The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC

AMM

Tunes Without Measure or End

AMM: Tunes Without Measure or End (Matchless)


 

Price: $17.95

**Adding this out of stock item to your basket with other in stock items may delay shipping or incur additional shipping charges.


Quantity:

Out of Stock


Shipping Weight: 5.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


Label: Matchless
Catalog ID: MRCD44
Squidco Product Code: 1676

Format: CD
Condition: New
Released: 2001
Country: Great Britain
Packaging: Jewel Tray

Personnel:

Eddie Prevost

Keith Rowe

John Tilbury

Highlight an artist name or instrument above
and click here to Search
track listing:




Related Categories of Interest:

Matchless
Improvised Music
European Improv, Free Jazz & Related
Matchless
Free Improvisation
Trio Recordings
Before April-2006

descriptions, reviews, &c.
Recording of concert given as part of free radiCCAls festival at the McLellan Galleries, Glasgow, Scotland on 4th May 2000.

Artist Biographies:

"tabletop guitarist and painter. Rowe is a founding member of both the influential AMM in the mid-1960s (though in 2004 he quit that group for the second time) and M.I.M.E.O. Having trained as a visual artist, Rowe's paintings have been featured on most of his own albums. After years of obscurity, Rowe has achieved a level of relative notoriety, and since the late 1990s has kept up a busy recording and touring schedule. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recent recordings having been released by Erstwhile Records.

Rowe began his career playing jazz in the early 1960s-notably with Mike Westbrook and Lou Gare. His early influences were guitarists like Wes Montgomery, Charlie Christian and Barney Kessel. Eventually, however, Rowe grew tired of what he considered the form's limitations. Rowe began experimenting, slowly and gradually. An important step was a New Year's resolution to stop tuning his guitar-much to Westbrook's displeasure. Rowe gradually expanded into free jazz and free improvisation, eventually abandoning conventional guitar technique.

This change in his approach to guitar, Rowe reports, was partly inspired by a teacher in one of his painting courses who told him, "Rowe, you cannot paint a Caravaggio. Only Caravaggio can paint Caravaggio." Rowe reports that after considering this idea from a musical perspective, "trying to play guitar like Jim Hall seemed quite wrong." For several years Rowe contemplated how to reinvent his approach to the guitar, again finding inspiration in visual art, namely, American painter Jackson Pollock, who abandoned traditional painting methods to forge his own style. "How could I abandon the technique? Lay the guitar flat!"

Rowe developed various prepared guitar techniques: placing the guitar flat on a table and manipulating the strings, body and pick-ups in unorthodox ways to produce sounds described as dark, brooding, compelling, expansive and alien. He has been known to employ objects such as a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar. A January 1997 feature in Guitar Player magazine described a Rowe performance as "resemble a surgeon operating on a patient." Rowe sometimes incorporates live radio broadcasts into his performances, including shortwave radio and number stations (the guitar's pick-ups will also pick up radio signals, and broadcast them through the amplifier).

AMM percussionist Eddie Prévost reports that Rowe has "an uncanny touch on the wireless switch", able to find radio broadcasts which seem to blend ideally with, or offer startling commentary on, the music. (Prévost, 18). On AMMMusic, towards the end of the cacophonous "Ailantus Glandolusa", a speaker announces via radio that "We cannot preserve the normal music." Prevost writes that during an AMM performance in Istanbul, Rowe located and integrated a radio broadcast of "the pious intonation of a male Turkish voice. AMM of course, had absolutely no idea what the material was. Later, it was complimented upon the judicious way that verses from The Koran had been introduced into the performance, and the respectful way they had been treated!" In reviewing World Turned Upside Down, critic Dan Hill writes, "Rowe has tuned his shortwave radio to some dramatically exotic gameshow and human voices spatter the mix, though at such low volume, they're unintelligible and abstracted. Rowe never overplays this device, a clear temptation with such a seductive technology - the awesome possibility of sonically reaching out across a world of voices requires experienced hands to avoid simple but ultimately short-term pleasure. This he does masterfully, mixing in random operatics and chance encounters with talkshow hosts to anchor the sound in humanity, amidst the abstraction." "

Some accounts report that Rowe's guitar technique was an influence on Pink Floyd founder Syd Barrett: "Taking his cues from experimental guitarist Keith Rowe of AMM, Barrett strived to push his music farther and farther out into the zone of complete abstraction."

