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Zorn, John

Pellucidar - A Dreamers Fantabula [VINYL]

Zorn, John: Pellucidar - A Dreamers Fantabula [VINYL] (Tzadik)

Virgin vinyl gatefold remastered issue of Zorn's 2015 Dreamers album with Cyro Baptista on percussion, Joey Baron on drums, Trevor Dunn on bass, Marc Ribot on guitars, Jamie Saft on keyboards, and Kenny Wollesen on vibes, a lyrical album of tuneful compositions and superb soloing, with beguiling compositions inspired by the imaginary worlds of fantasy literature.
 

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product information:


UPC: 702397600619

Label: Tzadik
Catalog ID: LP-TZA-6006
Squidco Product Code: 27446

Format: 2LPS
Condition: New
Released: 2019
Country: USA
Packaging: Vinyl LP in a Gatefold Sleeve (2 LPs)
Recorded at Eastside Sound, in New York City, New York, in February, 2015, by Marc Urselli.


Personnel:

Cyro Baptista-percussion

Joey Baron-drums

Trevor Dunn-bass

Marc Ribot-guitars

Jamie Saft-keyboards

Kenny Wollesen-vibes

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Artist Biographies:

"Cyro Baptista (born December 23, 1950) is a Brazilian musician, teacher, and recording artist specializing in percussion in the genres of jazz and world music.

Born in Sčo Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York. He has recorded and toured regularly with popular musicians and groups. Baptista creates many of the percussion instruments he plays.

Baptista recorded with pianist Herbie Hancock on his 2005 release, Possibilities. In 2002 Baptista toured with Yo-Yo Ma’s Brazil Project and also appeared on the Obrigado Brazil album – winner of two Grammy awards. He also toured with Trey Anastasio of Phish and John Zorn. He recorded and performed worldwide with Herbie Hancock’s Grammy award-winning Gershwin’s World. Baptista collaborated with Wynton Marsalis and the Lincoln Center Jazz Orchestra for a Brazilian Carnival modern jazz concert. For over two years, he toured with Paul Simon's Rhythm of the Saints tour and appears on his Concert in Central Park release. He also toured worldwide with Sting in 2001.

Baptista has performed or recorded with many artists, including: Trey Anastasio, Laurie Anderson, Derek Bailey, Gato Barbieri, Daniel Barenboim, Kathleen Battle, David Byrne, Dr. John, Brian Eno, Melissa Etheridge, Stephen Kent, Wynton Marsalis, Bobby McFerrin, Medeski Martin & Wood, Robert Palmer, Carlos Santana, Tim Sparks, Spyro Gyra, Sting, James Taylor, Michael Tilson Thomas, Yo-Yo Ma, and John Zorn. He has also played with many noted Brazilian artists such as Badi Assad, Ivan Lins, Marisa Monte, Milton Nascimento, Nana Vasconcelos and Caetano Veloso.

Baptista has performed on five Grammy award-winning albums: Yo-Yo Ma’s Obrigado Brazil, Cassandra Wilson’s Blue Light 'Til Dawn, The Chieftains’ Santiago, Ivan Lins’ A Love Affair, and Herbie Hancock’s Gershwin’s World. A documentary on Baptista’s project, Beat the Donkey, recorded for the WGBH-TV Boston program ‘La Plaza’, won 3 New England EMMY Awards in 2002.

Baptista appeared in Nicolas Humbert and Werner Penzel's 1990 documentary film on Fred Frith, Step Across the Border. He has also composed music for programs on the children's television network Nickelodeon.

Baptista formed Beat the Donkey, a percussion and dance ensemble in 2002. The debut self-titled album Beat the Donkey (Tzadik) was picked by Jon Pareles of The New York Times as one of the ten best alternative albums of 2002. Readers of JAZZIZ magazine and DRUM magazine voted it "Best Brazilian CD of the Year" and named Baptista "Best Percussionist of 2002." Down Beat magazine's 51st annual critics' poll selected Baptista as 'Rising Star' in percussion. The group released its second album, Love the Donkey on John Zorn's independent Tzadik record label in 2005.

Baptista's first solo recording in 1997, Villa Lobos/Vira Loucos, is a mix of his own compositions with the work of the Brazilian composer Heitor Villa-Lobos. It was called "the most courageous, bright, funny, dramatic, and imaginative work in recent memory."

Blue Note Records released Supergenerous, a duo CD recorded with guitarist Kevin Breit (KD Lang, Cassandra Wilson). Billboard called Supergenerous "pure aural pleasure" and the Washington Post noted it "a marvelous debut that manages to feel outside and intimate at the same time."

Baptista conducts educational "rhythm workshops" in a variety of formats. He has provided presentations for a range of audiences, from elementary school children to professional musicians.

