Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.
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Label: Palaver Press
Catalog ID: Pm001
Squidco Product Code: 19172
Mastered by Greg Davis.
Szilard Mezei-guitar, sine waves
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• Show Bio for Szilard Mezei
"Szilárd Mezei, born February 12th, 1974 in Senta, Serbia (then Yugoslavia) as a member of the Hungarian minority in the multiethnic region of Vojvodina. Completed his violin studies in Senta and Subotica and studied composition for four years at the University of Arts in Beograd under prof. Zoran Eric. As violinist, violist, double bass player and composer and in various formations (from duo to nonett) held many concerts: Senta, Kanizsa (the "Jazz, Improvisative Music..." Festival 1995, 1997, 1998, 2000, 2002), Subotica, Novi Sad (all Serbia, then Yugoslavia), Maribor (Slovenija), Szeged (Hungary, 'MASZK' Festival 1994, 1997), Budapest (Hungary, 'FONÓ' 1997), Gyor (Hungary, 'Mediawave' Festivals 1992, 1994, 1995, 2003, 2006, also 'Gyorfree Impro Workshops' 2003, 2004, 2006), Gyergyószentmiklós (Romania), Leverkusen (Germany, 'Leverkusener Jazz Tage' 1991), Düsseldorff (Germany, 'Düsseldorffer Altsadt Herbst' 1996 - special prize for improvisation), Copenhagen and Aarhus (Denmark, 'Magic Music Festival' 1999), Kluj-Napoca (Romania, 'Charta Minimumia Festival' 2000), Odorhei Secuiesc (Romania), Beograd (Serbia, 'Ring Ring Festival' 2002, 2005), Pécs (Hungary, 'Gassztro Fest' 2002, 'POSZT' 2006), Kishegyes ('Dombos Fest' 2003), Copenhagen, Aero, Aalborg, Aarhus (Denmark, 2003 - tour with the Creative Workshop Ensemble), Debrecen ('Debrecen Jazz Days' 2003), Klagenfurt ('CIK', Austria, 2004), London ('Klinker Nunhead', 2005), 'Cerkno Jazz Fest' (Slovenia, 2006, 2007), Avignon 2006, Zagreb, Graz , Warszawa (Music Academy), Budapest (Music Academy), Gyor, Subotica, Novi Sad, Debrecen , Vác 2007, Dunajska Streda (Are You Free? Festival), Beograd (Ring Ring Festival 2008, Lasciar Vibrare festival), Budapest (Újbuda Jazz festival 2008), Ljubljana, Krakow (Krakow Jazz Fall 2008, Graz (Stockwerk).
His orchestra plays contemporary improvised music, mostly performing his own compositions. As a composer, Mezei is interested in exploring the relationship between improvisation and composition (similarly to Witold Lutoslawski's aleatoric and Anthony Braxton's creative music methods), incorporating elements of jazz and authentic folk music as well. As a young musician he followed the path of B.Bartók and Gy.Szabados. Mezei is also very actively involved in composing scenic music and plays authentic Hungarian folk music on genuine folk instruments (koboz and oud).
Since 2001, Mezei is closely collaborating with choreographer Josef Nadj, director of the 'Centre Chorégraphique National d'Orléans' in Orléans, France. Their mutual project 'Les Philosophes' was selected theatre-piece of the year 2001 in France. The play was performed with great success at the 'Festival of Dance' in Cannes, France 2001, in Avignon 2002, in Brugge (Belgium - the capital of European Culture for the year 2002), in Orléans in October 2002, in Paris in May 2003, in Reggio Emilia (Italy), in Le Havre, in Nantes (France) 2004, and in London 2005. In 2006 they collaborated on a new project 'Asobu' (together with co-composer Akosh S.). This play was premiered at the Festival d'Avignon in 2006, then successfuly toured Europe and Japan.
In 2003 Mezei was invited by the Creative Workshop Ensemble of Denmark to tour in that country, performing some of his compositions.
In 2007 He was invited to play with The Fonda / Stevens Group. They held concerts in Magyarkanizsa, Zagreb, Graz, Oberwart, Cerkno, performing compositions by Michael Jefry Stevens, Joe Fonda and Mezei.
His 'String Trio' was performed at the Festival of Contemporary Music 'Ondine '98' in Rovereto, Italy . The composition 'Trio for Flute, Piano and Percussion' won the 3rd prize at the 7th International Review of Composers in Beograd 1998 in the category of student-composers. He got the 'Sterija Prize' for the music of the theatre-piece 'Szelídítések' (Tamings). In 2004 Mezei won also the prize for music at the 54th 'Festival of Professional Theatres' in Vojvodina (for the theatre-piece 'Via Italia'). In 2009 He won the prize for composition in Theater Festival "Joakim Vujic, Sabac, Serbia for the music in theater-piece "Tempest". As a performer Mezei participated in many workshops of improvised and intuitive music (with Tim Hodgkinson in Budapest, William Parker in Gy?r, among others). Played so far with musicians/improvisors like Matthias Schubert, Tamás Geröly, Róbert Benk?, György Szabados, Mihály Dresch, Michael Hornstein, Tim Hodgkinson, Albert Márkos, Peter Ole Jörgensen, Jens Balder, Joe Fonda, Michael Jefry Stevens, Joelle Leandre, Hamid Drake, Herb Robertson, Frank Gratkowski, Charles Gayle. His writings on music were published in many periodicals in Former-Yugoslavia and Hungary.
Mezei is a member of the Composers Association of Serbia and the Hungarian 'Gyorfree' Jazz, Improvisative, Contemporary and Folk Music Workshop Comitee.
He lead the Szilárd Mezei Trio, Szilárd Mezei Quintet (/ Sextet / Septet / Octet / Ensemble), and plays in many formations (duo, trio, etc.) for improvising music (among others, in duet with György Szabados, and with His orchestra MAKUZ, The Fonda/Stevens Group, Burány Quartet, duet with Albert Márkos)."-Jazz CDs UK (http://www.jazzcds.co.uk/artist_id_1273/biography_id_1273)
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1. Spokes 1111 12:09
2. Spokes 222 7:27
3. Speaking 1:10
4. Spokes 33 15:48
5. Spokes 4 7:13
sample the album:
Spokes is a "conceptual tone-cycle". As Jeremy Young's debut full-length release as a solo performer, this release sees him moving deeper into the areas he has explored with his former groups [the] slowest runner [in all the world] and Sontag Shogun, as the album combines miniature guitar composition with lush, glimmering sinewave drone textures and several field recordings to break the listener's comfort. Tape loops arise out of clouds of radio static, on top of which, szilárd transforms sine wave textures to follow the meandering abstract patterns of his guitar. He incorporates texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857), read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Métayer, which serve to direct the album's otherwise random changes of pace and sonic placement. Spokes opens with a 12-minute journey that sets the concept immediately; that when we compose music we're sharing our stories, but when we record the natural sounds of this world we are hearing music. This is the dialogue of man and nature through art."-Palaver Press
NY Downtown & Jazz/Improv
New in Experimental & Electronic Music
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