"Born in Sydney in 1962, Tony is regarded as one of Australia's most creative and adventurous exports, with vast experience across the globe. He has been involved in a highly diverse array of projects. Apart from The Necks, he is probably best known as leader of hardcore/impro band PERIL.

Early in his musical life, after having graduated from the New South Wales Conservatorium of Music, he became very involved in the jazz scene in Australia, often touring with visiting international artists such as Vincent Herring, Clifford Jordan, Mickey Tucker, Branford Marsalis and Ernie Watts, as well as Australians Mark Simmonds, Paul Grabowsky, The catholics, Sandy Evans and Dale Barlow.

Following time spent in Japan, where he formed PERIL with Otomo Yoshihide and Kato Hideki, Tony moved to Europe, and has involved himself in many projects there, including the development of new "virtual" MIDI controllers at STEIM in Amsterdam.

Tony has played, toured or recorded with, among others, Jon Rose, Nicolas Collins, Tenko, John Zorn, Tom Cora, Phil Minton, Haino, Switchbox, The Machine for Making Sense, Ne Zhdall, The EX, Peter Brotzmann, Hans Reichel, The Little Red Spiders, Subrito Roy Chowdury, Clifford Jordan, Kletka Red, Han Bennink, Shelley Hirsch, Wayne Horvitz, Palinckx, and Ground Zero."

"Born and raised in East New York Brooklyn, Vocal Artist, Performer, Composer, Storyteller, Interdisciplinary Artist Shelley Hirsch has been pushing boundaries with her unique vocal art and performance work, drawing on her life experiences, her memory, her vivid imagination for decades.

The New York Times called her "A woman of a thousand voices... She offered an enthralling demonstration of the way songs, vocal styles and language might have evolved out of more primal musical impulses".

Hirsch's multimedia performances, compositions, improvisations, electronic music pieces, sound installations, collaborations and radio plays have been presented at concert halls, museums, theaters, galleries, clubs, radio, worldwide in venues including Alice Tully Hall, Roulette, Experimental Intermedia Foundation and CBGB's in NYC; Experimenta Festival in Buenos Aires, What is Music? Festival Melbourne Australia; Beyond Innocence Festival in Kobe Japan; City of Women Festival Llubliana Slovenia; Dom Cultural Center Moscow; Akademie Der Künste Berlin; Next Festival Bratislava Slovakia; Time Festival Ghent, Belgium; Angelica Festival Bologna Italy, All Ears Festival Oslo Norway; Red House Sofia Bulgaria; Taktlos Festival Bern Switzerland; New Music America Festival Helena Montana, TBA Festival Portland Oregon, and hundreds more..

In 2018 decades of her work were acquired for the archive at The Fales Library part of NYU, for their Downtown Collection.Other prestigious honors include The John Simon Memorial Guggenheim Fellowship in Music Composition 2017; The Foundation for Contemporary Arts Grants for Artists 2017; The Creative Capital Grant 2002; New York Foundation of the Arts in Music/Sound 2010, Multidisciplinary/ Performance 2003, Music Composition1996 and the New Forms Category 1987; Two NYSCA Grants in Vocal Music 2016 and Electronic Music in 2007; The DAAD Residency Grant in Berlin 1992 and a record six Artist in Residency Grants at Harvestworks Digital Media Center in NYC from 1985-2016.In 2019, Hirsch was Artist in Residence at Queenslab in Queens New York.A collection of the writing and images she produced during her Residency will be published in Summer 2019

Hirsch can be heard on over 70 recordings with several on the Tzadik, FMP, InTakt, and on Nonesuch, Sound Aspects, Tellus, Apollo, Innocent Records, Don Giovanni and many more..

She leads the workshop Explore Your 1000 Voices in NYC, nationally and internationally."

"David Carl "Dave" Hofstra (born May 21, 1953, Leavenworth, Kansas) is an Americh jazz double-bassist. He also plays bass guitar and tuba.

