The sepiasonic ensemble, originally created by Claudio Puntin, Insa Rudolph and Samuel Rohrer, documented here on Arjunamusic, in improvisations, songs and soundscapes blend voice, 3 flutes, reeds, electronics and song in sublime ways.
Catalog ID: AM 704/14
Squidco Product Code: 19464
Recorded at Flatoria Musica in Onsabruck, Austria, by Christian Heck.
Claudio Puntin-clarinet, bass clarinet, contrabass clarinet, keyboard, toys
Insa Rudolph-voice, toys
Samuel Rohrer-drums, electronics
Kim Efert-guitars, electronics, toys
Daniel Agi-flute, autoflute
Daniel Manrique-Smith-flute, autoflute
Jorg Brinkmann-cello, electronics
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1. Sorbet 6:17
2. Tagelang Nichts 5:16
3. Smiling At You 6:49
4. Nocturne 9:31
5. 3rds Circle 4:06
6. Mitternacht 8:11
7. Lost & Found 2:58
8. Changing Places 4:40
9. Beijing Boulevard 5:15
10. Reflections On Nita 3:43
11. Nita 6:38
12. Paris 1:50
13. Smiling Circus 1:40
14. Fliegen 7:22
sample the album:
"We have here an abandoned diary that displays a very personal handwriting.
The sepiasonic ensemble, originally created by Claudio Puntin, Insa Rudolph and Samuel Rohrer, is publishing here something that no longer coincides with their ensemble's existence, which fell victim to the demands of market compatibility after 5 years' creative work.
But their compositions, songs and sound visions are published here in an album which constitutes a milestone in the creative work of the musicians involved and which many fans have awaited with excited anticipation.
The album has come out on arjunamusic, the label of the drummer Samuel Rohrer, and it is testimony to a long and consistent musical dedication in pursuit of the basic notion that their music should be detached from theories, styles and epochs, leaving only its feelings.
An approach which carefully merges the different musical roots and playing styles of the musicians and instruments to form a unique unity.With the necessary subtle feeling for the rhythmic and aesthetic nature of the diverse musical modes of creation and a lot of creative imagination there have emerged compositions. Improvisations, songs and soundscapes which show with much magic what universal and creative music can be today.
Three flutes, including bass and alto flutes, are an unusual set-up for a band with a rhythm section, but they combine to form a flexible harmony instrument and they glide naturally along songs and soundscapes without distorting their own identity. They are the organ, they are the chamber music trio, they are the cascades enabling one to rise into an impressionist universe. There they encounter a weightless clarinet which can be found everywhere. In this flying caravan it appears as a soloist in super-soft, Callas-tinged sound, then with virtuoso emotional improvisations through to the cool, groovy and airy sound on the bass clarinet. A chameleon, omnipresent and inconspicuously functional at the drop of a hat, with certain timing in all the worlds between bass and drums. Of all things the drums, nothing for days, suddenly filtered, and then a storm of break-beats and primeval landscapes. An amazing balancing act of chamber music textures and distorted guitar riffs. Then this puzzlingly flexible bass, it is sinuous, it is precise and harmonious, it's a different bass, one which goes round the corner and, as a guitar, casually grooves changes. Can a cello do this? Normally not, we know it when bowed in the great romantic concerto, but now here, and yet more: also as a harp, an improviser on chords and noise source. Together with the guitar, which brings Jupiter and what is behind it down to us, which does not shrink from using any expedient and steals a bit of a bar from someone with a megaphone looper and fades away. And then there is the magic of this voice, which sings as though from another world of everyday wonders and crocodile soaps which merge to form songs, then lets them go again, in the angelic choir or on zither strings, vanishing between toy piano and market atmosphere. Even those things which can be heard and have no name, invented specifically for this purpose, like the "zischboard" invented and built by Claudio Puntin, or sounds from everyday objects, merge into the self-evidence of sepiasonic's music.
sepiasonic has thus also created soundtracks for radio plays and films, including the NDR production "Measuring the World" by Daniel Kehlmann (radio play version on Deutsche Grammophon) or the film "Soundless Wind Chime" by Kit Hung (Berlinale 2009)."-Arjunamusic