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© 2002-2017, Squidco LLC


Justine: Suite (Ambiances Magnetiques)

A continuation of Wondeur Brass, Justine is comprised of all women composers, arrangers, instrumentalists, and singers who create music of dissonance and organized chaos.
 

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product information:


UPC: 771028101627

Label: Ambiances Magnetiques
Catalog ID: AM016CD
Squidco Product Code: 504

Format: CD
Condition: NEW
Released: 1990
Country: Canada
Packaging: Jewel Tray
Recorded June 1989 and April 1990 at Studio 270, Montreal.


Personnel:

Joane Hetu-alto saxophone, voice, synthesizer

Diane Labrosse-keyboards

Danielle Roger-drums, synthesizer, voice

Marie Trudeau-electric bass, voice

with: Tenko-voice

Zeena Parkins-harp

Highlight an artist name or instrument above
and click here to Search
track listing:


1 Le monstre 4:04

2 Nous en avons 5:01

3 Ça me bat le cœur 3:11

4 Je suis excécrable 5:20

5 Le retour du monstre 5:16

6 L'intelligence du coeur 7:13

7 Bouche bée 3:18

8 Vous en avez 3:27

9 La recette 4:27

10 J'ai perdu le temps 3:53

11 J'ai perdu le sommeil 3:45

12 L'arbre 3:40

13 À ne plus savoir 3:57

14 Je suis là 4:33

15 Le fil 3:13




Related Categories of Interest:

Musique Actuelle
Hetu, Joane
Improvised Music
Ambiances Magnetiques
Labrosse, Diane
Parkins, Zeena
Unusual Vocal Forms
Sextet Recordings
Before April-2006

descriptions, reviews, &c.

"Justine is meant as a continuation of Quebec's Wondeur Brass. All women, comprised of composers, arrangers, instrumentalists and singers- Justine creates a wonderful music of chaos and control, linking rock rhythms to the freedom of avant-garde jazz. This music is at the core or musique actuelle, and all the things Ambiances Magnetiques stands for."-Ambiances Magnetiques


Artist Biographies:

"Joane Hétu. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (alto saxophone, voice), Author/

It has been more than 30 years now since self-taught composer, vocalist and saxophonist Joane Hétu has been following her own highly distinctive path through the vast territory of creative, contemporary music. From her beginnings with song-based new-rock bands such as Wondeur Brass, Justine and Les Poules, Hétu turned to composition (the evocative triptych comprising Musique d'hiver, Filature and La femme territoire ou 21 fragments d'humus) and improvisation, more often than not combining both within her general approach to music. She has co-directed the Ensemble SuperMusique since its founding in 1998, as well as the weekly series Mercredimusics since 2002. More recently she gave birth to La chorale bruitiste Joker (2012). Joane Hétu was awarded the prestigious Freddie Stone Award in 2006."

-ActuelleCD (http://www.actuellecd.com/en/bio/hetu_jo/)
9/18/2017

"Diane Labrosse. Born Montréal, Québec, 1950. Residence: Montréal, Québec. Composer, Performer (sampler, accordion, voice).

Working mainly with electronic samplers, Diane Labrosse has a very personnal approach to sounds, exploring different textures and timbres and creating an abstract but evocative music. She is a regular on several different music scenes and has performed at internationally known festivals of musique actuelle, electronic, avant-garde and improvised music all over the world (Canada, USA, Europe, Japan, Australia).

Her most recent projects take different forms: Endangered Species, a sound and visual installation/performance based on obsolete objects such as rotary dial phones and ticking alarmclocks; Dactylotactiles, performance for 3 typewriters and live video (Sébastien Cliche); Petit Bestiaire, naïve songs for a quintet (texts by Guy Marchamps); Sagesse pratique, a series of miniature pieces based on proverbs and O.V.N.I., a sign language for an improvising orchestra of variable sizes.

As a composer, using conventionnal or graphic scores, she wrote for many different ensembles: Array Music and The Burdocks (Toronto), L'Ensemble SuperMusique and Espaces Sonores Illimités (Montréal), NOW Orchestra and 999 years of Music, (Vancouver). She also wrote for less conventionnal instruments, such as ship horns (Harbour Symphonies), train whistles, air bottles and toy pianos. She worked with director Robert Lepage and co-signed (with percussionist Michel F Côté) the music for two of his plays: La Géométrie des miracles and Zulu Time.

As sound designer, she created music for dance (Louise Bédard, Crystal Pite, Andrew Harwood, Marc Boivin, Deborah Dunn, Catherine Tardif, Harold Rhéaume, Richard Siegal), film (Montréal vu par..., Pendant que les arbres tombent, L'Entrevue, Plan de fuite) and radio (Le Navire Night, Les Décrocheurs d'étoiles) and theatre (Nuit d'orage, Je suis d'un would-be pays, Bliss, 38 Contes shakespiriens...).

She has created multimedia installations for Danish company Tura-ya-moya (in situ performances in an old chalk mine), and Scottish-based Theatre Cryptic (Wall of Secrets in situ installation for 20 speakers) as well as the Centre de Musique Canadienne (a sound garden playing ramdom sound tracks on surround speakers).

In 1980, she founded Productions SuperMémé/SuperMusique with Joane Hétu and Danielle P Roger. She remained Co-Artistic Director of this company presenting many concerts and events of innovative music from 1980 to 2008. With long-time colleagues Hétu and Roger she created the groups Wondeur Brass, Justine, and Les Poules. She collaborated with many musicians such as Jean Derome, Pierre Tanguay, Michel F Côté, Martin Tétreault, Ikue Mori, Philippe Lauzier.

Her discography comprises more than 50 recordings mostly recorded on Montreal based label Ambiances Magnétiques. She has received several grants from Canada Arts Council as well as Conseil des arts et des lettres du Québec."

-ActuelleCD (http://www.actuellecd.com/en/bio/labrosse_di/)
9/18/2017

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Girard-Charest, Emilie
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Ou Est-il Donc Ce Reve?
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volume 2: Hourra pour la bastringue
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