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© 2002-2017, Squidco LLC


Koglmann, Franz: O Moon My Pin-Up (Hatology)


 

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product information:


UPC: 752156056621

Label: Hatology
Catalog ID: 566
Squidco Product Code: 9858

Format: CD
Condition: New
Released: 2001
Country: Switzerland
Packaging: Cardstock Gatefold Sleeve
Recorded at the ORF Radio Studio, Vienna, March 8-10, 1997.


Personnel:

Phil Minton-voice

Mario Arcari-oboe, english horn, oboe d'amore

Tony Coe-clarinet, tenor saxophone

Angelika Riedl-bassoon

Franz Koglmann-trumpet, flugelhorn

Rudolf Ruschel-trombone

Raoul Herget-tuba

Michael Hintersteininger-guitar

Barre Phillips-bas

Wiener Vokalisten-director

Ursula Fiedler-first soprano

Birgit Konig-second soprano

Lydia Seidl-Vierlinger, Patrick Ermes-alto

James Curry, Alois Glabner-tenor

Erich Klug, Colin Mason-bass

Gustav Bauer-conductor

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track listing:


1. Introduction 0:55

2. First Movement, Clouds: I 1:56

3. First Movement, Clouds: II a 1:51

4. First Movement, Clouds: II b 1:34

5. First Movement, Clouds: II c 2:13

6. First Movement, Clouds: III 4:41

7. Second Movement, Cassandra: IV 3:37

8. Second Movement, Cassandra: V 4:36

9. Second Movement, Cassandra: VI 0:44

10. Second Movement, Cassandra: VII 5:10

11. Second Movement, Cassandra: VIII 1:44

12. Third Movement, Distinctions: IX 5:33

13. Third Movement, Distinctions: X 9:08




Related Categories of Interest:


Hat Art
Improvised Music
European Improv, Free Jazz & Related
Unusual Vocal Forms
Free Improvisation

sample the album:
descriptions, reviews, &c.

"With O-Moon My Pin-Up, Koglmann has undoubtedly enriched his multi-facette oeuvre. Out of the characteristic synthesis of Cool Jazz idiom and Wiener Schule expressionism which had its inception with the founding of the 'Pipetet' has grown over the years a microcosmos of manifold structural links to the entire (western) world of music ranging from Renaissance to improvised music which transcend the co-ordinates of the historic 'Third Stream', not to mention the new dimensions with the tapping of vocal music opens up for Koglmann's soundworld. O-Moon My Pin-Up is not a musical 'judgement' on Ezra Pound, is is neither a condemnation nor an apology. On the contrary, it's a sensitive reflection of the fragile polyphony of speech levels and inflections in Pound's poetry at the time of an existential crisis which is directly connected with the political events surrounding the end of the war."-Peter Niklas Wilson


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