The duo of French bassist Joelle Leandre and flautist Jerome Bourdellon, two tremendously skilled improvisers in an impressive dialog on a variety of flutes, bass clarinet, bass, voice, with one solo piece from each.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Relative Pitch
Catalog ID: RPR 1010
Squidco Product Code: 17031
Recorded at Theatre du Saulcy in Metz, France on November 2nd, 2011.
Jerome Bourdellon-contrabass flute, C flute, bass flute, bass clarinet, piccolo flute
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for Joelle Leandre
"French double bass player (born 12 September 1951 in Aix-en-Provence, France), improviser and composer, Joëlle Léandre is one of the dominant figures of the new European music. Trained in orchestral as well as contemporary music, she has played with l'Itinéraire, 2e2m and Pierre Boulez's Ensemble Intercontemporain. Joëlle Léandre has also worked with Merce Cunningham and with John Cage, who has composed especially for her - as have Scelsi, Fénelon, Hersant, Lacy, Campana, Jolas, Clementi and about 40 composers.
As well as working in contemporary music, Léandre has played with some of the great names in jazz and improvisation, such as Derek Bailey, Anthony Braxton, George Lewis, Evan Parker, Irene Schweizer, William Parker, Barre Phillips, Pascal Contet, Steve Lacy, Lauren Newton, Peter Kowald, Urs Leimgruber, Mat Maneri, Roy Campbell, Fred Frith, John Zorn, Mark Naussef, Marilyn Crispell, India Cooke and so many others...
She has written extensively for dance and theater, and has staged a number of multidisciplinary performances. She got the DAAD at Berlin, is welcomed as artist resident at Villa Kujiyama (Kyoto). In 2002, 2004 and 2006, she is Visiting Professor at Mills college, Oakland, CA, Chaire Darius Milhaud, for improvisation and composition. Her work as a composer and a performer, both in solo recitals and a part of ensembles, has put her under the lights of the most prestigious stages of Europe, the Americas and Asia.
From 1981 to 2009, Joëlle Léandre has about 150 recordings to her credit.-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Joelle Leandre
1. Evidence I 5:10
2. Evidence II 6:15
3. Evidence III 5:10
4. Evidence IV 7:11
5. Evidence V 10:50
6. Evidence VI 6:59
7. Evidence VII 6:44
sample the album:
"There seems to be a lot fewer flute players in the concentric worlds of jazz and free improvisation than there are people who play the flute. Whether it's due to the demands of the instrument or its unique reputation as (to mix musical metaphors) a s "second fiddle." It seems often to be used to connote a softness, a femininity perhaps, rather than being allowed to charge and roam freely like the saxophone - the usual first instrument for the would-be flautist - giving it a bad reputation among at least some of the True Believers.
There are exceptions, of course. Nicole Mitchell plays flute exclusively and Roscoe Mitchell and Henry Threadgill both merit mention. And flautists aren't only from the Windy City, of course. Let us also remember Dolphy and Rahsaan as examples to prove the rule, and add to that list a gentleman from France named Jerome Bourdellon.
Bourdellon has worked with Mitchell, as well as Thomas Buckner and Joe McPhee to name but a few American playing partners, but he remains too little recognized outside of Europe. His tone is assured, solid, showing that the instrument is capable of more than just whispering. He is heard on this record playing across the flue family, from the piccolo and C flue to the bass and contrabass. He picks up the bass clarinet on a couple of tracks as well, but fortunately his voice proves to be just as powerful through the reed. At midpoint, we even hear his raspy guttural vocalizations executed while playing the bas clarinet, making for a perfectly unmatched pairing with his duet partner. Joelle Leandre's own urgent operatics alongside his intonations as both are playing fervently at the session's peak gives the impression of a quartet, or even a crowd.
Leandre, the acclaimed double-bassist, needs no introduction but deserves one nevertheless. She is simply a master of the form. Her early associations with the composers Pierre Boulez, John Cage and Giacinto Scelci, and her later emergence as an improviser after meeting the likes of Derek Bailey, Lol Coxhill, and Irene Schweizer in the European free improvisation scene cast her as a uniquely educated, pedigreed even, artist. She has pursued the music with an honesty and determination for more than thirty years. [....]"-Kurt Gottschalk, from the liner notes
European Improv, Free Jazz & Related
Staff Picks & Recommended Items