Hofstra was an autodidact on bass. He worked with Robin Holcomb, John Zorn, Joel Forrester, and Dave Sewelson (de) in the late 1970s.[1] He was active primarily in New York from the 1980s, playing with William Parker, Lou Grassi (de), Denis Charles, Elliott Sharp, Paul Shapiro, Bobby Previte, Wayne Horvitz, Saheb Sarbib, Bobby Radcliff, Jemeel Moondoc, Marie McAuliffe, Bill Frisell, Robin Eubanks, Greg Osby, David Rosenbloom, Phillip Johnston, Chris Kelsey, Rachelle Garniez (de), Clare Daly, William Gagliardi (de), and Robin Holcomb."

"Cellist-composer Tomas Ulrich received music degrees from Boston University and the Manhattan School of Music. After attending a performance by the great Soviet cellist Mstislav Rostropovich at the age of eight, Mr. Ulrich was inspired to begin his musical journey on the cello. In addition to the traditional classical repertoire, Mr. Ulrich's work clearly demonstrates the influence of such diverse artists as Frank Zappa, Jimi Hendrix, Neil Young, Miles Davis,Charles Mingus, Eric Dolphy, Dmitri Shostakovich and Olivier Messiaen. Mr. Ulrich has performed and recorded with such diverse artists as Anthony Davis, Joe Lovano, McCoy Tyner, Alice Coltrane, Anthony Braxton, Aretha Franklin, Derek Bailey, Ravi Coltrane, James Moody,Taylor Ho Bynum, Gerry Hemingway, Dom Minasi, Jason Kao Hwang, Dominic Duval, Ayman Fanous, Ben Allison, Ted Nash, Dave Douglas, Kevin James, Karl Berger, Hans Tammen, Coheed and Cambria, Natalie Merchant and Ivo Perelman. He is also a member of the Diller-Quaile String Quartet, which premiered his Quintet for Trumpet and Strings (featuring guest soloist Herb Robertson) in May of 1996. In 2006, Tomas began his recorded musical collaboration with the acclaimed German trombonist Christof Thewes with the release of Quartetto Pazzo "Melancholera" (with Rudi Mahall and Dirk Peter Kolsch). 2007 saw the release of Mr. Ulrich's first CD as a co-leader (Labryinths with Ayman Fanous on the Konnex label). In 2008, Mr. Ulrich released his first CD as a leader. Cargo Cult (with Rolf Sturm-electric and acoustic guitars and Michael Bisio-acoustic bass) released their first CD "If You Should Go" on the Cadence label to great critical acclaim. This ensemble has gone on to release three more CDs on the CIMP label (Tomas Ulrich's Cargo Cult (2009), Lonely House (Covers) (2010), Discovers (2011)). 2010 also saw the release of "Clear Horizons" on the German gligg record label with a new ensemble Tomas Ulrich's TransAtlantic Quartet (with Christof Thewes -trombone, Martin Schmiddi Schmidt-mandolin and Michael Griener-drums). JAZZ NOW has characterized him as "the total package ... incredible chops, great imagination and superb pitch. He fulfills the roles of bassist, guitarist, and additional horn player and is endlessly talented and creative". Jay Collins from Signal to Noise has written that "Tomas Ulrich is surely one of the most accomplished and intriguing cellists in improvised music, with a brilliant technical mastery and ability to play prickly improv, jazz, classical, film music or pretty much anything he desires." Tomas has written music for film, theater and instrumental performance and has concertized in Europe, Japan, South America and the United States. Mr Ulrich can be heard on over 100 CDs in a wide variety of musical styles and settings. Tomas has recently returned from a wonderful tour in Avignon with Bruno Bertrand percussion and Francois Grillot bass. These performances have been released as digital downloads by AMJI and are available on Itunes, Amazon, etc. . Tomas will be performing a solo cello recital in Saarbrucken on August 9th in addition to a series of concerts with Christof Thewes, Martin Schmidt, the Christof Thewes Little Big Band (Concerto for Cello, Mandolin and Big Band), Alexander Schlippenbach and Jan Roder."