Label: Clean Feed
Catalog ID: CF 076
Squidco Product Code: 7995
Packaging: Cardstock foldover
Ken Vandermark-baritone sax, clarinet, bass clarinet
Adam Lane-double bass
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1. Alfama (for Georges Braque)
2. Spin With The EARth
3. Short Stop (for Bobby Bradford)
5. Ashcan Rantings
6. Tomorrow Now (for Lester Bowie)
7. ChiChi Rides The Tiger
1, 3 and 6 by Ken Vandermark
2, 4, 5 and 7 by Adam Lane
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Chicago Jazz & Improvisation
sample the album:
"If you already sensed that the free bop style played by Ken Vandermark has roots in rhythm 'n' blues, here is the recording that confirms your impression. The context enables him to show his origins, and is provided here by a rock solid rhythm section formed by Adam Lane (sometimes with his double bass plugged to a distortion pedal, and when that happens it really grooves) and Paal Nilssen-Love, a drummer who seems to have four arms and four legs A second horn, the trumpet of the amazing Magnus Broo, relates to the saxophonist and clarinetist just as Donald Ayler did with his brother Albert. The compositions, by Vandermark himself and Lane, are reminiscent of the Sixties writing of Ornette Coleman, with the addition of a strong melodic suggestibility - "Lucia" is a good example. But the music is not a celebration of past achievements. This is jazz of the 21st century, reflecting the many musical interests of its performers, going from Mingus flavours and Berio's ideas to a Black Sabbath-like energy and the balance of Funkadelic. "4 Corners" was recorded live in a bar atmosphere during a festival in Coimbra, Portugal, and it reflects the very special moment of communication with the audience they were capable to ignite. This is powerful, loud, intense music, the kind that vibrates in your soul beside your senses and your body. With lots of fun but also profoundly serious in its purpose to gather people in these times of cultural and civilizational conflict."-Clean Feed
• Show Bio for Ken Vandermark
"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
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• Show Bio for Magnus Broo
"Magnus Broo (born 27 June 1965 in Husqvarna, Västervik, Småland, Sweden) is a Swedish jazz musician (trumpet) known from own recordings and collaboration with Norwegian jazz musicians like in the band Atomic.
Broo is the son of trumpeter, raised in Västervik, and participated in Visby big band before he attended musical training at North Texas State University (1984-1990). Back in Sweden, he was incorporated into Fredrik Norén Band (1991-1999), and also collaborated in the orchestra of Lennart Åberg.
Broo's expression is a continuation of free jazz and Ornette Coleman's style from the 1960'th, and he is central in the Norwegian/Swedish band Atomic (1999-). He also leads his own 'Magnus Broo Quartet with Torbjörn Gulz on piano, Mattias Welin on bass and Jonas Holgersson on drums. They released the albums Sudden Joy (1999), Levitaton (2001), Sugar Promise(2003) and Pain Body (2008). Moreover, he also collaborates in Fredrik Nordström Quintet."-Wikipedia (https://en.wikipedia.org/wiki/Magnus_Broo)
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• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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