Hyperpianist Denman Maroney in a quintet with Ned Rothenberg, Dave Ballou, Reuben Radding and Michael Sarin, complex and rewarding structured & multi-tempo music.
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Label: Clean Feed
Catalog ID: CF 137
Squidco Product Code: 11232
Packaging: Cardstock Gatefold Sleeve
Recorded January 4 & 6, 2008 by Michael Brorby at Acoustic Recording, NY.
Ned Rothenberg-alto sax, clarinet, bass clarinet
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1. Udentity I 13:16
2. Udentity II 7:23
3. Udentity III 14:52
4. Udentity IV 1:57
5. Udentity V 6:02
6. Udentity VI 7:44
7. Udentity VII 9:58
NY Downtown & Jazz/Improv
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sample the album:
"Udentity by the Denman Maroney Quintet has the "hyperpiano" as main focus. The title is a word coined by Harry Partch meaning undertone identity. In the tradition of Henry Cowell, John Cage and George Crumb, Maroney offers here a new and very convincing opus of his always imaginative attempts, in a jazz context, to extend the possibilities of the instrument invented by Bartolomeo Cristofori. But because there's much more in Udentity than the piano, and because this complex yet accessible music is structured with different simultaneous tempos, we find him in the company of superlative musicians. Saxophonist/clarinetist Ned Rothenberg is on the top of his guts-and-brain approach to jazz, trumpeter David Ballou adds his "third stream" expertise, and the rhythm section formed by Reuben Radding (bass) and Michael Sarin (drums) contributes with a solid backup to all things happening. A must have, demonstrating what is jazz in this beginning of the 21st century."-Clean Feed
At The Squid's Ear!
• Show Bio for Dave Ballou
"Trumpeter/Improviser/Composer/Educator, Dave Ballou has released ten CD's as a leader and co-leader. He has performed or recorded with ensembles led by Michael Formanek, Denman Maroney, Maria Schnieder, Andrew Hill, Dave Liebman, Oliver Lake, Joe Lovano, Sheila Jordan, Steely Dan, Rabih Abou-Kahlil, Don Preston and an extensive list of jazz personalities. Dave has performed Bach's Brandenburg Concerto #2 with the Bella Musica Orchestra of NY, Larry Austin's Improvisations with the Boston Modern Orchestra Project, and Gunther Schuller's Journey into Jazz with the Spokane Symphony and Boston Modern Orchestra Project. He appeared as a featured soloist for the premiere of Schuller's Encounters, a composition celebrating the 100th anniversary of Jordan Hall.The Meridian Arts Ensemble, The TILT Brass ensemble and the Monarch Trio have all performed his compositions. His work for solo trumpet, "Samskara" has been recorded by Jon Nelson for release in 2010. In 2009, Dave received an Individual Artist Award from the Maryland State Arts Council. In 2010, Universtiy of Michigan French Horn professor, Adam Unsworth, performed an adaptation of "Samskara" for horn.
Dave is a Professor of Music at Towson University and coordinator of the Jazz/Commercial music division. He teaches classes in Jazz history, Jazz theory and improvisation, Jazz arranging, studio jazz trumpet and improvisation for all instrumentalists, jazz composition and coaches small jazz ensembles including the improvisation ensemble. He has taught at the Litchfield Jazz Camp, the Maryland Summer Jazz Camp, the Maine Jazz Camp and The Banff Institute.
He earned a BM (magna cum laude) from Berklee College of Music in 1986 and a MA from the University of New Hampshire in 1991.Born in Peace Dale, Rhode Island Dave was drawn to the trumpet at age 11 and quickly was excited by the sounds of jazz trumpeters Clifford Brown, Woody Shaw, Maynard Ferguson, Clark Terry, the Thad Jones Mel Lewis Orchestra as well as classical trumpeterers John Willbraham and Bud Herseth. His early trumpet studies were with RI philharmonic trumpeter Julio Tancredi. Dave began working gigs at the age of 16 playing society gigs in the mansions of Newport and Italian Festival parades in Providence, RI.After brief study at the University of Rhode Island, Dave attended the Berklee College of Music. There he studied with Herb Pomeroy, Greg Hopkins, Jimmy Mosher and Greg Fritze. Other teachers have been George Garzone, Jerry Bergonzi, Hal Crook, Laurie Frink, Charles Schluter, Jeff Stout and Paul Caputo.
Tours with the big bands of Tommy Dorsey (led by Buddy Morrow) and Woody Herman (led by Frank Tiberi) followed studies at Berklee. Dave then attended the University of New Hampshire and received a Master's of Art's degree in 1992. At UNH he came under the direct influence of the jazz great Clark Terry.
Dave worked many types of gigs in the Boston area during and after his studies at UNH. He was also a member of the bands Orange Then Blue and the Either/Orchestra.
