One of NYC's oddest rock bands, Talibam! augment and mutilate rock forms with a weird mix, helped along by Jon Irabagon, Peter Evans, Chris Forsyth, &c., great and bizarre!
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Catalog ID: ESP 4055
Squidco Product Code: 11669
Recorded and mixed by Josh Clark at The Seaside Lounge, Brooklyn. Live recordings by Jocelyn Soubiran at Zebulon Cafe Brooklyn; and Joseph Frivaldi at Club Rehab, NYC.
Matthew Mottel-piano, fender rhodes, mini moog, glamor box oscillator, roland juno-1 alpha synth, banjo, organ, alesis nano synth, voice
Kevin Shea - drums, objects, roland spd-s, voice
Tim Dahl-electric bass (2, 5, 6, 7, 8, 10, 11)
Moppa Elliott-upright bass (6)
Michael Evans-percussion (4)
Peter Evans-trumpet (2, 4, 6, 11), voice (2)
Chris Forsyth-guitar, voice (2)
Jon Irabagon-saxophone (2, 4, 6)
Danielle Kuhlmann-voice (1, 3, 5, 6, 7, 9, 11, 12)
Sam Kulik-trombone (2, 4, 6, 11), voice (2)
Robbie Lee-renaissance instruments (4)
Anders Nilsson-electric guitar (4, 6)
Mike Pride-vocals (4)
Jeremy Wilms-electric guitar (4, 11), fretless guitar (11)
Bird field recordings from "Ornithology-Shadows" by Michael Pestel & Jeroen van Westen (11)
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1. Predetermined to the Master Plan 4:17
2. Ghost Cloud 3:17
3. Slap Yr Boots On! Oysters Await 2:50
4. Entertaining the After Beast 5:20
5. Jim O'Rourke 6:53
6. Schroeder Meets Jagger 5:33
7. Not Just Any Kind of Fruit and Veg 1:41
8. Movement of Ta! People 0:58
9. Roosevelt Island: I Can't Do It. 1:11
10. Mao Mix 4:46
11. Nike Rim Johb 6:24
12. Herodiade 3:43
Rock and Related
NY Downtown & Jazz/Improv
Organized Sound and Sample Based Music
Staff Picks & Recommended Items
Objects and Home-made Instruments
sample the album:
"The Brooklyn duo Talibam!'s first ESP Disk' release, Boogie in the Breeze Rocks, is a narrative earful as warped and wonderful as spicy pasta, fresh grapes and caramel crunch. An ensemble record joining 2008's Thelonious Monk Jazz Institute winner, Jon Irabagon (tenor sax); Peter Evans of Sparks (trumpet); guitarists Chris Forsyth from Peeesseye, Anders Nilson and Chin Chin's Jeremy Wilms; along with Mostly Other People Do the Killing's Moppa Elliot on upright bass; all filtered through Talibam! To make music of one voice and cohesion. It is ensemble playing that goes beyond personal choice to capture a mood and the deep anthropology of the strange beauty of contemporary opposing and debt-maxed-out stimuli."-ESP
• Show Bio for Tim Dahl
"Tim Dahl is a professional electric and double bass player, vocalist, keyboardist and composer living in New York City. He is best known as the bass player of the noise-rock band Child Abuse and Lydia Lunch's Retrovirus. He also writes and performs for the jazz ensemble Pulverize The Sound.
Dahl has toured extensively throughout North and South America, Europe, Australia, New Zealand and Japan. He has performed with many notable musicians, composers and performers including Yusef Lateef, Archie Shepp, Eugene Chadbourne, Tatsuya Yoshida, Von Freeman, Stanley Jordan, Mary Halvorson, Malcolm Mooney, Marc Ribot, Brian Chase, Hamid Drake, Elliott Sharp, Weasel Walter, Marni Nixon, Peter Evans, Kevin Shea, Mick Barr, Lydia Lunch, Jan Terri, The Bureau of Atomic Tourism, Ava Mendoza etc.
As a bass player he is notable for unique style and technical savviness. Clifford Allen of Tiny Mixtapes' wrote "Tim Dahl [...] approaches his well-worn axe with a battery of pedals and loops, combining determinate speed with murkier sonics to create a landscape not unlike a harsh, speed-freak variant on Hugh Hopper."
