Mecha Fixes Clocks' 3rd release with Michel F. Cote, Lori Freedman, Philippe Lauzier, Ellwood Epps, Josh Zubot, Martin Tetrault, Bernard Falaise, &c... a musique actuelle supergroup, and an amazing conceptual work.
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Label: Ambiances Magnetiques
Catalog ID: AM 207
Squidco Product Code: 15576
Packaging: Cardstock gatefold foldover
Recorded on January 11th, 2010 by Robert Langlois in Studio 270, Montreal.
Michel F Cote-drums, microphones, feedback, electronics
Lori Freedman-bass clarinet
Philippe Lauzier-bass clarinet
Jennifer Thiessen-alto violin
Pierre-Yves Martel-viola, feedback, static
Bernard Falaise-electric guitar
Martin Tetreault-pick-up, equalizer
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1. Curvature dφ/ds of Takahashi's Curves 7:23
2. Journal d'une ménagère inversée 6:12
3. Don Slow et son attrape-fille électrique 7:12
4. Stresses Due to Galactic Bending 6:42
5. L'hypnoglyphe est dans l'étable 4:03
6. Région des ascenseurs nombreux 4:28
7. Linear-Elastic Beams Will Not Pass Through the Centroid 6:02
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sample the album:
"Third album of Mecha Fixes Clocks, first for Ambiances Magnétiques, Teoria dell'elasticità di Girolamo Papariello listens to the speculative theories of Papariello. Recorded live at Studio 270 in November 2010 by a group of 11 musicians - seven French and four English, 7 pieces make up this musical presentation on the spatio-temporal elasticity of body and of the stars. But that does not mean anything...
Let's be more realistic: a string quintet + two bass clarinets + a trumpet + electric guitar + drums + a pick-up and then you mix it a few minutes, you come back twice, and you let rest 5 minutes. At the end you will have something that looks like Don Slow's Electric Girl Getter. Not much fun, it's a record of serious music." -Actuelle CD
At The Squid's Ear!
• Show Bio for Michel F Cote
"Michel F Côté. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (percussion).
Half a century later, now a grown-up, he still doesn't understand why he chose a career as a musician and composer instead of something else. With fluidity and idiocy, he gets involved with whomever he wants, thus avoiding any and all reductive labeling attempts. A Montréaler and a co-founder of the &records label, he stumbles around in various bands: bob, Klaxon, Pink Saliva, (juste) Claudette, and Mecha Fixes Clock. A designer associated with stage arts, he refuses to grow softer. As proof, in dance he adds his ear to the choreographies of Catherine Tardif, Sylvain Émard, Louise Bédard, Shanti Wadge, and José Navas; in theatre, he scratches his head alongside Wajdi Mouawad, Robert Lepage, Brigitte Haentjens, Éric Jean, and Martin Faucher. So what's left? He favours plants, suffers from music-loving, is rather clean overall, and tends to keep in shape."-ActuelleCD (http://www.actuellecd.com/en/bio/cote_mi/)
^ Hide Bio for Michel F Cote
• Show Bio for Lori Freedman
"Lori Freedman. Born Toronto, Ontario, Canada, 1958. Residence: Montréal, Québec. Composer, Performer (clarinet, bass clarinet)
Qualified as "a musical revolutionary in the front ranks of the avant-garde" by Alex Varty of the Georgia Straight (Vancouver), Lori Freedman (clarinets) is internationally recognized as one of the most creative and provocative performers. She is a member of a select group known as "renaissance musicians" as her artistic activities cover many fields: performer of written music (well over one hundred works have been written for or premiered by her), composer, improviser, teacher, and on occasion, writer. While managing a full performance schedule of more than 75 public appearances a year, Freedman has been receiving commissions to write music for ensembles such as Orkestra Futura, Arraymusic Ensemble, Ensemble Transmission, Continuum Contemporary Music Ensemble, Ensemble SuperMusique, Ensemble Paramirabo, Upstream Orchestra, Queen Mab Trio, Crowbar Trio, Lott Dance, Oberlander Films, Foresite Theatre, Cooke Productions and Autumn Leaf Productions. Her current discography comprises over 59 recordings, the most recent of which include Greffes (Empreintes digitales), On No (Mode Records), Bridge (Collection QB), Plumb (Barnyard Records), 3 and À un moment donné (Ambiances Magnétiques), Huskless! (Artifact), See Saw and Thin Air (Wig). Highlight collaborations include work with Rohan de Saram, Barre Phillips, Helmut Lachenmann, Frances-Marie Uitti, Monique Jean, Joëlle Léandre, Axel Dörner, George Lewis, the Jack Quartet and Richard Barrett."