Fujii, Satoko / Min-Yoh Ensemble
Released in: Canada
"Min-Yoh means folk music in Japanese. Almost all of them are made by people, not by professional composers. And they were arranged as they were played and sung, by all the people who played it. Because it is music for ordinary people, it usually has very simple form, structure and scales. After I studied classical music and jazz music, I began to be interested in Min-Yoh. I found in it a totally different power from the music I had previously studied and played. When I play, sing and listen to this music, it goes directly to my heart. It is hard to explain, but I can even feel it in my DNA. I have been thinking about making my own Min-Yoh for a long time. I wanted to leave it its power. There are many music styles that have used the form, scales and rhythms of Min-Yoh, but they often lose the power, which is the most important part of this music. I have in my band musicians who totally understand this idea. With their beautiful, deep and powerful expression, I was able to make this project happen the way I wanted to."-Satoko Fujii
• Show Bio for Satoko Fujii
"Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985-87, she studied at Boston's Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before returning to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996).
Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability approximately 80 CDs as leader or co-leader. With each new recording or new band, she explores new aspects of her art.
Regular collaborations include her New York trio with bassist Mark Dresser and drummer Jim Black, augmented by trumpeter/husband Natsuki Tamura to form the Satoki Fujii Four; her duo with Tamura; the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins; Orchestra New York, which boasts the cream of New York's contemporary avant garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others; Orchestra Tokyo, drawing on that city's best improvisers; Orchestra Nagoya; Orchestra Kobe; the co-operative trio Junk Box with Tamura and percussionist John Hollenbeck; ma-do, a quartet including Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi; the Min-Yoh Ensemble with Tamura, trombonist Hasselbring, and accordionist Andrea Parkins; the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani― plus countless engagements and collaborations with some of the world's most important improvisers."-Satoko Fujii Website (http://www.satokofujii.com/bio.html)
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• Show Bio for Andrea Parkins
"Andrea Parkins is an American composer, sound artist, performer and improvisational musician based in New York. She is known for her inventive explorations on the electric accordion, generative sound processing, and arrangements of objects and sound. Parkins received a BFA from Tufts University and MFA from Mason Gross School of the Arts, Rutgers University.
Andrea Parkins's work is influenced by the compositional strategies of John Cage and Fluxus and pays homage to musique concrète and 1970s analog synth. Parkins often incorporates electronically processed accordion, customized sound processing, live tape manipulation, analog effects boxes, laptop electronics, acoustic piano, sampling, and amplified objects. Her method and sound were characterized by LA Weekly as: "The big, varied, confidently conceived abstractions Parkins yanks from her squeezebox, laptop, effects devices and maybe piano - cloudy and cranky one minute, surgically sharp the next." With an unconventional approach to instruments, Parkins "fragments the instrument's traditional vocabulary and expands its capabilities with electronics and extended techniques."
Recently Andrea Parkins has been developing a series of interactive sound and image works inspired by the structures of Rube Goldberg's circuitous machines. Describing this organizational approach Stephen Bezan remarked: "the individual sounds manipulated by Parkins seem to interact and influence the outcome of the other, crafting a goal-oriented structure based on timbre, not harmony or rhythm. This approach transcends the inherent cacophony of the material and reveals a genuinely organic, even playful quality to her work." Parkins has described her Rube Goldberg approach as a means for examining slippages between object and meaning. She observed: "An important conceptual thread running through these pieces is the discovery and expression of metaphors for the slippage and tension between object and meaning that occurs through the passage of time." Describing her intentions, Parkins noted: "As both a sonic and visual artist, I try to build and layer idiosyncratic systems and structures that point to these shifts in meaning."
Andrea Parkins has toured and exhibited internationally and has been presented at the Whitney Museum of American Art, The Kitchen, Experimental Intermedia, and Diapason Gallery for Sound and Intermedia. She has collaborated with musicians such as Nels Cline, Jim Black, Ellery Eskelin, David Watson, David Fenech, Fred Frith, Thomas Lehn, Günter Müller, and Otomo Yoshihide and choreographers Olive Bieringa and Otto Ramstad from the BodyCartography Project. Parkins has been the recipient of various grants, awards, and residencies including Meet the Composer, New York State Council for the Arts, Harvestworks Media Art Center, in New York City, Frei und Hanseastadt Hamburg Kulturbehoerde, in Germany, and CESTA in the Czech Republic."-Wikipedia (https://en.wikipedia.org/wiki/Andrea_Parkins)
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Shipping Weight: 5.00 units
Quantity in Basket: None
Catalog ID: 105
Squidco Product Code: 8207
Packaging: Jewel Tray
Recorded in New York, May 2006.
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1. Itsuki No Komoriuta (Traditionnel Japanese, arrangement Fujii) 8:14
2. Champloo (Fujii) 9:54
3. Shimanto (Fujii) 11:01
4. Slowly and Slowly (Fujii) 9:04
5. Fujin Raijin (Fujii) 3:26
6. Kariboshi Kiriuta (Traditionnel Japanese, arrangement Fujii) 8:38