The 2nd Aggregat album expands the first release's trio of Elliott Sharp (just on reeds this time), Brad Jones (bass) and Ches Smith (drums) into a quintet with Nate Wooley (trumpet) and Terry L. Green (trombone) for an amazing set of free jazz compositions.
Sharp, Elliott Aggregat
Label: Clean Feed
Released in: Portugal
"The first Aggregat edition was a rather conventional trio with a hard bop matrix, something very unusual when the leader is someone like Elliott Sharp. Yes, the guitarist who, in Sharp? Monk? Sharp! Monk!, brought back Thelonious Monk's jazz to the avant-garde, but is generally committed to a syncretic mix of urban idioms going from blues and rock to contemporary writing and experimental procedures. In that first recording, titled as the name of the present band, he played mostly saxophones (tenor and soprano) and bass clarinet, only occasionally fingering his first instrument.
Now, the guitar vanished, and Sharp focuses only on the reeds, showing that he's equally competent soloing with those tools and revealing unexpected references in, guess who, Sonny Rollins. And now, the trio extended to a quintet, adding two brasses (played by Nate Wooley and Terry Green) and reinforcing the jazz feel. The novelty doesn't finish here: if the philosophy behind this project goes around the idea of aggregation, a sonic unity in which the collective effect and the individual constituents don't conflict, we find him, surprisingly enough, dealing with lots of space. There's more timbres and combinative possibilities in the wider palette of sounds, but Elliott Sharp choose to open things up and letting the air come inside the music. The man keeps intriguing us, on and on."-Clean Feed
• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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• Show Bio for Terry L. Greene II
"A New York native, trombonist, improviser, drummer, arranger, and composer, Terry L. Greene II received his Doctorate in Musical Arts from Stony Brook University in 2008. After his studies at Stony Brook under trombonists Ray Anderson and Michael Powell, he went on to perform with The Roots, Macy Grey, David Murray, Oliver Lake, Elliot Sharp, and several other notable creative artists. You can hear Terry on Oliver Lake's latest big band album titled Wheels, and Elliot Sharp's latest Aggregat album called Quintet. Terry has a wide range of experiences in musical genres including New Music, Jazz, Afro-Cuban, Brazilian and Colombian music, Gospel, orchestral and chamber ensembles, Funk, Hard Rock and Free Improvisation.
Terry is currently the music director for the Thrive Collective in NYC where he has taught band, hip hop, and poetry to middle school students in the South Bronx and Arverne (Far Rockaway). 2016 will be Terry's third summer teaching at Walden. He looks forward to premiering a new composition at the Walden Faculty Concert, making more musical mayhem with his students, and sharing his Walden experiences with his family."-The Walden School Website (http://waldenschool.org/about-us/faculty-staff/)
^ Hide Bio for Terry L. Greene II
• Show Bio for Brad Jones
"New York born Brad Christopher Jones is a bassist, composer, and educator. He has recorded, performed, and toured around the world with a diverse array of artists that include Ornette Coleman, Elvis Costello, Elvin Jones, David Byrne, Muhal Richard Abrams, Sheryl Crow, Deborah Harry, Dave Douglas, Vernon Reid, John Zorn, Don Byron, Marc Ribot, and The Jazz Passengers.
Brad has released three recordings under his own leadership with two seperate projects:"UNCIVILIZED POISE" and "THE EMBODIMENT" with his band Aka Alias, and"POURING MY HEART IN" with the Brad Jones Quartet.
Brad is also an experienced educator who has taught workshops and master classes in France, Italy, Canada, and Mexico and is part of the music faculty at Columbia University in New York City."-Brad Jones Website (http://bassjones.com)
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• Show Bio for Ches Smith
"Born in San Diego, CA and raised in Sacramento, Ches Smith came up in a scene of punks and metal musicians who were listening to and experimenting with jazz and free improvisation. He studied philosophy at the University of Oregon before relocating to the San Francisco Bay area in 1995. After a few years of playing with obscure bands and intensive study with drummer / educator Peter Magadini, he enrolled in the graduate program at Mills College in Oakland at the suggestion of percussionist William Winant. There he studied percussion, improvisation, and composition with Winant, Fred Frith, Pauline Oliveros and Alvin Curran. One of Winant's first "assignments" for Ches was to sub in his touring gig at the time, Mr. Bungle (here he met bassist / composer Trevor Dunn who would later hire him for the second incarnation of his Trio-Convulsant). During his time at Mills, Ches co-founded two bands: Theory of Ruin (with Fudgetunnel / Nailbomb frontman Alex Newport), and Good for Cows (w/ Nels Cline Singers' Devin Hoff). He currently performs and records with Xiu Xiu, and Secret Chiefs 3. He has also performed with Ben Goldberg, Annie Gosfield, Wadada Leo Smith, John Tchicai, Fred Frith, and Trevor Dunn. In addition to Ceramic Dog, he also leads his two of his own projects, Congs for Brums and These Arches. He currently spends his time between Los Angeles, San Francisco and Brooklyn."-Ches Smith Website (http://www.chessmith.com/)
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• Show Bio for Elliott Sharp
"Elliott Sharp is an American multi-instrumentalist, composer, and performer.
A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. He leads the projects Carbon and Orchestra Carbon, Tectonics, and Terraplane and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction.
His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka.
Sharp is a 2014 Guggenheim Fellow, and a 2014 Fellow at Parson's Center for Transformative Media. He received the 2015 Berlin Prize in Musical Composition from the American Academy in Berlin. He has composed scores for feature films and documentaries; created sound-design for interstitials on The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. He is the subject of a new documentary "Doing The Don't" by filmmaker Bert Shapiro."-Elliott Sharp-Elliott Sharp website (http://www.elliottsharp.com/bio.html)
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Shipping Weight: 2.00 units
Quantity in Basket: None
Label: Clean Feed
Catalog ID: CF 288
Squidco Product Code: 18217
Packaging: Cardstock gatefold foldover
Recordd at Trout Recording by Bryce Goggin.
Terry L. Green-trombone
Elliott Sharp-tenor saxophone, soprano saxophone, bass clarinet
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