These compositions are the result of three stories by Rene Lussier that were commissioned for different projects in the form of short films.
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Out of Print, 1 copy only
Label: Ambiances Magnetiques
Catalog ID: AM041CD
Squidco Product Code: 531
Packaging: Jewel tray, not sealed.
Recorded at Studio 270 in Montreal, CA.
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1-10. Les mains moites Real 18:02
11-16. Art brut 15:09
17-21. Roche noire 10:34
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A remarkable musician and composer, René Lussier is also an incredible storyteller. The mastermind behind the extraordinary Le trésor de la langue, he compiled three stories that were commissionned for different projets, three stories in the form of short films, and this CD is the end result.
First of all is "Les mains moites" ("Clammy Hands"), a piece comprising of a suite of tableaux in which the soloist, Jean Derome, confronts different archetypes of the world of flute: synthesized flute; recorded flute; kitsch flute or classical, latin or contemporary flute... Following is "Art Brut" ("Raw art"), a fiction inspired by the life of Marcel Landreau. Rather than attempt to illustrate his work, René Lussier has chosen to recreate the inner sense of his solitary labour, based on documents he received. It is a sort of hommage to all unknown artists and opiniated creators who hold the imaginative strength of Quebec. The third and closing piece, "Roche noire" ("Black Rock"), speaks of the history of Quebec’s Irish immigrants. The title refers to a rock which sits at the Wellington access to the Victoria Bridge in commemoration of the thousands of Irish immigrants who died of cholera and typhus between 1840 and 1860 and were buried not far from where the bridge now stands. The rock was uncovered by Irish workers during the construction of the bridge in 1860-61."-Ambiances Magnetiques
Out of Print, 1 copy only
• Show Bio for Jean Derome
"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)
One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.
Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).
Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.
Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.
Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.
Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
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• Show Bio for Jean Rene
"Jean René. Born Victoriaville, Québec, 1956. Residence: Montréal, Québec. Performer (viola), Conductor.
Jean René has a Bachelor's degree in composition from the Université de Montréal. He has studied viola and conducting; Raffi Armenian, Michel Longtin, and Bruno Guiranna were his professors. From 1991 to 2002, he was associate principal violist with l'Orchestre Métropolitain de Montréal. He still freelances with a number of ensembles. Since 1990 he has collaborated with many artists, including André Duchesne, Pierre Cartier, Jean Derome and René Lussier. He also headed the group from the Ensemble SuperMusique for the Symphony of the Millennium."-ActuelleCD (http://www.actuellecd.com/en/bio/rene_je/)
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• Show Bio for Martin Tetreault
"Martin Tétreault. Born Saint-Jean-Baptiste-de-Rouville, Québec, 1957. Residence: Montréal, Québec. Composer, Performer (turntable), Artist.
Martin Tétreault is an internationally-renowned sound artist based in Montréal. He is a leading figure in improvisation using turntables, unusual vinyl surfaces and objects. Tétreault's trajectory includes various productions on compact disc and live performances with a range of collaborators: Diane Labrosse, René Lussier, Érik M, Michel F Côté, i8u, Otomo Yoshihide, Xavier Charles, Kid Koala, and many more. He is the composer and director of a turntable quartet Quatuor de tourne-disques founded in 2006. His work has appeared under several labels including Ambiances magnétiques, Erstwhile, Japanimprov, Oral, Victo and Vand'œuvre. Commissioned for music, dance, theatre, poetry and installation, Tétreault has been the recipient of many grants and awards."-ActuelleCD (http://www.actuellecd.com/en/bio/tetreault_ma/)
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