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Following his successful "Nebulosa" debut CD, Portuguese bassist Hugo Carvalhais augments his trio of Gabriel Pinto (keys) and Mario Costa (drums) with French soprano saxophonist Emile Parisien and violinist Dominique Pifarely.
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Label: Clean Feed
Catalog ID: CF253
Squidco Product Code: 16355
Packaging: Cardstock gatefold foldover
Recorded on October 16th-19th, 2011 by Joao Ferraz at Quinta da Musica.
Hugo Carvalhais-doublebass, electronics
Emile Parisien-soprano saxophone
Gabriel Pinto-piano, organ, synthesizer
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• Show Bio for Mario Costa
"Mário Costa, was born in 1986 in Viana do Castelo. Starts the study of the drums at 7 years of age. His learning path passes through the Vocational School of Music of Viana do Castelo where he studies percussion with teachers Rui Rodrigues, Nuno Aroso and Pedro Oliveira. In 2008 he graduated in Jazz from ESMAE, under the guidance of Professor Michael Lauren. In that same year, he moved to the United States where he attended private lessons with Ian Froman, Rodney Green, Ari Hoening, Eric Harland, John Riley and Hal Crook. He attends and participates in workshops with Jeff Ballard, Adam Cruz, Ferenc Nemeth, Peter Erskin, Dom Famularo, Billy Hart, Alexandre Frazão, Marc Miralta, Allan Ferber, Chris Corsano, David Freedman, Billy Coabhan, John Riley, Dan Weiss, among others.
He is an award-winning drummer with a number of distinctions in the music scene, including the 1st Prize at the "II Young Performers Competition" in Spain, 1st prize at the "Tum-Pa-Tum-Pa" drum competition ) and the 1st prize in the "Yamaha Drum Sessions" in the category of over 18 years.
In 2010 he is invited by Casa da Música to present his project "Mário Costa - Homo Sapiens" in the cycle "New Values of Jazz". At the same time he is invited to participate in various projects in festivals, such as: Serralves in Festa - "Adapt / Oppose", "Corsano - Queijo - Costa" and Trama - Festival of Performative Arts - "Improvisations / Collaborations".
Mário Costa is known for his diverse formations, such as: Hugo Carvalhais - Nebula, GS Quartet, Ensemble Super Modern, Carlos Mendes Quarteto, Metamorphose, Maria Mendes, Miguel Martins, Carlos Azevedo Trio, Mário Costa - Dual Experience, José Valente - Experience of Today.
Currently he is part of the project of Miguel Araújo and Ana Moura's latest album, where he has performed more than 140 concerts in the first year of the world tour of the album "Desfado", through Coliseu dos Recreios, Coliseu do Porto, Centro Cultural de Belém, Victoria Hall (Switzerland), Apolo Hall (Spain), SF Jazz Center (USA), Napa Valley Opera House (USA), Berklee Performance Center (USA), Barbican Center (UK), Paradiso Room (Amsterdam), Les Muzik Festival Elles (France), Opera Nationala Romana (Romania), El Lunario (Mexico City), Festspielhaus (Austria), Muffathalle (Munich), Festival Mawazine (Rabat), Teatro Mayor Julio Mario Santo Domingo Arts (Rio de Janeiro), Bansko Jazz Fest (Bulgaria), among others."-Mario Costa Facebook Page (https://www.facebook.com/pg/MarioCostaMusic/about/?ref=page_internal)
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1. Flux 12:18
2. Chrysalis 4:36
3. Simulacrum 8:38
4. Capsule 5:30
5. Omega 6:10
6. Madrigal 6:36
7. Cortex 2:12
8. Generator 7:19
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sample the album:
"After the success obtained by his debut CD, "Nebulosa", a couple of years ago, expectations were high regarding the next step to be walked by Portuguese bassist and composer Hugo Carvalhais with his fixed trio, including pianist and synthesizer player Gabriel Pinto and drummer Mário Costa. Here it is, and fulfilling entirely our most ambitious desires. Now, in "Particula", instead of the American saxophonist Tim Berne as special guest, we have two French musicians of similar importance: the soprano revelation Émile Parisien, member of Daniel Humair's New Reunion Quartet and a frequent Carvalhais collaborator on stage, and violinist Dominique Pifarély, a regular Louis Sclavis companion. Together, they very rarely form a quintet - more often, we find in this recording a series of quartets, trios, duos and solos, always presenting fresh and defying associations between pre-established structures and improvisation. With this second opus, Carvalhais confirms all the assumptions we made about his future. Remember this name, because certainly more will come."-Clean Feed
European Improvisation and Experimental Forms
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