Drummer Lucas Nggli rebuilds his Big Zoom band by filling out the rhythm section with bassist Barry Guy, and adding flutist Anne La Berge along with regulars trombonist Wogram and guitarist Schaufelberger.
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Catalog ID: INT174
Squidco Product Code: 13893
Packaging: Jewel Tray
Recorded at Powerplay Studio Maur on August 18th and 19th, and on September 7th and 8th, 2010 by Andy Neresheimer.
Anne La Berge: Fluge-electronics
Lucas Niggli-drums, compositon
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1. Polisation1 14:26
2. Polisation 3 10:33
3. Nirvana 9:02
4. Polisation 2 20:55
Related Categories of Interest:
European Improv, Free Jazz & Related
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Drummer & percussionist Lucas Nggli has rebuilt his Big Zoom band first by filling out the rhythm section with bassist Barry Guy, and adding American flutist Anne La Berge. They join the regulars of in the band: electric guitarist Philipp Schaufelberger and trombonist Nils Wogram. "I wanted to have distinct characters", Niggli say in justifying his choices. After his more structured work with the Arte Quartett, Niggli pushed back to freedom, embracing concepts that give more room for improvisation and tonality without disposing of the eloquence and refinement in the virtuoso playing that Schaufelberger and Wogram are so experienced in. An amazing and versatible album is the result as Niggli pushes himself and his band onto further adventure.
• Show Bio for Nils Wogram
"Nils Wogram (born 1972 in Braunschweig, Germany) started playing the trombone at the age of 15. He started classical and jazz trombone simultaneously. He was a member in the national german youth big band, paricipated in classical competitions and formed his own bands at the age of 16. From 1992 to 1994 he studied in New York City and continiued at Cologne university until 1999 when he graduated. Since then Nils has relased 23 albums as a bandleader.
Nils Wogram counts as one of the most important jazz musicians in europe. He appears on many important festivals and tours worldwide with his own bands and as a featured soloist. He is mainly known for his highly virtuous trombone playing, his very original compositions and as a band leader of long-term working bands with a unique ensemble sound. In 2010 he started his own record label nwog-records on which he releases his albums. Nils Wogram`s bands play exclusively his own music and other ensembles commission pieces by him.
Nils Wogram`s music is highly rooted in the jazz tradition. Nevertheless he tries to find new ways in expanding this language by using chordal, formal, meldodic and rhythmic material originally coming from other musical genres than jazz. Nils is a big fan of real bands with a unique ensemble sound. Most of his ensembles exist since a long time (e.g. Root 70 since the year 2000). He believes that the best music in history was played by working bands."-Nils Wogram Website (http://nilswogram.com/biography)
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• Show Bio for Barry Guy
"Barry John Guy (born 22 April 1947, in London) is a British composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He also taught at Guildhall School of Music.
Born in London, Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of the best-known and most widely travelled free-improvising groups of the 1980s and 1990s. He was briefly a member of the Michael Nyman Band in the 1980s, performing on the soundtrack of The Draughtsman's Contract.
Guy's interests in improvisation and formal composition received their grandest form in the London Jazz Composers Orchestra. Originally formed to perform Guy's composition Ode in 1972 (released as a 2-LP set on Incus and later, in expanded form, as a 2-CD set on Intakt), it became one of the great large-scale European improvising ensembles. Early documentation is spotty - the only other recording from its early years is Stringer (FMP, now available on Intakt paired with the later "Study II") - but beginning in the late 1980s the Swiss label Intakt set out to document the band more thoroughly. The result was a series of ambitious, album-length compositions designed to give all the players in the band maximum opportunity for expression while still preserving a rigorous sense of form: Zurich Concerts, Harmos, Double Trouble (originally written for an encounter with Alexander von Schlippenbach's Globe Unity Orchestra, though the eventual CD was just for the LJCO), Theoria (a concerto for guest pianist Irène Schweizer), Three Pieces, and Double Trouble Two. The group's activities subsided in the mid-1990s, but it was never formally disbanded, and reconvened in 2008 for a one-off concert in Switzerland. In the mid-1990s Guy also created a second, smaller ensemble, the Barry Guy New Orchestra.
Guy has also written for other large improvising ensembles, such as the NOW Orchestra and ROVA (the piece Witch Gong Game inspired by images by the visual artist Alan Davie).
His current improvising activities include piano trios with Marilyn Crispell and Agusti Fernandez. He has also recorded several albums for ECM, which often focus on the interface between improvisers and electronics, including his work in Evan Parker's Electro-Acoustic Ensemble and his own Ceremony.
Guy's session work in the pop field includes playing double bass on the song "Nightporter", from the Japan album Gentlemen Take Polaroids.
He is married to the early music violinist Maya Homburger. After spending some years in Ireland, they now live in Switzerland. They run the small label Maya, which releases a variety of records in the genres of free improvisation, baroque music and contemporary composition.
Guy's jazz work is characterised by free improvisation, using a range of unusual playing methods: bowed and pizzicato sounds beneath the bass's bridge; plucking the strings above the left hand; beating the strings with percussion instrument mallets; and "preparing" the instrument with sticks and other implements inserted between the strings and fingerboard. His improvisations are often percussive and unpredictable, inhabiting no discernible harmonic territory and pushing into unknown regions. However, they can also be melodious and tender with due regard for harmonic integration with other players, and at times he will even play with a straight jazz swing feel.
Similarly, in his concert works, Guy manages to alternate harmonic and rhythmic complexity worthy of 1960s experimentalists such as Penderecki and Stockhausen with joyous, often ecstatic, melody. Works such as "Flagwalk" for string orchestra and "Fallingwater - Concerto for Orchestra" display Guy's compositional skill in handling extended forms and writing for large instrumental groups.
Some of his compositions, such as "Witch Gong Game" for ensemble, use graphic notation in conjunction with cue cards to lead performers into playing and improvising material from numbered sections of the score.
He is also an architect."-Wikipedia (https://en.wikipedia.org/wiki/Barry_Guy)
^ Hide Bio for Barry Guy
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