Dahl currently lives in Brooklyn and is an active member in the music scene there."-Wikipedia (https://en.wikipedia.org/wiki/Tim_Dahl)
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• Show Bio for Moppa Elliott
"A short biography from the artist:
I was born on September 13, 1978, the first son of David and Carolyn Elliott in Scranton, Pa. Incidentally, they named me Matthew Thomas Elliott, not Moppa. My parents are both college instructors and intense music lovers, so I was able to hear a lot of music growing up. After a brief introduction to the piano, I started to play the trombone in the sixth grade, and after deciding a few years later that I wanted to also play an instrument with strings, I was given an electric bass. When I was about 17, I fixed up my father's old acoustic bass in order to audition for a summer program. I then began to study the bass seriously with Pocono resident Tony Marino. In the fall of 1997, I enrolled in both Oberlin College and the Oberlin Conservatory of Music majoring in biology and Jazz bass performance in Oberlin's double-degree program. While there I was able to record my first CD, Pinpoint and to gain some experience playing in Cleveland OH for about 3 years. I was also fortunate enough to teach at the Pennsylvania Governor's School for the Arts for four summers. I finished school in the winter of 2001, and moved to New York City the following summer. Here in New York, I have been able to play and record with some great musicians and to continue teaching at St. Mary's High School."-Moppa Elliott Website (http://www.moppaelliott.com/who.html)
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• Show Bio for Michael Evans
"Michael Evans is an improvising drummer/percussionist/ thereminist/composer whose work investigates and embraces the collision of sound and theatrics.While his primary instrument is an unconventionally altered drumset, his work with unusual sound sources includes found objects, homemade instruments, the theremin and various digital and homemade analog electronics.
As an active and versatile New York City musician, he has worked with a wide variety of artists of all sorts including Ron Anderson, Jeff Arnal, Audio Artists, Claire Barratt, Samm Bennett, Jac Berrocal, Carla Bley, Naval Cassidy, James Chance, Martha Colburn, Combustible Edison, Lol Coxhill, EasSide Percussion (ESP), Roger Ely (the Devil's Chaueffeur), Nicolas Dumit Estevez, Ken Filiano, Fast Forward (Gobo), Chris Ferris, Michael Gira (Angels of Light, Swans), Gisburg, Gilbert Godfried, God Is My Co-Pilot, David Grubbs, Alexander Hacke (Einsturzende Neubauten), Susan Hefner, Steve Horowitz's Code Ensemble, Jarboe (Swans), Pamelia Kurstin, Skip LaPlante's Music for Homemade Instruments, Zach Layton, Gen Ken Montgomery, Neil Leonard, Aimee Mann, Karen Mantler, Sean G. Meehan, Donald Miller, Eric Mingus, Gordon Monahan, Joe Morris, Michelle Nagai, Anders Nilsson, Evan Parker, Andrea Parkins, Maxime De La Rochefoucauld, William Parker, Yvette Perez's Birdbrain, Yvette Perez's Mitra Sumara, Gino Robair, Lary Seven, Elliot Sharp, Moe! Staiano, LaDonna Smith, David Simons, Jesse Stewart, the Talking Band, Toronto Dance Theatre, Stephen Vitiello, Christopher Walken, Jason Willet, Peter Zummo's Noisy Meditation Band and John Zorn.
He toured internationally with God is my Co-Pilot in the 90's, performed solo percussion at Het Apollohuis in Eindhoven, Netherlands, with Gordon Monahan in Munich, Germany, and in an impromptu series entitled "Purgatory", presented by Alexander Hacke (Einsturzende Neubauten) in Berlin, Germany. He toured Japan with percussionist Samm Bennett in 2005, went to Sweden with Anders Nilsson and "Fulminate Trio" in 2006, and performed with Fast Forward in "Music a la Mode" at Sophiensaele in Berlin in 2010.
