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Lane, Adam Full Throttle Orchestra: Ashcan Rantings [2 CDs] (Clean Feed)

2 CDs from the amazing little big band of bassist Lane, with trumpeters Nate Wooley & Taylor Ho Bynum, saxophonist David Bindman, trombonists Tim Vaughn & Reut Regev, & drummer Igal Foni.
 

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product information:


UPC: 5609063002034

Label: Clean Feed
Catalog ID: CF203
Squidco Product Code: 13427

Format: 2 CDs
Condition: New
Released: 20101
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded on April 16th, 2009 at Systems Two, Brooklyn, NY by Joe Marciano.


Personnel:

Nate Wooley-trumpet

Taylor Ho Bynum-trumpet

David Bindman-tenor and soprano saxophone

Reut Regev-trombone

Tim Vaughn-trombone

Adam Lane-bass

Igal Foni-drums

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Artist Biographies:

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
12/4/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.

His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."

-Taylor Ho Bynum website (http://taylorhobynum.com/)
12/4/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Adam Lane - Composer/Bassist

550550

By combining a disparate set of influences into a unique improvisational voice, Adam Lane has become recognized as one of the most original creative voices in contemporary jazz. His 2006 recording New Magical Kingdom, was recently featured in the Penguin Jazz Guide 1001 Best Records Ever Made, and his most recent recording, Ashcan Ranting received a myriad of critical praise including four stars in Downbeat.

550550

His current projects include his Full Throttle Orchestra, a nine piece ensemble formed to realize his extended jazz orchestral compositions, The Adam Lane Trio, featuring legendary reedist Vinny Golia, Four Corners, a co-lead ensemble with reedist Ken Vandermark, and an ongoing solo project that combines unique processed double bass improvisations with Lane's original story telling. As a sideman he has performed with an eclectic mix of musicians, from tenor great John Tchicai, to alto iconoclast Richard Tabnik, to rock legend Tom Waits. Lane's compositions have been praised for their audacity and originality.

550550

Sam Prestiani of Jazziz says of Lane's writing: "His confidence and confrontational prowess as well as his abiding sense of lyricism and heavy-groove power place him in the lineage of forward-jazz adventurism." And Bill Meyer writes in Downbeat, "Lane's music is genuine, accessible, fun. The music is deeply in touch with the essential pleasures of earwig-worthy tunes, fat bluesy grooves, and sheer tonal beauty." (Downbeat Jan 2011)

550550

Lane studied composition at Wesleyan University with Anthony Braxton, and at California Institute of the Arts with Wadada Leo Smith. In 1996 he received a Paternings Scholarship for study at the Darmstadt School for New Music where he studied double bass with Steffano Scodanibbio, and attended master classes in composition with Karlheinz Stockhausen."

-Adam Lane Website (http://adamlane.org/biography.html)
12/4/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


Disk 1:



1. Imaginary Portrait 9:48

2. Marshall 11:54

3. Nine Man Morris 10:14

4. Desperate Incantations 8:04

5. House of Elegant 8:19



Disk 2:



1. Ashcan Rantings 11:20

2. Lucia 9:57

3. Sienna's Slip Jig 10:23

4. Mahler 4:25

5. Bright Star Calypso 10:15
sample the album:








descriptions, reviews, &c.

"A little big band (sometimes no more than a large group) with variable geometry, the Full Throttle Orchestra has very wide parameters, in order to achieve the "multi-dimensional sonic qualities" intended by its leader, composer and arranger, the contrabassist Adam Lane.

The references, if not imediatly recognizable, are disseminated in every turn and adopted form: Charles Mingus and Duke Ellington, of course (what else could do anyone interested in getting that particular "orchestral effect" of the swing and be bop eras?), but also Iannis Xenakis and Luigi Nono (ant that means structural complexity and harmonic sofistication), Black Sabbath, Motorhead and Melt Banana (you now know from where comes all the energy and roughness). Also the soundtrack to the movie "Forbidden Planet" (feeled in the futuristic and "exotic" atmospheres), crossing boundaries between jazz, contemporary classical, punk, metal, noise and... "music of questionable worth", as Lane puts it himself with humour.

In this new double album, the chosen format is of a brass band, with seven horn players including the finest musicians of the post-free, avant-garde American front line, namelly Nate Wooley, Taylor Ho Bynum, Reut Regev, Tim Vaughn, David Bindman, Avram Fefer and Matt Bauder. The rhythm section of this piano-less group is filled by Adam Lane and drummer Igal Foni, and only these two are sufficient enough to guarantee all the combustion needed to go full blast. If you think everything was already done in the big band domain, prepare yourself: you're gonna be surprised."-Clean Feed

Related Categories of Interest:

Clean Feed

Improvised Music
Jazz
NY Downtown & Jazz/Improv
2010 Top 40
Nate Wooley
Septet recordings


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