Mayukakushi) 2:20
8. Mozu #3 3:35
9. Pomegranate Seeds #1 Sea Nymphs 3:59
10. Pomegranate Seeds #2 Underground King 2:43
Related Categories of Interest:
Organized Sound and Sample Based Music
NY Downtown & Jazz/Improv
Solo Artist Recordings
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sample the album:
"A winner of electronic music awards in Europe and the United States, Ikue Mori is one of the most respected composers working in the growing field of laptop electronics. A dedicated and passionate perfectionist, she has created a completely unique and original sound world unlike any other electronic composer around. Her newest CD adds a beautiful melodic twist to her moody, detailed and unique soundscapes and is her most stunning creation to date. Essential listening for anyone interested in electronic music."-Tzadik
• Show Bio for Ikue Mori
"Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal NO WAVE band DNA, with fellow noise pioneers Arto Lindsay and Tim Wright. DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.
In the mid 80's Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style. Through out in 90's She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music. 1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust. Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.
In 2000 Ikue started using the laptop computer to expand on her already signature sound, thus broadening her scope of musical expression. 2000 commissioned by the KITCHEN ensemble, wrote and premired the piece "Aphorism" also awarded Civitella Ranieri Foundation Fellowship. 2003 commissioned by RELACHE Ensemble to write a piece for film In the Street and premired in Philadelphia. Started working with visual played by the music since 2004. In 2005 Awarded Alphert/Ucross Residency.
Ikue received a grant from the Foundation for Contemporary Arts in 2006. In 2007 the Tate Modern commissioned Ikue to create a live sound track for screenings of Maya Deren's silent films. In 2008 Ikue celebrated her 30th year in NY and performed at the Japan Society. Recent commissioners include the Montalvo Arts Center and SWR German radio program and Shajah Art foundation in UAE. Current working groups include MEPHISTA with Sylvie Courvoisier and Susie Ibarra, PHANTOM ORCHARD with Zeena Parkins, project with Koichi Makigami and various ensembles of John Zorn. New duo Twindrums project with YoshimiO workshop/lecture in various schools include University of Gothenburg, Dartmouth Collage, New England Conservatory, Mills Collage, Stanford University, The School of the Art Institute of Chicago"-Ikue Mori Website (http://www.ikuemori.com/bio.html)
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