Tenor saxophonist Ware's first studio release in 6 years is in a great quartet with Joe Morris, William Parker and Warren Smith playing a set of original compostions.
Ware, David S.
Label: Aum Fidelity
Released in: USA
"Shakti is Ware's first new studio recording in almost 6 years, and his first with a new group since his highly esteemed Quartet was disbanded. The Quartet's final performance was documented on Renunciation. Even before that album was released, Ware was developing a new group concept, and beginning to compose for same. In July 2007 this new group, featuring guitarist Joe Morris, made its live debut at the Iridium jazz club in NYC. The membership was solidified with the addition of long-time musical compatriot William Parker on bass and fellow master musician Warren Smith on drums. A European tour in November 2007 followed, and a studio session was booked for May 2008, resulting in the luminous Shakti.
Working with musicians (as he ever has) who fully understand the profound ebb and flow of his music, and who can trace the tendrils thereof as close to infinity as human fingers allow, Ware here presents five new compositions and a re-interpolation of his own "Antidromic" which first appeared on Wisdom of Uncertainty.
Each group member contributes exquisitely. Joe Morris long ago developed his own utterly singular school of jazz guitar and more. His coloration and elucidation of David's music comes from a deep appreciation and full understanding thereof. William Parker's bass voice has been an integral aspect of David's work since 1988 and is heard here in its highest form in both pizzicato and arco modes. Drummer/percussionist Warren Smith is a blessing pure and true; over the past half century his work has graced recordings by Van Morrison (percussion and vibes on Astral Weeks!), Gil Evans, Charles Mingus, Max Roach, Rahsaan Roland Kirk, Quincy Jones, Sam Rivers, Julius Hemphill, and many more."-Aum Fidelity
• Show Bio for Joe Morris
"Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM, which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended The Unschool, a student-run alternative high school near the campus of Yale University in downtown New Haven. Taking advantage of the open learning style of the school he spent most of his time day and night playing music with other students, listening to ethnic folk, blues, jazz, and classical music on record at the public library and attending the various concerts and recitals on the Yale campus. He worked to establish his own voice on guitar in a free jazz context from the age of 17. Drawing on the influence of Coltrane, Miles Davis, Cecil Taylor,Thelonius Monk, Ornette Coleman as well as the AACM, BAG, and the many European improvisers of the '70s. Later he would draw influence from traditional West African string music, Messian, Ives, Eric Dolphy, Jimmy Lyons, Steve McCall and Fred Hopkins. After high school he performed in rock bands, rehearsed in jazz bands and played totally improvised music with friends until 1975 when he moved to Boston.
Between 1975 and 1978 he was active on the Boston creative music scene as a soloist as well as in various groups from duos to large ensembles. He composed music for his first trio in 1977. In 1980 he traveled to Europe where he performed in Belgium and Holland. When he returned to Boston he helped to organize the Boston Improvisers Group (BIG) with other musicians. Over the next few years through various configurations BIG produced two festivals and many concerts. In 1981 he formed his own record company, Riti, and recorded his first LpWraparound with a trio featuring Sebastian Steinberg on bass and Laurence Cook on drums. Riti records released four more LPs and CDs before 1991. Also in 1981 he began what would be a six year collaboration with the multi-instrumentalist Lowell Davidson, performing with him in a trio and a duo. During the next few years in Boston he performed in groups which featured among others; Billy Bang, Andrew Cyrille, Peter Kowald, Joe McPhee, Malcolm Goldstein, Samm Bennett, Lawrence "Butch" Morris and Thurman Barker. Between 1987 and 1989 he lived in New York City where he performed at the Shuttle Theater, Club Chandelier, Visiones, Inroads, Greenwich House, etc. as well as performing with his trio at the first festival Tea and Comprovisation held at the Knitting Factory.
In 1989 he returned to Boston. Between 1989 and 1993 he performed and recorded with his electric trio Sweatshop and electric quartet Racket Club. In 1994 he became the first guitarist to lead his own session in the twenty year history of Black Saint/Soulnote Records with the trio recording Symbolic Gesture. Since 1994 he has recorded for the labels ECM, Hat Hut, Leo, Incus, Okka Disc, Homestead, About Time, Knitting Factory Works, No More Records, AUM Fidelity and OmniTone and Avant. He has toured throughout the U.S., Canada and Europe as a solo and as a leader of a trio and a quartet. Since 1993 he has recorded and/or performed with among others; Matthew Shipp, William Parker, Joe and Mat Maneri, Rob Brown, Raphe Malik, Ivo Pearlman, Borah Bergman, Andrea Parkins, Whit Dickey, Ken Vandermark, DKV Trio, Karen Borca, Eugene Chadborne, Susie Ibarra, Hession/Wilkinson/Fell, Roy Campbell Jr., John Butcher, Aaly Trio, Hamid Drake, Fully Celebrated Orchestra and others.
He began playing acoustic bass in 2000 and has since performed with cellist Daniel Levin, Whit Dickey and recorded with pianist Steve Lantner.
He has lectured and conducted workshops trroughout the US and Europe. He is a former member of the faculty of Tufts University Extension College and is currently on the faculty at New England Conservatory in the jazz and improvisation department. He was nominated as Best Guitarist of the year 1998 and 2002 at the New York Jazz Awards."-Joe Morris Website (http://www.joe-morris.com/biography.html)
^ Hide Bio for Joe Morris
• Show Bio for William Parker
"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."
In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.
Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."-William Parker Website (http://www.williamparker.net/)
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Label: Aum Fidelity
Catalog ID: AUM 052CD
Squidco Product Code: 11210
Recorded and Mixed by Michael Marciano at Systems Two StudioBrooklyn, NY in May 2008.
David S. Ware-tenor sax, kalimba
Joe Morris-guitar, percussion
Warren Smith-drums, percussion
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1. Crossing Samsara 9:43
2. Nataraj 18:14
3. Reflection 12:44
4. Namah 8:32
5. Antidromic 9:30
6. Shakti: A) Durga; B) Devi; C) Kali 9:33