The NY trio of Steve Lehman, Vijay Iyer and new drummer Tyshawn Sorey in their 3rd Pi release, with wide influences from M-Base, Ornette Coleman, Art Ensemble, &c.
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Label: Pi Recordings
Catalog ID: Pi 26
Squidco Product Code: 9770
Vijay Iyer-keyboards, compositions
Tyshawn Sorey-drums, compositions
Steve Lehman-alto saxophone, compositions
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1. Of 3:52
2. After Meaning 4:44
3. Less 4:56
4. Balanced 2:59
5. Bend 8:11
6. Cycle I 7:18
7. Pivot Point 2:53
8. Pivot Point Redux 3:08
9. Ghost Time 6:20
10. Cycle II 3:56
11. Rai 4:35
Related Categories of Interest:
NY Downtown & Jazz/Improv
Chicago Jazz & Improvisation
sample the album:
"Praised by NPR's Fresh Air as "a jazz power trio for the new century," Fieldwork makes its most powerful and fiercely imagined statement to date with Door, their third album for Pi Recordings. An important marker in this New York collective's ongoing evolution, Door documents three years of intense collaboration since Simulated Progress, and is the first Fieldwork recording to feature the jaw-dropping contributions of Tyshawn Sorey, drummer/composer/co-leader of Fieldwork since 2005. Rounded out by saxophonist/composer Steve Lehman and pianist/composer Vijay Iyer, Fieldwork reflects and refracts the American jazz tradition, modern composition, African and South Asian musics, underground hip-hop and electronica, and the influential music of Chicago's AACM.
All three members have growing reputations as important young bandleaders, composers, and players. Tyshawn Sorey is a new star on the New York creative music scene who has received critical acclaim for his work with Steve Coleman, Dave Douglas, and Muhal Richard Abrams, and for his expansive debut recording That/Not. Steve Lehman is an emerging heavyweight leader whose output resides on the frontiers of contemporary music, including extensive work with Anthony Braxton and Meshell Ndegeocello. Vijay Iyer is an award-winning pianist, composer, and electronic musician known for his widely respected solo projects, his ongoing collaborations with indie hip-hop poet Mike Ladd and with saxophonist Rudresh Mahanthappa, and his sideman work with Steve Coleman, Roscoe Mitchell, and Wadada Leo Smith.
The music on Door is born of Fieldwork's signature rehearsal process, which perhaps most resembles that of a rock band, and which they have rigorously maintained for their entire seven-year existence. They use extensive, non-soloistic group improvisation to expand each intricate composition into something far beyond the sum of its parts: tightly unified ensemble playing, extroverted and high-impact, but with a mysterious inner logic - a dense, visceral, and richly layered musical world."-Pi Recordings
• Show Bio for Tyshawn Sorey
"Tyshawn Sorey (born July 8, 1980 in Newark, New Jersey) is an American musician and composer who plays drum set, percussion, trombone and piano.
Since graduating from William Paterson University, Sorey has been a sought-after musician in many different musical idioms. He is both a performer and composer, and has had works reviewed in The Wire, The New York Times, The Village Voice, Modern Drummer and Down Beat. In August 2009, Sorey was given the opportunity to curate a month of performances at the Stone, a New York performance space owned by John Zorn. He was selected as an Other Minds 17 (2012).
Sorey recently completed a Master of Arts in composition at Wesleyan University in Middletown, Connecticut. In the fall of 2011, he began pursuing doctoral work in composition at Columbia University.
To date, Sorey has released four albums as a leader: That/Not (2007, Firehouse 12 Records), Koan (2009, 482 Music), Oblique (2011, Pi Recordings) and Alloy (2014, Pi Recordings). He has recorded or performed with musicians including Wadada Leo Smith, Steve Coleman, Anthony Braxton, John Zorn, Steve Lehman, Joey Baron, Muhal Richard Abrams, Pete Robbins, Vijay Iyer, Dave Douglas, Butch Morris and Sylvie Courvoisier, among many others."-Wikipedia (https://en.wikipedia.org/wiki/Tyshawn_Sorey)
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• Show Bio for Steve Lehman
"Described as "a state-of-the-art musical thinker" and a "dazzling saxophonist," by The New York Times, Steve Lehman (b. New York City, 1978) is a composer, performer, educator, and scholar who works across a broad spectrum of experimental musical idioms. Lehman's pieces for large orchestra and chamber ensembles have been performed by the International Contemporary Ensemble (ICE), So Percussion, Kammerensemble Neue Musik Berlin, the JACK Quartet, the PRISM Saxophone Quartet, and the Talea Ensemble. His recent recording, Mise en Abîme (Pi, 2014) was called the #1 Jazz Album of the year by NPR Music and The Los Angeles Times. And his previous recording, Travail, Transformation & Flow (Pi, 2009), was chosen as the #1 Jazz Album of the year by The New York Times.
The recipient of a 2015 Guggenheim Fellowship and a 2014 Doris Duke Artist Award, Lehman is an alto saxophonist who has performed and recorded nationally and internationally with his own ensembles and with those led by Anthony Braxton, Vijay Iyer, Jason Moran, Meshell Ndegeocello, and High Priest of Anti-Pop Consortium, among many others. His recent electro-acoustic music has focused on the development of computer-driven models for improvisation, based in the Max/MSP programming environment. Lehman's work has been favorably reviewed in Artforum, Downbeat Magazine, The New York Times, Newsweek, and The Wire, and on National Public Radio, the BBC, and SWR.
As a Fulbright scholar in France during the 2002-2003 academic year, Lehman began researching the reception of African-American experimental composers working in France during the 1970s. His article in the journal Critical Studies in Improvisation, "I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-1980," is based on his Fulbright research. More recently, Lehman has published writings and presented lectures on a wide range of topics, including jazz pedagogy, rhythm cognition, and European notions of American experimentalism. His current scholarship, including a forthcoming contribution to the Oxford Handbook of Spectral Music, examines the overlapping histories of spectral composition and jazz improvisation.
Lehman received his B.A. (2000) and M.A. in Composition (2002) from Wesleyan University where he studied under Anthony Braxton, Jay Hoggard, and Alvin Lucier, while concurrently working with Jackie McLean at the Hartt School of Music. He received his doctorate with distinction in Music Composition from Columbia University (2012), where his principal teachers included Tristan Murail and George Lewis.
Lehman has taught undergraduate courses at Wesleyan University, the Conservatoire National Supérieur de Musique de Paris, New School University, and Columbia University, and has presented lectures at Amherst College, UC Berkeley, The Berklee School of Music, The Banff Centre, The Royal Academy of Music in London, and IRCAM in Paris, where he was a 2011 research fellow.
Beginning in September 2016, Lehman will join the music faculty at The California Institute of the Arts."-Steve Lehman Website (http://www.stevelehman.com/bio)
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