Tsahar, Assif & The New York Underground Orchestra
Tsahar's New York Underground Orchestra with an all-star set of New York players including Okkyung Lee, Oscar Noriega, Matt Lavelle, Tatsuya Nakatani, &c. &c performing Tsahar's 10 part "labyrinth".
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Label: Hopscotch Records
Catalog ID: Hop 12
Squidco Product Code: 11910
Packaging: Cardstock Gatefold Sleeve
Recorded in Williamsburg, NYC on February 25, 2002 by John Gurrin. Mastered by Assif Tsahar.
Melinda Rice-violin, viola
Oscar Nuriega-bass clarinet
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1. The 1st Path 7:50
2. The 2nd Path 6:03
3. The 3rd Path 4:11
4. The 4th Path 2:43
5. The 5th Path 13:05
6. The 6th Path 2:31
7. The 7th Path 5:25
8. The 8th Path 8:29
9. The 9th Path 9:22
10. The 10th Path 12:49
Related Categories of Interest:
NY Downtown & Jazz/Improv
sample the album:
Tsahar's New York Underground Orchestra with an all-star set of Downtown New York players including Okkyung Lee, Oscar Noriega, Matt Lavelle, Tatsuya Nakatani, &c. &c.
"The labyrinth is infinite, encompassing all sound and movement throughout time. It's endless corridors sprawling across existence. Criss-crossing paths all leading to themseles as every moment is a beginning and and end. These spider-webs of sound, shape and colour unfolding onto themsevles, their invisible knots covering space. As a weird nightmare where we follow our-sevles being followed by ourselves. Behind these walls we can hear each other's fears. Wanderer's foot prints, a maze of dots and lines mapping a score for a symphony. These musical petroglyphs are embedded in our bones the skeleton of histories death and tradition. This music is a dream it defies reality."-Assif Tsahar, from the liner notes.
• Show Bio for Okkyung Lee
"Okkyung Lee, a New York-based artist and South Korea native, has created a body of work blurring genre boundaries through collaborations and compositions while pushing the limitation of contemporary cello performance techniques. Her music draws from noise and extended techniques, jazz, Western classical, and Korean traditional and popular music.
Since moving to New York in 2000, She has released more than 20 albums including the latest solo record Ghil produced by Lasse Marhaug on EditionsMego/Ideologic Organ, Noisy Love Songs (for George Dyer) on Tzadik.She has performed and recorded with numerous artists from wide ranges such as Laurie Anderson, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Ikue Mori, Lawrence D "Butch" Morris, Marina Rosenfeld, Jim o'Rourke, Evan Parker, Wadada Leo Smith, C Spencer Yeh and John Zorn to name just a few.
Since 2010, she has been developing a site-specific duo project with New York based dancer/choreographer Michelle Boulé. They have performed at Issue Project Room, Mount Tremper Art Center and send+receive fesival in Winnipeg, Canada and scheduled perform at The Met Breuer Building on March 12th, 2016 as a part of the inaugural program, curated by pianist/composer Vijay Iyer. She opened for a legendary experimental rock group Swans in May, 2015 in Northern Europe and UK. In early 2015, Okkyung presented new compositions commissioned by London Sinfonietta as a part of Christian Marclay's exhibit at White Cube Gallery in London.
Okkyung was rewarded with prestigious Doris Duke Performing Artist Award in 2015 and received Foundation For Contemporary Arts Grant in 2010.
She received a dual bachelor's degree in Contemporary Writing & Production and Film Scoring from Berklee College of Music in 1998 and a master's degree in Contemporary Improvisation from New England Conservatory of Music in 2000."-Okkyung Lee Website (http://www.okkyunglee.info/about)
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• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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