His work with the theremin varies the quality of its sound through set-up and technique. On the theremin he has performed with dancers and in group settings playing experimental, jazz, rock, ersatz lounge and chamber music. In 2000, he was photographed playing a Moog ether wave theremin for the front of Bob Moog's Big Briar catalog. He has performed in multiple performances of the NYC Theremin Society's concerts 2005 - 2012 at Issue Project Room and at Joe's Pub.
He was selected for a composers fellowship to Music/Omi 2001, part of the International Music Colony @ the Art Omi International Arts Center, in Ghent, N.Y. During the summer of 2003, he participated in Baltimore's High Zero Festival, an ongoing, yearly improvisational festival featuring musicians from the USA and abroad. Every August since 2006, he has been happily teaching percussion workshops to children, performs as a musician and often times helps out by cooking meals at the Electric Eclectics festival (Festival Of Modern Music And Irritainment) in Meaford, Canada presented by Gordon Monahan, Laura Kikauka and Chris Worden.
He collaborates regularly with the choreographer Susan Hefner. Their sound/movement performance work has been previously produced at Roulette, The Chocolate Factory, Improvised and Otherwise, Dixon Place, Music with a View at the Flea Theater, the Birmingham Improvisation Festival, and elsewhere. The duo also presents salon performances at their home studio, MESH. In December 2013, they will perform at Experimental Intermedia.
He also continues his ongoing collaborations with: Bed of Daddle (with Gordon Beeferman and James Ilgenfritz), Fulminate Trio (with Anders Nilsson & Ken Filiano), Peter Zummo's Noisy Meditation Band, Ghosts of the Holy Ghost Spermic Brotherhood (with David Grollman and Andy Haas.)
Recorded examples of his work can be found on EasSide Percussion's "ESP" release on Avant records, "MESuperstar" on A.T.M.O.T.W. records, Karen Mantler's "Farewell" and "Pet Project" releases on XtraWatt records, "Just Drums 2 - The Project" (a compilation of 35 drummers) on Fever Pitch records, "MEJA" (Michael Evans/Jeff Arnal) on C3R records, Fulminate Trio: s/t on Generate records," Deviant Shakti: Ladonna Smith and Michael Evans" on Trans Museq records, "An Optimist Notes the Dusk" with David Grollman on Drag City Records, and "Ghosts of the Holy Ghost Spermic Brotherhood" on Resonant Records.
He has studied movement/sparring/drumming with Professor Milford Graves, drum technique with Joe Morello, tabla with Misha Masud, kanjira with Ganesh Kumar and Haitian/Afro-Cuban hand drumming with John Amira. He has studied musicianship with Helen Hobbs Jordan, composition with Richard Cameron Wolf, Blue Gene Tyranny and the theremin with Pamelia Kurstin."-Michael Evans Website (http://www.michaelevanssounds.com/about)
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• Show Bio for Peter Evans
"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."-Peter Evans Website (http://pevans.squarespace.com/about/)
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• Show Bio for Chris Forsyth
"Guitarist Chris Forsyth's hypnotic instrumentals assimilate art-rock textures with vernacular American influences culled from a lauded career as a composer, improviser, and inveterate collaborator. Long active in the international improv/experimental underground, he's released a series of acclaimed records as a solo artist that demonstrate a resolute engagement in making corporeal/cerebral music that transcends such subterranean realms, reaching instead for a bleeding-edge physicality and lyricism that he deems "cosmic Americana." The fascinating tension manifest in Forsyth's playing between often long-form, rarefied abstraction and percolating rhythms and rock/roots structures animates notable recent works such as his 2011 LP Paranoid Cat on Family Vineyard and Early Astral, a 2012 duo LP with Koen Holtkamp (Mountains) on Blackest Rainbow.
His 2012 Kenzo Deluxe LP/CD on Northern Spy, which features "The First Ten Minutes of Cocksucker Blues," a stunning conceptual soundtrack piece for Robert Frank's banned Rolling Stones documentary film, has been described as "resonant [and] incisive... a cosmic abstraction of the American guitar tradition, reducing blues, rock, folk and improvisation into their spare, hypnotic base elements." Aptly, Forsyth credits a Keith Richards interview in a 1988 issue of Guitar World with introducing his teenage self to the banjo-derived open G tuning, which Forsyth now employs almost exclusively. The Wire has praised him as "an erudite and farsighted guitar stylist, mapping a path that's hip and scholarly in equal measure." Uncut calls him "an emergent master."