In 1994 Dave moved to New York City. Seeking a community in which he could grow as an artist and be surrounded by like-minded musicians, Dave settled into Brooklyn and took part in the vibrant scene there. In NY Dave played Broadway shows , recording sessions and many jazz concerts with some of his heroes: Joe Lovano, Sheila Jordan, Tim Berne, Billy Hart, Dewey Redman, Michael Formanek and Dave Liebman.
Dave joined the faculty of Towson Universtiy in the fall of 2004. He became to coordinator of the Jazz and Commercial Music division in 2006 and has worked to reconnect the Jazz program with the community of musicians influenced by former TU music professor Hank Levy. Earning tenure and promotion to Associate Professor in the 2009-2010 academic year Dave has become recognized as an innovative pedagouge in the teaching of improvisation and composition. His students have become leaders in the improvised music scene in Baltimore.
He continues to perform with innovative improvisors and composers. Recently appearing with on recordings by Denman Maroney, Mario Pavone and Grammy nominated John Hollenbeck Large Ensemble, Dave continues to develop as an instrumentalist, composer and teacher."-Dave Ballou Website (http://daveballou.com/?page_id=528)
^ Hide Bio for Dave Ballou
• Show Bio for Denman Maroney
"The music of "hyperpianist" Denman Maroney (born 1949) is inspired by nature and the music of John Cage, Ornette Coleman, Henry Cowell, Duke Ellington, Charles Ives, Scott Joplin, Olivier Messiaen, Thelonious Monk, Conlon Nancarrow and Karheinz Stockhausen among others. Maroney plays what he calls hyperpiano, which involves bowing and sliding the strings with copper bars, steel cylinders, Tibetan prayer bowls, rubber blocks and CD cases and gives him a unique sonic vocabulary. He also uses a system of temporal harmony based on the undertone series that allows him to improvise and compose in several tempos at once.
Maroney also has worked with musicians Tim Berne, Jane Ira Bloom, Jon Deak, John King, Garrett List, Roger Miller, Michael Moore, Bob Ostertag, William Parker, Bobby Previte, Ed Schuller, Elliot Sharp and Peter Zummo among others, and dance and theater artists Davidson Lloyd, Sin Cha Hong, Tom Keegan, Tom Lillard, Erin Martin, Wendy Osserman and Mel Wong among others.
Maroney was educated at Cal. Inst. of the Arts (MFA '74), Bennington College and Williams College (BA '71). His teachers included John Bergamo, Alan Chaplin, Bill Dixon, Jimmy Garrison, Leonid Hambro, Ingram Marshall, Steven Mosko, Morton Subotnick, and James Tenney."-Denman Maroney Website (http://www.denmanmaroney.com/Bio.html)
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• Show Bio for Michael Sarin
"Over the last twenty-five years, drummer Michael Sarin has been at the center of New York City's genre-bending jazz and improvisation community. His versatility and musical wit helped forge long associations with forward-looking artists Thomas Chapin, Dave Douglas, Myra Melford, Ben Allison, and David Krakauer.
Born in 1965, Michael was raised on Bainbridge Island, WA-a ferryboat ride from Seattle. His interest in music and the drums came early, nourished by both the record collections of his parents and older sister, and by the AM radio he received at age seven.
His formal music education began during high school with drummer Dave Coleman, Sr. He went on to study drums and percussion with Tom Collier at the University of Washington, and later with master drummer, Jerry Granelli.
Since moving to New York in 1989, Michael's unique style and approach to the drum set has been highly sought after by NYC and European musicians looking to expand the definitions of jazz and improvised music. He has contributed to recordings by the aforementioned artists as well as those of Frank Carlberg, Anthony Coleman, Mark Dresser, Marty Ehrlich, Mark Helias, Denman Maroney, Simon Nabatov, Mario Pavone, and Ned Rothenberg--recordings found on numerous music critics' Top Ten CD year-end lists.
Michael performs all over the world--in major and minor festivals; concert halls famous and infamous, big and small. He can be heard on recent recordings of Frank Carlberg, Mark Dresser, Joe Fiedler, Erik Friedlander, David Krakauer, and Leslie Pintchik."-Michael Sarin Website (http://www.michaelsarin.com/html/about.php)
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• Show Bio for Ned Rothenberg
"Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 33 years on 5 continents. He performs primarily on alto saxophone, clarinet, bass clarinet, and the shakuhachi - an endblown Japanese bamboo flute. His solo work utilizes an expanded palette of sonic language, creating a kind of personal idiom all its own. In an ensemble setting, he leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla, works with the Mivos string quartet playing his Quintet for Clarinet and Strings and collaborates around the world with fellow improvisors. Recent recordings include this Quintet, The World of Odd Harmonics, Ryu Nashi (new music for shakuhachi), and Inner Diaspora, all on John Zorn's Tzadik label, as well as Live at Roulette with Evan Parker, and The Fell Clutch, on Rothenberg's Animul label."-Ned Rothenberg Website (http://www.nedrothenberg.com/short&extended_biography.html)
^ Hide Bio for Ned Rothenberg
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