Rowe has worked together with numerous composers and musicians, including Cornelius Cardew, Christian Wolff, Howard Skempton, Jeffrey Morgan, John Tilbury, Evan Parker, Taku Sugimoto, Otomo Yoshihide, Sachiko M, Oren Ambarchi, Christian Fennesz, Burkhard Beins, Kurt Liedwart, Toshimaru Nakamura, David Sylvian and Peter Rehberg.

-Wikipedia (https://en.wikipedia.org/wiki/Keith_Rowe)
7/10/2017

"John Tilbury (born 1 February 1936) is a British pianist. He is considered one of the foremost interpreters of Morton Feldman's music, and since 1980 has been a member of the free improvisation group AMM.

Tilbury studied piano at the Royal College of Music with Arthur Alexander and James Gibb and also with Zbigniew Drzewiecki in Warsaw. 1968 he was the winner of the Gaudeamus competition in the Netherlands.

During the 1960s, Tilbury was closely associated with the composer Cornelius Cardew, whose music he has interpreted and recorded and a member of the Scratch Orchestra. His biography of Cardew, "Cornelius Cardew - A life unfinished" was published in 2008.

Tilbury has also recorded the works of Howard Skempton and John White, among many others, and has also performed adaptations of the radio plays of Samuel Beckett.

With guitarist AMM bandmate Keith Rowe's electroacoustic ensemble M.I.M.E.O., Tilbury recorded The Hands of Caravaggio, inspired by the painter's The Taking of Christ {1602). In this live performance, twelve of the members of M.I.M.E.O. were positioned around the piano in a deliberate echo of Christ's Last Supper. The thirteenth M.I.M.E.O. member (Cor Fuhler) is credited with "inside piano" as he interacted and interfered with Tilbury's playing by manipulating and damping the instrument's strings, essentially doing piano preparation in real time. Critic Brian Olewnick describes the album as "A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century."

Another notable recent recording of Tilbury's was Duos for Doris (like The Hands of Caravaggio also on Erstwhile Records), a collaboration with Keith Rowe. It is widely considered a landmark recording in the genre of electroacoustic improvisation (or "EAI").

In 2013 he collaborated with artist Armando Lulaj in FIEND performance at the National Theatre of Tirana (Albania)."

