The debut release of bassist Ken Filiano's quartet, Quantum Entanglements, with Michael Attias, Tony Malaby and Michael T.A. Thompson, playing all Filiano original compositions.
Label: Clean Feed
Catalog ID: CF 207
Squidco Product Code: 13685
Packaging: Cardstock Gatefold Sleeve
Recorded August 8th, 2008 at Park West Studios by Jim Couse, in Brooklyn, NY.
Ken Filiano-double bass, efx
Michael Attias-baritone and alto saxophones
Tony Malaby-tenor and soprano saxophones
Michael T.A. Thompson-drums
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1. Silhouette 6:34
2. Dog Days 11:35
3. Beguiled 11:25
4. Shinobu 9:06
5. Baiting Patience 8:18
6. Powder & Paint 9:33
7. Retronym 8:32
Related Categories of Interest:
NY Downtown & Jazz/Improv
sample the album:
"Having recorded with the best on the east and west coasts of the USA -- Anthony Braxton, Bill Dixon, John Carter, Vinny Golia, Jason Hwang, Dom Minasi, Taylor Ho Bynum, Richard Grossman, Connie Crothers, Paul Smoker, Roswell Rudd, Steve Adams and many, many others -- Ken Filiano is back in the Clean Feed catalogue for the debut release of his quartet, Quantum Entanglements, comprising Michael Attias, Tony Malaby and Michael T.A. Thompson (also regulars on the Lisbon label).
As leader and composer, Filiano shows he has much to offer in addition to his instant inventiveness and extraordinary virtuosic capacities as a double bassist who "can play anything in any context and make it work" (Chris Kelsey). The compositions are all signed by the Brooklyn musician, revealing another facet of his admirable skills. As a composer, Filiano is very much aware he's dealing with accomplished improvisers (himself included), and so conceives his scores both as melodic structures and platforms for improvisation. This doesn't mean he composes less, but that he intentionally composes in a way that opens up the inherent possibilities of both compositional and improvisational structures.
The reed frontline formed by Attias and Malaby has already proven itself in other contexts (such as the project, Twines of Colesion),which implies a special empathy. Drummer drummer Thompson couldn't be a more correct choice to give fire to the music comprising "Dreams From a Clown Car." Another remarkable achievement."-Clean Feed Records
• Show Bio for Michael Attias
"Michaël Attias is a quietly fierce force on the international improvising scene. With a brisk and calming tone Attias is a thinker, traveler, questioner. Born in Israel, raised in Paris and the American Midwest, he has lived in NYC since 1994.Cary Tone HOT HOUSE
As a leader, Attias has released five critically-acclaimed albums since 2005: Credo, Renku, Renku in Coimbra, Twines of Colesion and, in 2012, Spun Tree. As a sideman, he has performed and recorded all over the world alongside some of today's most compelling musicians: Anthony Braxton, Paul Motian, Anthony Coleman, Masabumi Kikuchi, Tony Malaby, Ralph Alessi, Oliver Lake, Tom Rainey, John Hébert, Nasheet Waits, Sean Conly, Ken Filiano, Kris Davis, and many others.
His current projects include his long-standing trio Renku, with John Hébert and Satoshi Takeishi; Spun Tree, with Ralph Alessi, Matt Mitchell, Sean Conly, Tom Rainey; and the new Michaël Attias Quartet with Aruàn Ortiz, John Hébert and Nasheet Waits.
Michaël Attias has also established himself as creator of live musical scores and sound designs for theatre including, since 2008, five collaborations with legendary director Robert Woodruff: Chair, Notes From Underground, Battle of Black and Dogs, Autumn Sonata, and In a year With Thirteen Moons. These were produced at such prominent New York and regional theatres as Yale Repertory Theatre, La Jolla Playhouse, Baryshnikov Arts Center, and The Duke on 42nd Street.
Michaël Attias was named a 2000 Artists' Fellowship Recipient of the New York Foundation for the Arts and was awarded a MacDowell Arts Colony fellowship in Fall 2008. From 2003 to 2008, he curated the critically acclaimed and highly successful new music series, Night of the Ravished Limbs, at Barbès in Brooklyn, welcoming a wide array of established names such as Barre Philips, Tim Berne, Mark Helias, Jason Moran, as well as an impressive list of rising New York talent including Mary Halvorson, Eivind Opsvik, Gerald Cleaver, and many more.
The product of migrations spanning North Africa, the Middle East, Western Europe and the American Midwest, Attias was born in Haïfa, Israel in 1968 and spent the first part of his childhood in Paris, where he attended the music conservatory and studied violin for a brief period. His family moved to Minneapolis in 1977. An early passion for the music of Miles Davis, Charlie Parker, Thelonious Monk, Ornette Coleman led him to start playing the alto saxophone at the age of 15 under the guidance of great Minneapolis saxophonist and composer Pat Moriarty, while attending the Children's Theatre School. Avid for adventure and experience, he graduated from high school as a junior and traveled for a year in Europe before enrolling at New York University as a Film and Music student. Somewhere in between, he had the great privilege of taking a couple of lessons with Lee Konitz. Judging that school was interfering with his education, he dropped out after the spring semester, went back to Paris for a year where he wrote a novel called Twines of Colesion (1000 pages thankfully destroyed), came back to the US for an eight-month cross-country trip that took him from New York City to San Francisco via Mexico, and returned to Paris in 1989 where he became bartender at the IACP, a music school founded by legendary bassist Alan Silva. There he met such heroes of the ex-pat scene as Steve Lacy, Sunny Murray, Frank Wright, Bobby Few and others. He recorded with a pianoless quartet dedicated to the music of Thelonious Monk, Four in One (In Situ 1992), made his first album as leader and composer with a quintet of French musicians (released on Igal Foni's For Elevators/Jazzis, 1993). In January 1993, at the prompting of Anthony Braxton, he moved back to the US, sat in on his classes at Wesleyan University for one semester and finally moved to New York the following winter."-Michael Attias Website (http://www.michaelattias.com/html/about.php)
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