He has conducted workshops and master classes at numerous institutions throughout the world. These include Berklee College of Music (Boston), The New School (New York City), Drummer's Collective (New York City), Mannes College of Music (New York City), New World Symphony Orchestra (Miami) and Rimon School of Music (Tel-Aviv, Israel).

In 2009 Baptista won a Fellow Award in Music from United States Artists.

Baptista plays congas, bongos, tambourine, maracas, caxixi, agogo bells, pandeiro, pandora, cuica, bells, gong, drums, ceramic drums, surdo, berimbau, shaker, triangle, temple blocks, bass drum, metal percussion, campana, caja, udu, arrelegos, bell tree, bottles, washboard, rubboard, hadgini, cowbell, timbales, shekere, wood block, repique, Rototoms, cabasa, apito, mark tree, whistles, shekere, tabla, talking drum, finger cymbals, Chinese bells, tamborim, snare drum, whistles, typewriter, Alfaia, bird calls, clay drums, cymbals, kalimba, wind chimes, tom-toms, water gong, vacuum cleaner, water phone, peneira cheia, alarm clock, and other percussion."

-Wikipedia (https://en.wikipedia.org/wiki/Cyro_Baptista)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bernard Joseph Baron (born June 26, 1955 in Richmond, Virginia) is an American avant-garde jazz drummer who plays frequently with Bill Frisell and John Zorn.

Baron was born on June 26, 1955, in Richmond Virginia. When he was nine, he taught himself how to play the drums. As a teenager, he played in rock bands and dixieland jazz groups. After high school, he spent a year at the Berklee College of Music. He moved to Los Angeles in the early 1970s and embarked on a professional career, playing with Carmen McRae and Al Jarreau. He worked as a freelance drummer and session musician with Chet Baker, Stan Getz, Dizzy Gillespie, and Hampton Hawes.

In 1982 he moved to New York City and joined guitarist Bill Frisell, with whom he would play often throughout his career. He also played in groups with Red Rodney, Fred Hersch, Enrico Pieranunzi, and Marc Johnson. Starting in the late 1980s, he became a bigger part of the avant-garde jazz scene when he played regularly at the Knitting Factory, recorded with singer Laurie Anderson, and began a long association with John Zorn. For several years he participated in Zorn's projects Naked City and Masada.

Baron contributed to David Bowie's Outside (1995). Bowie would later praise Baron, stating: "Metronomes shake in fear, he's so steady." "

-Wikipedia (https://en.wikipedia.org/wiki/Joey_Baron)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"About Trevor Dunn

1968: born traversing a fine line between hippies and rednecks behind the redwood curtain. first musical affinities: the beach boys, blondie, cheap trick, kiss. first television: ultraman, speedracer, bugs bunny. first films: over the edge, the mouse and his child, snoopy come home, bedknobs & broomsticks. first books: zylpha keatly snyder's witches of worm, the velvet room and the headless cupid.

1977: began studies on clarinet

1981: began studies on electric bass and subsequently quit the clarinet as i realized that girls would now talk to me.

1986: the same year that Lynch's blue velvet and Slayer's reign in blood were released, graduated from EHS. the school's motto: "pigs live in litter, loggers live in pride". started a band called Mr. Bungle. then i got a job at shakey's pizza. began classical technique studies on the contrabass.

1990: graduated from humboldt state university after studying the likes of harry partch, iannis xenakis, alban berg, igor stravinksy, gustav mahler, js bach, you know, all the cats. Also performed Koussevitsky's Concerto for Double Bass with the HSO.

1992: first Mr. Bungle record released on Warner Bros. Moved to SF and two months later embarked on the first MB tour of the US. At the age of 24 I was one of the oldest people in the van. For the next eight years played lots of weddings and restaurants between tours with MB. Learned a lot about music playing with Connah, Goldberg, Schott, Kavee, Amendola, Greenlief, et al.

2000: relocated to Brooklyn, NYC.

Currently playing in various projects under the direction of John Zorn (Nova Quartet, Dreamers, Electric Masada, Aleph Trio). The Nels Cline Singers, Curtis Hasselbring's New Mellow Edwards, Melvins Lite, Endangered Blood, Tomahawk, The Darius Jones Quartet & Erik Friedlander's Bonebridge. I still have plans for my own bands: trio-convulsant, PROOF Readers and MadLove; and I continue to write music for independent films, practice long tones, pine over Daisy Lowe and drink shitty beer in heavy metal saloons."

-Trevor Dunn Website (http://www.trevordunn.net/biography.html)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Marc Ribot (pronounced REE-bow) was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. After moving to New York City in 1978, Ribot was a member of the soul/punk Realtones, and from 1984 - 1989, of John Lurie's Lounge Lizards. Between 1979 and 1985, Ribot also worked as a side musician with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others.