-Wikipedia (https://en.wikipedia.org/wiki/John_Tilbury)
7/10/2017

Other Releases With These Artists:
Tilbury, John / John Lely / Dirar Kalash & Christian Wolff
Seaside
(Another Timbre)
Jorge, Paulo Alexandre Improbable Trio (w/ Tom Wheatley / Eddie Prevost)
Elements
(Creative Sources)
AMM
Spanish Fighters
(Matchless)
Catchpole / Edwards / Prevost
Beyond the Barrier
(Matchless)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Halvorson, Mary Octet
Away With You
(Firehouse 12 Records)
Brooklyn Express, The (Fonda / Tononi / Cavallanti / Swell / Robertson)
No Time Left!
(Long Song Records)
Cremaster & Sophie Agnel (Fages / Monteiro / Agnel)
Isotopic
(Confront)
Lexer, Sebastian / Steve Noble
Muddy Ditch
(Fataka)
AMM (Tilbury / Prevost)
Place Sub. V
(Matchless)
Korekyojinn (Tatsuya / Natsuki / Mitsuru)
Jackson [2014 Remaster] (incl "Kaleidoscope" and "Yes Medley")
(Magaibutsu)
Sharp, Elliott
Haptikon
(Long Song Records)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival
(NoBusiness)
Hug, Charlotte & Frederic Blondy
Bouquet
(Emanem)
Korekyojinn with Tsuboy Akihisa
Doldrums
(Magaibutsu Limited)
AMM
Sounding Music
(Matchless)
Korekyojinn
Swan Dive [DVD + CD]
(Magaibutsu)
Digital Primitives (Cooper-Moore / Tsahar / Taylor)
Hum Crackle Pop
(Hopscotch Records)
Keiji / Makoto / Tatsuya
Ichi to Ichi ga Kasanatte Shimaumade [DVD]
(Magaibutsu)
AMM w/ John Butcher
Trinity
(Matchless)
Kowald, Peter / Petit-Jouvet, Laurence
Off The Road
(RogueArt)
Ex, The
Disturbing Domestic Peace
(Ex Records)
Djam Karet
Live at Nearfest 2001
(Nearfest Records)
Art Ensemble of Chicago
[sirius calling]
(Pi Recordings)
Ibarra, Susie
Folkloriko
(Tzadik)
Rose, Jon
Double Indemnity
(Hermes Discorbie)
Chadbourne, Eugene
Old Time Banjo
(Relax)
Masada String Trio
Masada String Trio - 50Th Birthday Celebration - Volume One
(Tzadik)
Billy Tipton Memorial Saxophone Quartet
Box
(New World Records)
Gregorio, Guillermo / Gustafsson, Mats / Nordeson, Kjell
Background Music
(Hatology)
Frith, Fred
Speechless
(Recommended Records)
Drake, Bob
13 Songs and a Thing
(Recommended Records)
Bailey, Derek / Berthiaume, Antoine / Frith, Fred
Soshin
(Ambiances Magnetiques)
AMM
To Hear and Back Again
(Matchless)
Chadbourne, Eugene / Rene Lussier
L'Oasis
(Victo)
Hideki, Kato; Mori, Ikue; Frith, Fred
Death Ambient
(Tzadik)
Bailey, Derek
Ballads
(Tzadik)
Chadbourne, Eugene
There'll Be No Tears Tonight 2000
(Chadula)
Derome, Jean
Canot-camping:expedition 4
(Ambiances Magnetiques)
Evidence: Cartier, Derome, Monk, Tanguay
Live a la Casa Music of Thelonious Monk
(Ambiances Magnetiques)
Evidence: Cartier, Derome, Monk, Tanguay
Musique de Thelonious Monk
(Ambiances Magnetiques)
Recommended & Related Releases:
Other Recommended Releases:
Tilbury, John / John Lely / Dirar Kalash & Christian Wolff
Seaside
(Another Timbre)
Jorge, Paulo Alexandre Improbable Trio (w/ Tom Wheatley / Eddie Prevost)
Elements
(Creative Sources)
Catchpole / Edwards / Prevost
Beyond the Barrier
(Matchless)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)



Customers Who Bought This Item Also Bought:
Brooklyn Express, The (Fonda / Tononi / Cavallanti / Swell / Robertson)
No Time Left!
(Long Song Records)
Cremaster & Sophie Agnel (Fages / Monteiro / Agnel)
Isotopic
(Confront)
Lexer, Sebastian / Steve Noble
Muddy Ditch
(Fataka)
Common Objects: Butcher / Davies / Davies / Patterson
Whitewashed with Lines [2 CDs]
(Another Timbre)
AMM (Tilbury / Prevost)
Place Sub. V
(Matchless)
Sharp, Elliott
Haptikon
(Long Song Records)
Hug, Charlotte & Frederic Blondy
Bouquet
(Emanem)
AMM
Sounding Music
(Matchless)
Digital Primitives (Cooper-Moore / Tsahar / Taylor)
Hum Crackle Pop
(Hopscotch Records)
AMM w/ John Butcher
Trinity
(Matchless)
Ayler, Albert
The Hilversum Session
(ESP)
Kowald, Peter / Petit-Jouvet, Laurence
Off The Road
(RogueArt)
Ex, The
Disturbing Domestic Peace
(Ex Records)
Quartet Noir
Lugano
(Les Disques Victo)
Djam Karet
Live at Nearfest 2001
(Nearfest Records)
Art Ensemble of Chicago
[sirius calling]
(Pi Recordings)
Ibarra, Susie
Folkloriko
(Tzadik)
Rose, Jon
Double Indemnity
(Hermes Discorbie)
Chadbourne, Eugene
Old Time Banjo
(Relax)
Masada String Trio
Masada String Trio - 50Th Birthday Celebration - Volume One
(Tzadik)
Billy Tipton Memorial Saxophone Quartet
Box
(New World Records)
Gregorio, Guillermo / Gustafsson, Mats / Nordeson, Kjell
Background Music
(Hatology)

Search for other titles on the Matchless label.