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Glasgow Improvisers Orchestra & George Lewis: Artificial Life 2007 (FMR)

The large Glasgow Improvisers Orchestra, led by Raymond MacDonald, met trombonist George Lewis in 2012 at CCA in Glasgow to record this two part work based on a set of instructions presented graphically, plus an extended free improvisation.
 

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product information:


UPC: 0616932200564

Label: FMR
Catalog ID: FMR 366-1013
Squidco Product Code: 18465

Format: CD
Condition: New
Released: 2013
Country: Great Britain
Packaging: Digipack
Recorded at the CCA, Glasgow on December 2nd, 2012 by Kenny Macleod.


Personnel:

Rick Bamford-drums

Stu Brown-drums

George Burt-acoustic guitar

Neil Davidson-electric guitar

Robert Henderson-trumpet

Fergus Kerr-french horn

George Lewis-trombone

George Lyle-double bass

Nicola MacDonald-voice

Raymond MacDonald-alto saxophone, soprano saxophone

Jim McEwan-rhodes, electronics

Una MacGlone-double bass

Nicole McNeilly-trombone

George Murray-trombone

Peter Nicholson-cello

Maggie Nicols-voice

Anne Rankin-oboe

Emma Roche-flute

Gerry Rossi-piano

Liene Rozite-flute

Armin Sturm-double bass

Graeme Wilson-tenor saxophone, baritone saxophone

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track listing:


1. Artificial Life 2007: Page One 10:00

2. Artificial Life 2007: Page Two 18:40

3. Free Improvisation 19:54
Related Categories of Interest:


Improvised Music
Free Improvisation
London & UK Free Improvisation Scene
FMR Records

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descriptions, reviews, &c.

"Arttfical Life 2007 3 tracks were recorded at the CCA in Glasgow in early December 2012 and was produced by Una Macglone and one of the saxophonists with the band. Raymond MacDonald's GIO (Glasgow Improvisers Orchestra) have now thoroughly established themselves as one of the most interesting and creative large improvisin ensembles in the UK, and had done many collaborations with great improvisers across the globe. GIO first worked with George Lewis in 2003 This new version of George Lewis' Artificial Life 2007 was recorded at Glasgow Improvisers Orchestra's tenth-anniversary festival in 2012. The innovative US trombonist and composer's score is a set of instructions, presented graphically on a grid, which the musicians respond to as they see fit. When, what and how to play is up to them, unless indicated otherwise. The result is an extremely detailed music, based on textural rather than harmonic or rhythmic development."-FMR


Artist Biographies:

"George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A 2015 Fellow of the American Academy of Arts and Sciences and a Corresponding Fellow of the British Academy, Lewis has received a MacArthur Fellowship (2002), a Guggenheim Fellowship (2015), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. In 2015, Lewis received the degree of Doctor of Music (DMus, honoris causa) from the University of Edinburgh.

A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work in electronic and computer music, computer-based multimedia installations, and notated and improvisative forms is documented on more than 140 recordings. His work has been presented by the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Boston Modern Orchestra Project, Talea Ensemble, Dinosaur Annex, Ensemble Pamplemousse, Wet Ink, Ensemble Erik Satie, Eco Ensemble, and others, with commissions from American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, San Francisco Contemporary Music Players, 2010 Vancouver Cultural Olympiad, IRCAM, Glasgow Improvisers Orchestra, and others. Lewis has served as Ernest Bloch Visiting Professor of Music, University of California, Berkeley; Paul Fromm Composer in Residence, American Academy in Rome; Resident Scholar, Center for Disciplinary Innovation, University of Chicago; and CAC Fitt Artist In Residence, Brown University.

Lewis received the 2012 SEAMUS Award from the Society for Electro-Acoustic Music in the United States, and his book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society's Music in American Culture Award. Lewis is co-editor of the two-volume Oxford Handbook of Critical Improvisation Studies (2016), and his opera Afterword, commissioned by the Gray Center for Arts and Inquiry at the University of Chicago, premiered at the Museum of Contemporary Art Chicago in October 2015 and has been performed in the United States, United Kingdom, and the Czech Republic.

Professor Lewis came to Columbia in 2004, having previously taught at the University of California, San Diego, Mills College, the School of the Art Institute of Chicago, the Koninklijke Conservatorium Den Haag, and Simon Fraser University's Contemporary Arts Summer Institute. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey."

-Columbia University (http://music.columbia.edu/bios/george-e-lewis)
4/19/2017

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