-ActuelleCD (http://www.actuellecd.com/en/bio/freedman_lo/)
^ Hide Bio for Lori Freedman
• Show Bio for Philippe Lauzier
"Composer, improviser, instrumentalist (clarinet & saxophone) and sound artist, Philippe Lauzier participates in several projects that tour regularly in Canada and Europe, but also in USA, Latine America and Australia. In his solo and collective work, his ideas incorporate influences of contemporary musical languages as well as sounds from non-Western sources. Creative extended techniques, complex drones from which polyphonies emerge, and a certain compositional rigour are typical of his style. His interest for collaborative intermedia practices also leads him to create sound installation pieces, live performances for contemporary dance, theater music and many sound designs for visual art projects. Philippe lives in Montreal, Quebec."-Philippe Lauzier Website (http://www.philippelauzier.com/bio)
^ Hide Bio for Philippe Lauzier
• Show Bio for Jennifer Thiessen
"Performing on both the viola and the viola d'amore, Jennifer Thiessen cultivates a particular interest in classical and contemporary chamber music, new composed and improvised music, and historically informed performance practice. She is expanding the contemporary repertoire of both the viola and the viola d'amore through the creation of new compositions, and through songwriting and improvisation.
Jennifer recently commissioned and performed an entire programme of new works for solo viola d'amore by composers in Montreal and Ottawa, and a new piece by Matthias Maute for viola d'amore and pedal harpsichord. These works were presented by the Ottawa New Music Creators and Innovations en Concert in 2015. She has worked on new music with many composers and improvisers, notably: Gavin Bryars, Matthias Maute, Christopher Butterfield, Cassandra Miller, Michael Matthews, Steven Gellman, Rainer Wiens, Isaiah Ceccarelli, Pierre-Yves Martel, Megan Jerome, Mike Essoudry, Jan Jarvlepp, Jen McLaughlan, Leo Lightstone, Ida Toninato, Michel F. Côté, Michel Lambert, Giorgio Magnanensi, Nicole Lizée, Scott Godin, Alexandra Fol, Brian Harman, Matthew Ricketts, Géraldine Eguiluz and Jerry Semshychyn. From 2007 to 2012, Jennifer toured the world with the dance company La La La Human Steps, performing new chamber music by Gavin Bryars and David Lang in the productions Amjad and New Work.
As a freelance musician, Jennifer has recently performed and recorded with such ensembles as Ensemble Caprice (Matthias Maute), Collectif 9, Studio de musique ancienne de Montréal,Quatuor Bozzini, La Bande Montréal Baroque (Sigiswald Kuijken) and Ensemble Per Sonare. She has previously performed chamber music with Quatuor Franz-Joseph, Mireille Lagacé, Les Boréades (Francis Colprin), Ensemble Allogène, and Trio '86, and has joined such ensembles as La Machine, Clavecin en Concert (Luc Beauséjour), Ensemble Appassionata, Les Violons du Roy, l'Orchestre symphonique de Québec, the Winnipeg Symphony Orchestra, the Charlottetown Festival Orchestra, l'Orchestre des grands ballets canadiens de Montréal and l'Orchestre symphonique de Laval. She has performed with Sarah Slean, Martha Wainwright and Leif Vollebeck, is featured on Joe Silva's soundtrack to the film Black Field, and can be heard on recordings by Michel F. Côté, Michel Lambert, Mike O'Brien, John Carroll, Courtney Wing, Antoine Berthiaume, and The Record of the Week Club.
