The first studio album in 8 years from pianist Michael Jefry Stevens and bassist Joe Fonda, with Gebhard Ullman and George Schuller, performing accomplished and impressive modern improvisation.
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Label: Clean Feed
Catalog ID: CF118
Squidco Product Code: 10267
Packaging: Cardstock Gatefold Sleeve
Recorded September 7, 2005 and September 28, 2006 at Peter Karl Recording Studio, Brooklyn, NY .
Gebhard Ullmann-soprano, tenor saxophones, bass clarinet
Michael Jefry Stevens-piano
George Schuller-drums, percussion and hammer whistle
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• Show Bio for Gebhard Ullmann
"Born on November 2, 1957 in Bad Godesberg, Germany saxophonist (tenor and soprano), bass clarinetist, bass flutist and composer Gebhard Ullmann studied medecine and music in Hamburg and moved to Berlin in 1983.Since then he has recorded more than 50 CDs as a leader or co-leader for prestigious labels such as Soul Note (Italy), Leo Records (UK), Between The Lines (Germany), CIMP (USA), NotTwo Records (Poland), Clean Feed (Portugal) Unit Records (Switzerland) and others.
For many years he is considered one of the leading personalities in both the Berlin and international music scenes and has received numerous awards for his work including the Julius Hemphill Composition Award in two categories ('99), the Deutsche Phonoakademie award ('83), one of the first SWF Jazz Awards ('87) and the nomination best-jazz-CD-of-the-year by the German Schallplattenkritik for his CD Tá Lam in 1995.
His CDs Final Answer (2002) The Bigband Project (2004) New Basement Research (2008) News? No News! (2010) Mingus! (2011) Clarinet Trio 4 (2012) were all listed in Downbeat Magazine among the best CDs of those years. The CD Transatlantic received the prestigious Choc of the French Jazz Magazine in 2012. Since 2005 Gebhard Ullmann is listed in the Downbeat Critics Poll, 2015 for the first time in three categories.
Since 1993 Ullmann was a recording artist for Soul Note and has been living in New York City and Berlin. He has toured with his music throughout Europe as well as Africa, the Middle East, Canada, New Zealand, the USA, South East Asia, Mexico and China and performed on most of the world's most prestigious jazz festivals."-Gebhard Ullmann Website (http://gebhard-ullmann.com/GU.html)
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1. The Shining Star 5:55
2. Poetry in Motion 6:17
3. The Path 4:18
4. Next Step 10:26
5. Back to School 9:28
6. Quirky Waltz 8:38
7. Desert... Bleue... East 7:18
sample the album:
"If the axis of this band - now commemorating its 10th year - is defined by two of its most complicit collaborators, pianist Michael Jefry Stevens and bassist Joe Fonda, co-founders of the Fonda/Stevens Group, then the involvement of woodwind player Gebhard Ullmann and drummer George Schuller reinforces the universal idea of group interdependence. However, there's still enough room for each to add their own unique concepts to an ever-evolving and most rewarding project. And what a project it is, in some ways tied to the late Sixties sound of the BYG free jazz records, while in other ways teetering on the edge of the vast unknown personified, for instance, by the recent developments of the Wayne Shorter Quartet.
With original compositions offered by all four members and special attention paid to timbre and harmonic integration, there's a certain bold affirmation about the music in Poetry in Motion revealing a relaxed sense of purpose and musical fortitude. All four are active in both mainstream and avant-fields and all have notable CVs: Stevens's toe-dipping classical constructions, Fonda's open inventiveness (of course, stemming from his Anthony Braxton tutelage), Ullmann's extended reed skills and Schuller's knit-work craftsmanship - all combining to create music that swings outwardly, while at the same time, allows the listener to follow its inner abstractions.
The liner notes of the CD speak of the joy, mystery and wonder felt by the performers during the recording sessions (their first studio recording in eight years), and we can surely recognize that essence. It's a measure of true artistic accomplishment when music so demanding can touch an emotional thread, proving that even a street full of concrete and glass can turn green and lush. Poetry in motion, indeed."-Clean Feed
European Improv, Free Jazz & Related
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