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Bynum, Taylor Ho & SpiderMonkey Strings: Madeleine Dreams (Firehouse 12 Records)

The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.
 

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product information:


UPC: 616892053262

Label: Firehouse 12 Records
Catalog ID: FH12-04-01-011
Squidco Product Code: 12357

Format: CD
Condition: New
Released: 2009
Country: USA
Packaging: Digipack
Recorded November 21 and 22, 2009 at Firehouse 12 Studios, New Haven, CT, by Nick lloyd.


Personnel:

Taylor Ho Bynum-cornet, flugelhorn

Kyoko Kitamura-voice

Jason Kao Hwang-violin

Jessica Pavone-viola

Tomas Ulrich-cello

Pete Fitzpatrick-guitar

Joseph Daley-tuba

Luther Gray-drums

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Hush 1:33

2. Le Petomane 5:31

3. Lesson 2:31

4. Metamorphosis 2:48

5. Objects Lost On Journeys 10:21

6. Hush (Reprise) 1:16

7. What Reason Could I Give 4:16

8. The Mooche 9:02

9. Angels And Demons At Play 8:25




Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Spoken Word
Song Based Music
Unusual Vocal Forms
Octet Recordings

sample the album:








descriptions, reviews, &c.

"Madeleine Dreams is the second recording from cornetist/composer Taylor Ho Bynum's improvising chamber ensemble, SpiderMonkey Strings. The centerpiece of this release is Bynum's titular composition, a six-movement secular oratorio inspired by the novel, Madeleine is Sleeping (Harcourt), a 2004 National Book Award finalist written by his sister, Sarah Shun-lien Bynum, and its theme of the logic of dreams.

The piece, which the band has performed on tour since the March 2008 debut at New York's Roulette, draws text from the book, a magical-realist fable of a girl's coming of age that moves between dreams and reality in 19th century France. Madeleine Dreams also documents Bynum's distinctive arrangements of music by Ornette Coleman, Duke Ellington and Sun Ra.


Artist Biographies:

"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.

His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."

-Taylor Ho Bynum website (http://taylorhobynum.com/)
3/23/2017

"A former journalist (Fuji Television Network Japan) with childhood piano training at Juilliard Pre-College and a stint as a Gulf War reporter on her résumé ('90-'91 working in Iraq, Kuwait, Jordan and Saudi Arabia), Kyoko Kitamura is an oddball vocalist, composer and bandleader who has worked with many distinguished musicians including Anthony Braxton, Taylor Ho Bynum, Steve Coleman, William Parker and Reggie Workman.

She is a featured vocalist on Anthony Braxton's opera Trillium J (New Braxton House 2015), 12 Duets (DCWM) 2012 (NBH 2014), Trillium E (NBH 2011, the first-ever studio-recording of an Anthony Braxton opera), and the Syntactical GTM Choir (NYC) 2011 (NBH 2012). Also known for her interdisciplinary projects, she released her first solo album Armadillo In Sunset Park in 2012, a collection of songs written for and choreographed by Mark Lamb Dance. She can also be heard on the critically acclaimed Taylor Ho Bynum & SpiderMonkey Strings release Madeleine Dreams (Firehouse 12 Records 2009), Jamie Baum's Solace (Sunnyside Records 2008), and Steve Coleman's Lucidarium (Label Bleu 2004) among others.

She currently works with Anthony Braxton as a vocalist in his Tri-Centric Orchestra and as the Director of Communications for his Tri-Centric Foundation. She studies counterpoint and Schoenberg harmony with Paul Caputo.

As for her own current projects, she leads Tidepool Fauna (Ingrid Laubrock on sax, Ken Filiano on bass) and co-leads Armadillo In Sunset Park (collaborative project with dancers of Mark Lamb Dance).

Kitamura has garnered critical praise for her "great vocal range, veering from wordless vocalese to near operatic feats" (AllAboutJazz) and All Music Guide describes her as "an expressive vocalist who knows how to be quirky and eccentric but is also quite musical." Most recently, in a performance with the Anthony Braxton Trio at the Angel City Jazz Festival in L.A. (Anthony Braxton, Taylor Ho Bynum, Kyoko Kitamura), Robert Bush of AllAboutJazz wrote, "Enough cannot be said about the stunning abilities of Ms. Kitamura-she functions at the highest instrumental level and was able to deal with pages of dense notation, acrobatic intervals and intricate layering with devastating surety." "

-Kyoko Kitamura Website (http://www.kyokokitamura.com/biography/)
3/24/2017

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