The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC

This is the 2nd release by Eisenstadt's stable working quintet Canada Day with Nate Wooley, Matt Bauder, Chris Dingman and Eivind Opsvik, named by ex-Torontonian drummer Eisenstadt for playing its first gig on Canada Day 2007.
 

Eisenstadt, Harris
Canada Day II

Eisenstadt, Harris: Canada Day II (Songlines)
Label: Songlines    
Released in: Canada    


"This is the second release by Eisenstadt's stable working quintet Canada Day, which was given its name by this ex-Torontonian for playing its first gig on Canada Day 2007. Harris has been based in NY for a number of years, and before that studied for his MFA in African American Improvisational Music at CalArts, where he also studied Ghanaian drumming and dance, following up with drum studies in Gambia and Senegal. His drumset teachers include Barry Altschul and Gerry Hemingway, and if this is a drummer's record perhaps it's the buoyant, dancing quality of the rhythms that really signals it - how the bass and drums interact with each other and with the vibes and front line from tune to tune, the individual voices pulling against each other to cohere all the more.

If the band is known for the way it blends "a mid-60s Blue Note vibe with elastic post-rock grooves and subtle West African influences" (Troy Collins, AAJ), Harris is quick to point out that it also explores areas of improvisation that are outside of jazz, such as Nate Wooley's dense, active non-pitched textures on trumpet. "There's something that the different strains of [new and free] jazz from the 60s share: a sense of adventure. All those musics are being renewed and updated today in endless different ways - amazing really, considering the culture wars of the 80s and 90s. I think Chinen says it well: I do take a fixer's approach to music making. I'm not a breaker. I'm interested in freedom and structure and different ways they can co-exist. As for ungainliness and grace, I find it exciting when an artist negotiates an ungainly task gracefully. I think that definition fits better for me than the opposite (someone who forges gainliness into disgrace, I guess)....I compose for the band members - their personalities come out in the arrangements - but no matter how detailed my scores are, the strength and vibrancy of the music comes from the band finding its collective voice through rehearsals and performances."

Half of the songs were composed around the time of Harris's son Owen's birth: "My wife had just given birth and I was kind of floating along in a tired and sentimental way. I found myself writing simple songs...sketching straightforward harmonies on the piano or singing melodies in my head and then putting changes to them, in stark contrast to the way I'd formulated 'To Eh,' 'To Be' and 'To See/Tootie,' which were written before Owen was born." The range of the material and its melodic and harmonic interest, the way the band rises to the challenges of the arrangements, and Harris's fleet, substantial drumming make for a very satisfying listen.

Canada Day is just one of Harris's currently active projects as a composer and performer - please refer to his bio at harriseisenstadt.com. Canada Day is touring the east coast in early April with a whole new book of compositions, including an octet version of the band in New York with Ray Anderson, Joe Daley and Jason Mears."-Songlines

See also Canada Day

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
2/22/2017





Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Nate Wooley
Quintet Recordings



Search for other titles on the Songlines label.


Other Recommended Releases:
Eisenstadt, Harris
September, Canada Day IV
(Songlines)
Eisenstadt, Harris September Trio
The Destructive Element
(Clean Feed)
Eisenstadt, Haris
Canada Day Octet
(482 Music)



Customers Who Bought This Item Also Bought:
Gate, The (feat Tim Dahl / Nate Wooley)
Stench [VINYL]
(Smeraldina-Rima)
New Zion Trio (Jamie Saft / Brad Jones / Craig Santiago)
CHALIWA
(Veal)
Vandermark, Ken and Mats Gustafsson
Verses
(Corbett vs. Dempsey)
Halvorson, Mary / Kirk Knuffke / Matt Wilson
Sifter
(Relative Pitch)
Cymerman / Wooley / Evans / Bauder
Sky Burial
(5049 Records)
Endangered Blood (Black / Dunn / Noriega / Speed)
Work Your Magic
(Skirl)
The Whammies (Dijkstra / Oliver / Karayorgis / Roebke / Bishop / Bennink)
Play The Music Of Steve Lacy: Vol. #2
(Driff Records)
Group, The (Abdullah / Brown / Bang / Sirone / Hopkins / Cyrille)
Live
(NoBusiness)
Haker-Flaten New York Quartet, Ingebrigt (McPhee / Wooley / Morris)
Now Is
(Clean Feed)
Attias, Michael
Spun Tree
(Clean Feed)
Dunietz / Edwards / Noble
Cousin It
(Hopscotch Records)
Cymerman, Jeremiah
Purification / Dissolution
(5049 Records)
Kimmel / More / Wick
Tilting
(Peira)
Bradford / Gjerstad / Nilssen-Love
Dragon
(PNL)
Reed, Mike People, Places & Things,
Clean on the Corner
(482 Music)
Ughi, Federico
Songs For Four Cities
(Skycap Records)
Barno, Niklas / Joel Grip / Didier Lasserre
Can't Stop Snusing
(Ayler)
AYCH (Jim Hobbs, Mary Halvorson, Taylor Ho Bynum)
As The Crow Flies
(Relative Pitch)
Gayle, Charles
Streets
(Northern Spy)
Ward, Greg's
Phonic Juggernaut
(Thirsty Ear)
Tagaq, Tanya
Anuraaqtuq - Le Vent (The Wind)
(Victo)
Clarinets, The [Anthony Burr/Oscar Noriega/Chris Speed]
Keep On Going Like This
(Skirl)
Ducret, Marc
Tower, vol. 2
(Ayler)
Price: $15.95
Out of Stock


**Adding this out of stock item to your basket with other in stock items may delay shipping or incur additional shipping charges.

Quantity:

Shipping Weight: 2.00 units

Quantity in Basket: None









Product Information:

UPC: 77435515892

Label: Songlines
Catalog ID: SGL 1589-2
Squidco Product Code: 14431

Format: CD
Condition: New
Released: 2011
Country: Canada
Packaging: Digipack
Recorded by Marc Urselli, assisted by Matt Modula at East Side Sound, NY, NY on December 4th, 2010.

Personnel:

Harris Eisenstadt-drums, composition

Nate Wooley-trumpet

Matt Bauder-tenor saxophone

Chris Dingman-vibraphone

Eivind Opsvik-bass

Highlight an artist name or instrument above
and click here to Search


Track Listing:

1. Cobble Hook 4:42

2. To Seventeen 5:10

3. Song for Owen [for Owen Eisenstadt] 4:56

4. Now Longer 8:14

5. To Eh 5:37

6. To Be 6:45

7. To See / Tootie 8:29

8. Judo with Tokyo Joe [for John Zorn] 4:32