An investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar in the form of ten three-minute episodes.
Label: Gravity Wave
Catalog ID: gw 004
Squidco Product Code: 14362
Packaging: Cardstock Oversized Sleeve
Recorded in January 2011 by Devin Maxwell in Brooklyn, NY. Brief organ samples are taken from three recordings: Eva-Maria Houben, dazwischen/immer anders (EW 0407/8), Burkhard Schlothauer, abregistrieren (EW 0501), and André O. Möller, musik für orgel und eine(n) tonsetzer(in) ...2003... (EW 0702), all performed by Eva-Maria Houben. Thanks to Edition Wandelweiser for permission to use them.
Barry Chabala-electric guitar
Katie Porter-bass clarinet
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1. Asleep, Street, Pipes, Tones 1:03:40
Related Categories of Interest:
Organized Sound and Sample Based Music
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"asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar.
The investigations form ten three-minute episodes, assembled in studio by Pisaro from samples-mostly organ, but also tiny snippets of vocal music and a single piano chord-and field recordings.
The instrumental parts, arranged in nine sections, also three minutes each, develop over the course of the 63'40" duration of the piece from a single tone into long descending melody.
In most sections the samples and instruments are augmented by sine tones."-Gravity Wave
• Show Bio for Michael Pisaro
"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.
He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.
He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".
His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."-Wandelweiser (http://www.wandelweiser.de/michael-pisaro.html)
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