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Three compositions by Luigi Nono, recorded at the Berlin festival "Inventionen", live electronics moving away from clear spatial and timbral assignations rendering the acoustic instruments barely recognizable.
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Label: Edition Rz
Catalog ID: ed. Rz 4006
Squidco Product Code: 7933
Packaging: Cardstock Foldover in a clear vinyl sleeve
Recorded live at the Berlin festival "Inventionen".
Bernadette Manca di Nissa
Francesco Dillon-Marie Uitti
Experimentalstudio der Heinrich-Strobel-Stiftung des SWF
ars nova ensemble Berlin
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• Show Bio for Francesco Dillon
"Francesco Dillon (b.Turin, 1973) already has a brilliant international career to his credit, characterised by the originality and variety of the repertoire that he has embraced. As a soloist he has performed on such prestigious concert stages as the Konzerthaus in Vienna, the Muziekgebouw in Amsterdam, the Berlin Philharmonie, the Herkulessaal of Munich, the Laeiszhalle in Hamburg, the Jordan Hall in Boston and the Colon Theatre of Buenos Aires, with such orchestras as the Italian National Radio Orchestra (RAI), the Southwest Radio Symphony Orchestra of Stuttgart, the Radio Symphony Orchestra of Vienna, the Orchestra of the Colon Theatre, Ensemble Resonanz, Oulu Sinfonia Finland, and the Tuscany Regional Orchestra (ORT). Most recently he made an acclaimed debut with the Philharmonic Orchestra of La Scala, Milan, conducted by Susanna Mallki.
Having graduated in Florence under the guidance of Andrea Nannoni, he continued his studies with Anner Bijlsma, Mario Brunello, David Geringas and Mstislav Rostropovich, thereafter studying composition with Salvatore Sciarrino.
In 1993 he was one of the founders of the Quartetto Prometeo, a chamber group of international acclaim and winner of numerous prizes (Prague Spring, ARD Munich, Bordeaux) and recently honoured with the Leone d'Argento award of the Biennale Musica of Venice. Dillon is also a stable member of the Alter Ego ensemble which is regularly invited to the major contemporary music festivals around the world. His passion for chamber music has led to performances with musicians such as Irvine Arditti, Mario Brunello, Giuliano Carmignola, Piero Farulli, David Geringas, Veronika Hagen, Alexander Lonquich, Enrico Pace, Jean-Guihen Queyras.
The profound interest in contemporary music which he has always cultivated has led to solid collaborations with the major composers of our time: Gavin Bryars, Ivan Fedele, Luca Francesconi, Stefano Gervasoni, Philip Glass, Vinko Globokar, Sofija Gubaidulina, Jonathan Harvey, Toshio Hosokawa, Giya Kancheli, Alexander Knaifel, Helmut Lachenmann, David Lang, Alvin Lucier, Arvo Pärt, Henri Pousseur, Steve Reich, Fausto Romitelli, Kaija Saariaho, Salvatore Sciarrino and with cult experimental musicians such as Matmos, and Pansonic, William Basinsky and John Zorn.
Dillon's performances have been transmitted by such important broadcasters as the BBC, RAI, ARD, Radio France, ORF, the Australian Broadcasting Corporation and WDR. He has recorded for the ECM label, as well as Kairos, Ricordi, Stradivarius, Die Schachtel and Touch. He recently recorded for the first time, Variations by Salvatore Sciarrino which received the Diapason d'0r prize, and Ballatta by Giacinto Scelsi, both with the Italian National Radio Orchestra (RAI). As a duo with the pianist Emanuele Torquati, he has brought out three CDs of rare music of Schumann and the complete works for cello by Franz Liszt for Brilliant Classics. Along with his concert activity there have been teaching experiences in institutions such as the School of Music of Fiesole, the Tchaikovsky Conservatory of Moscow, the Pacific University in California, Untref-Buenos Aires, Manchester University. From 2010 he has been artistic director of the season of contemporary music Music@villaromana in Florence."-Francesco Dillon Website (http://www.francescodillon.com/)
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1. Quando Stanno Morendo (Diario Polacco No. 2) 37:46
2. Canciones A Guiomar 10:00
3. Omaggio A Emilio Vedova 4:54
sample the album:
"The live electronics that Nono worked with for the first time in the early 1980's at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space."-Edition Rz
Search for other titles on the Edition Rz label.