Shipping Weight: 3.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Clean Feed
Catalog ID: CF 011
Squidco Product Code: 7624
Kevin Norton-drums, percussion
Masahiko Kono-trombone, electronics
Highlight an artist name or instrument above
and click here to Search
1. Missed You in Coutances, Babe
2. Walking the Dogma
3. It Must Be
4. Not Drunk, But Stunned
NY Downtown & Jazz/Improv
Squidco's Clean Feed $12.00 Sale
sample the album:
"Formed in the Winter of 2000, Metaphor has already established a reputation as a group with integrity and originality in the New York music scene. Kevin Norton formed the group based on a sound he imagined: Combining the energy of a 1960's free jazz branch (i.e. Cecil Taylor) and the lyricism of another 1960's free jazz branch (i.e. Paul Bley) with the compositional and/or organizing techniques of 20th century classical music and ancient "folk" music.
Thinking of previous experiences with Wilber Morris and Masahiko Kono in Steve Cohn's group (in which Kevin Norton played both drums and vibraphone) and with one of his creative students from William Paterson University, Hitomi Tono'oka, Kevin booked a performance for Metaphor at the Knitting Factory in a three night festival of his music, before the group even rehearsed! As a rhythm section, Wilber Morris and Kevin Norton have played with great spark and sympathy in groups lead by Steve Swell, Alfred Harth and Steve Cohn. They are destined to be one of the great bass/percussion teams of this time period.
Masahiko Kono plays trombone like no other trombonist, avoiding rhythmic and melodic licks or clichés and altering the sound of his instrument electronically, blending it with the other instruments in the group, especially the vibraphone to help the group achieve a unified sound. Hitomi Tono'oka, though Metaphor's youngest member, is already developing into a singular voice on her instrument.
The compositions that center the sound of Metaphor display a wide scope of considerations. Many of them (though not all) eschew traditional song forms (i.e. 32 bar AABA) for more narrative, through-composed structures. These sonic "constructs" are an attempt to directly address the paradox of letting the individual voices of the musicians come through and yet project one unified, poetic statement."-Clean Feed
• Show Bio for Kevin Norton
"Kevin Norton was born in Brooklyn and raised in Staten Island, NY. The composer/percussionist came to jazz in an unlikely setting but befriended drummer and fellow record collector Kenny Washington as a teenager. Studies at Hunter College introduced Kevin to Milt Hinton and after a short period, Kevin began to perform with Milt Hinton, eventually recording The Judge's Decision with a quartet led by Milt. Under Milt's encouragement, Kevin went back to school to get his Masters Degree from Manhattan School of Music.
After graduation he played every kind of gig available to a versatile percussionist: classical, jazz, blues, Dixieland, off-Broadway shows, rock, but especially taking part in the blossoming downtown New York City scene that strove to combine all these musics. This lead to him playing with Fred Frith's band Keep the Dog, which also included harpist Zeena Parkins and saxophonist John Zorn. Soon Mr. Norton was asked to play with a vast amount of downtown New York (sometimes called the Knitting Factory scene) ensembles. However, he longed to return to his jazz roots and began to play with downtown outsiders Phillip Johnston and Joel Forrester and their co-led band, the Microscopic Septet (and later Johnston's Big Trouble, with two CDs on Black Saint).
Still unsatisfied on a level of self-expression, Kevin began to devote himself to his own projects featuring his composition work and his improvising on total percussion (predominantly vibes and drums). Kevin has written several multi-movement pieces sometimes based on extra-musical subject matter. For Guy Debord (in nine events)is a piece for quintet and woodwind soloist (originally Anthony Braxton) based on the texts of the radical French philosopher whose thought proved central to the riots of Paris, 1968. Change Dance (Troubled Energy) draws it's inspiration from another radical political activist, Kathy Change (born Kathleen Chang). Both suites are approximately an hour in duration. On February 23, 2006 Kevin's Water and Fire Suite was premiered. It was commissioned as part of the national series of works from Meet The Composer Commissioning Music/USA, which is made possible by generous support from the National Endowment for the Arts, The Helen F. Whitaker Fund, and the Target Foundation.
In less than 10 years he has led and/or co-led about 20 critically acclaimed recordings, many of them making year-end "Best of" lists. On one of the recent recordings, Time-Space Modulator integrates intricate, sophisticated composition work with the deep improvisatory skills of Kevin, Tony Malaby, Dave Ballou and John Lindberg.
Kevin has also played with many highly esteemed European Improvisers such as Paul Rogers, Jo‘lle LŽandre, Paul Dunmall and Frode Gjerstad. Also, for about ten years, Mr. Norton was Anthony Braxton's main percussionist in both the "ghost trance" phase and the "standards" phase, plotting out the course for all percussionists who followed him. His most recent projects include compositions for various sized chamber groups and a duo with pianist Connie Crothers.
In June of 2002, Kevin Norton was a resident composer at the prestigious MacDowell Colony. He has served on the faculty of several schools including the University of Maryland and is currently on the faculty of William Paterson University."-Kevin Norton website (http://www.kevinnorton.com/bio.html)
^ Hide Bio for Kevin Norton
Search for other titles on the Clean Feed label.