Originally from rural Manitoba, Jennifer studied violin with Elizabeth Lupton Ens in Winnipeg while obtaining a Bachelor of Theology. She completed a Bachelor of Music in Viola Performance with David Stewart at the University of Manitoba and the University of Ottawa, followed by a Master of Viola Performance from l'Université de Montréal with Jutta Puchammer-Sédillot.
Jennifer also writes, sings and plays guitar for her pop music project Daily Alice, whose debut recording was released in December, 2014."-Jennifer Thiessen Website (https://jenniferthiessen.wordpress.com/about/bio/)
^ Hide Bio for Jennifer Thiessen
• Show Bio for Pierre-Yves Martel
"Pierre-Yves Martel. Born Vanier, Ontario, Canada, 1979. Residence: Montréal, Québec. Composer, Performer (viola da gamba, double bass, objects)
Following a unique artistic path, Pierre-Yves Martel is constantly renewing his musical identity and practice. Though a instrumentalist, he identifies himself first and foremost as a sound artist whose work oscillates between perpetual research and experimentation. It is in this spirit that he has revisited the viola da gamba, utilizing this traditional instrument in new contexts and thus reengaging it with the contemporary world. Having created an authentic musical language through non-conventional techniques and instrumental preparations, he also works outside of instrumental music altogether, using a variety of objects rife with new sonic possibilities, from contact-mics and speakers to motors, wheels, surfaces and textures."-ActuelleCD (http://www.actuellecd.com/en/bio/martel_pi/)
^ Hide Bio for Pierre-Yves Martel
• Show Bio for Alexandre St-Onge
"Alexandre St-Onge. Born Montréal, Québec, 1976. Residence: Montréal, Québec. Composer, Performer (double bass).
Alexandre St-Onge is an audio artist, a musician/improviser (acoustic bass, bass, voice and electronics) and a sound performer. He has studied literature and philosophy and he is currently doing his PhD in art. He is fascinated by creativity as a pragmatic approach of the ineffable and he has released seven solo CDs: Entités (Oral), Joseph Carey Merrick (Oral), Mon animal est possible (Alien8 Recordings), L'amitié ou les rumeurs insoutenables du désir (Squint Fucker Press), kasi naigo (Squint Fucker Press), Une mâchoire et deux trous (Namskéio Records), Image/négation (Alien8 Recordings). He also plays in quite a few bands, including Et Sans, K.A.N.T.N.A.G.A.N.O., Klaxon Gueule, Pink Saliva, Mineminemine, Shalabi Effect and Undo. As a composer he has worked for interactive/mixed-media company kondition pluriel, as well as composing for artists such as Marie Brassard, Karine Denault, Lynda Gaudreau, Line Nault, Jérémie Niel, Maryse Poulin and Mariko Tanabe."-ActuelleCD (http://www.actuellecd.com/en/bio/stonge_al/)
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• Show Bio for Bernard Falaise
"Bernard Falaise. Born Montréal, Québec, 1965. Residence: Montréal, Québec. Composer, Performer (guitar).
Bernard Falaise was born in Montréal, where he currently lives. He plays electric guitar, composes and improvises - all with evident joy - for Miriodor, Klaxon Gueule, les Projectionnistes, Diesel and other groups. He has written for the Ensemble contemporain de Montréal (ECM), Quartango and the Isis Quartet, and has created music for exhibitions, television, the theatre and dance. Allergic to labels, Falaise explores acid rock, twelve-tone waltzes and industrial tangos with equal enthusiasm."-ActuelleCD (http://www.actuellecd.com/en/bio/falaise_be/)
^ Hide Bio for Bernard Falaise
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