Forsyth has toured throughout Europe and the U.S., sharing stages with such like-minded travellers as fellow PoB artist Steve Gunn, Bill Orcutt, Rhys Chatham, Sic Alps, Grouper, Loren Connors, Mind Over Mirrors, PG Six, and Träd Gräs och Stenar, and, from 2002 to 2011, as a member of Peeesseye. He studied with guitarist Richard Lloyd of Television and has also collaborated with diverse artists including Meg Baird, Tetuzi Akiyama, Nate Wooley, and choreographers Miguel Gutierrez and RoseAnne Spradlin. Forsyth was awarded a 2011 Pew Fellowship in the Arts and resides in Philadelphia."-Paradise of Bachelors (http://www.paradiseofbachelors.com/chris-forsyth/)
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• Show Bio for Jon Irabagon
"The winner of the 2008 Thelonious Monk Saxophone Competition, Irabagon has since topped both the Rising Star Alto Saxophone and the Rising Star Tenor Saxophone categories in the DownBeat Magazine Critics' Poll and been named one of Time Out New York's 25 New York City Jazz Icons. Jon was also named 2012 Musician of the Year in The New York City Jazz Record and is an integral member of such high-profile ensembles as the Mary Halvorson Quintet, the Dave Douglas Quintet and Barry Altschul's 3Dom Factor, as well as an established bandleader in his own right.
For Perpetual Motion, a project of Moondog arrangements, Jon (along with French saxophonist/clarinetist/composer Sylvain Rifflet) has been awarded a French-American Cultural Exchange grant from the Mid-Atlantic Arts Foundation, with generous funding from the Cultural Services of the French Embassy, Doris Duke Charitable Foundation, Florence Gould Foundation, The Andrew W. Mellon Foundation, Institut Français, Ministère de la Culture et de la Communication, and Société des Auteurs et Compositeurs de Musique ("SACEM"). In addition, Jon has received a 2012 Mabuhay Award by the National Association of Filipino-Americans and a 2014 Philippine Presidential Award.
Jon's own record label, Irabbagast Records, has currently released five of his efforts, including I Don't Hear Nothin' but the Blues Volume 2: Appalachian Haze (with Mike Pride and Mick Barr), Outright! Unhinged (with Ralph Alessi, Jacob Sacks, John Hebert and Tom Rainey) and It Takes All Kinds (featuring Mark Helias and Barry Altschul), and most recently, the dual release of Behind the Sky (featuring Tom Harrell, Luis Perdomo, Yasushi Nakamura and Rudy Royston) as well as Jon's first solo saxophone recording, Inaction is an Action."-Jon Irabagon Website (http://www.jonirabagon.com/bio/)
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• Show Bio for Mike Pride
"Mike Pride: Percussionist • Composer • Vocalist • Visual Artist
Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently performs solo, leads modern-jazz quartet From Bacteria To Boys, the 7-drummer installation-band Drummer's Corpse, and the MDC piano trio I Hate Work. He also co-leads the ensembles Pulverize The Sound (w/ Peter Evans and Tim Dahl), and Period (w/ Charlie Looker and Chuck Bettis). Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents, appeared on more than 100 recordings, and is currently touring the world opening for comedian Amy Schumer with Jason Stein's Locksmith Isidore.
A short list of his collaborators includes Mick Barr, Tim Berne, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D'Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Charles Gayle, Milford Graves, Drew Gress, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Brad Jones, Haino Keiji, Kirk Knuffke, George Lewis, Frank Lowe, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Marc Ribot, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Craig Wedren, Nate Wooley, Otomo Yoshihide and John Zorn.
Pride's versatility doesn't end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games, podcasts, independent films, and websites, and an experienced and exhibited visual artist.
Mike proudly uses Yamaha Drums & hardware, Vic Firth striking implements, and Humes & Berg Cases."-Mike Pride Website (http://mikepride.com/about/)
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