Rolling Stone points out that "Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985's "Rain Dogs", and since then he's become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp." Additional recording credits include Soloman Burke, Neko Case, Diana Krall, Beth Orton, Marianne Faithful, Arto Lindsay, Caetano Veloso, Laurie Anderson, Susana Baca, McCoy Tyner, The Jazz Passengers, Medeski, Martin & Wood, Cibo Matto, Jamaaladeen Tacuma, James Carter, Vinicio Capposella (Italy), Auktyon (Russia), Vinicius Cantuaria, Sierra Maestra (Cuba), Alain Bashung (France), Marisa Monte, Allen Ginsburg, Madeleine Peyroux, Sam Phillips, and more recently Joe Henry, Allen Toussaint, Norah Jones, Akiko Yano, The Black Keys, Jeff Bridges, Jolie Holland, Elton John/Leon Russell and many others. Ribot frequently collaborates with producer T Bone Burnett, most notably on Alison Krauss and Robert Plant's Grammy Award winning "Raising Sand" and regularly works with composer John Zorn.

Marc has released over 20 albums under his own name over a 35-year career, exploring everything from the pioneering jazz of Albert Ayler with his group "Spiritual Unity" (Pi Recordings), to the Cuban son of Arsenio Rodríguez with two critically acclaimed releases on Atlantic Records under "Marc Ribot Y Los Cubanos Postizos". His avant power trio/post-rock band, Marc Ribot's Ceramic Dog (Pi Recordings), continues the lineage of his earlier experimental no-wave/punk/noise groups Rootless Cosmopolitans (Island Antilles) and Shrek (Tzadik). Marc's solo recordings include "Marc Ribot Plays The Complete Works of Frantz Casseus" (Les Disques Du Crepuscule), "John Zorn's The Book of Heads" (Tzadik), "Don't Blame Me" (DIW), "Saints" (Atlantic), "Exercises in Futility" (Tzadik), and his latest "Silent Movies" released in 2010 on Pi Recordings was described as a "down-in-mouth-near master piece" by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board. 2013 saw the release of "Your Turn" (Northern Spy), the sophomore effort from Ribot's post-rock/noise trio Ceramic Dog, and 2014 saw the monumental release: "Marc Ribot Trio Live at the Village Vanguard" (Pi Recordings), documenting Marc's first headline and the return of Henry Grimes at the historical venue in 2012 already included on Best of 2014 lists including Downbeat Magazine and NPR's 50 Favorites.

Marc has performed on scores such as "The Kids Are All Right," "Where the Wild Things Are," "Walk The Line (Mangold)," "Everything is Illuminated," and "The Departed" (Scorcese)." Marc has also composed original scores including the French film Gare du Nord (Simon), the PBS documentary "Revolucion: Cinco Miradas," the film "Drunkboat," starring John Malkovich and John Goodman, a documentary film by Greg Feldman titled "Joe Schmoe," a feature film by director Joe Brewster titled "The Killing Zone", and dance pieces "In as Much as Life is Borrowed", by famed Belgian choreographer, Wim Vandekeybus, and Yoshiko Chuma's "Altogether Different". Marc is also currently touring his live solo guitar score to Charlie Chaplin's "The Kid", which was commissioned by the NY Guitar Festival and premiered Jan 2010 at Merkin Hall, as well as a program of new arrangements of classic Film Noir scores commissioned by the New School Noir Arts Festival 2011.

In 2009, Marc was named curator and musical director for the year's Century of Song Festival, part of the Ruhr Triennale in Germany. The concert series sparked new collaborations with Iggy Pop, Marianne Faithfull, David Hidalgo of Los Lobos, master cajón player Juan Medrano Cotito, Carla Bozulich and Tine Kindermann.

Marc's talents have also been showcased with a full symphony orchestra. Composer Stewart Wallace wrote a guitar concerto with orchestra specifically for Marc. The piece was premiered by the National Symphony Orchestra in Washington DC in July of 2004 and also appeared at The Cabrillo Festival in Santa Cruz, CA in August of 2005.

Marc is currently touring with several projects including the Marc Ribot Trio, a free jazz group featuring legendary bassist Henry Grimes and Chad Taylor on drums, his power trio Ceramic Dog with bassist Shahzad Ismaily and drummer Ches Smith, the Philly soul meets the harmolodics of Ornette Coleman's The Young Philadelphians with Jamaaladeen Tacuma and Calvin Weston, and with Caged Funk, a project of funk arrangements of John Cage's music featuring Bernie Worrell of Parliament Funkadelic fame."

-Marc Ribot Website (http://marcribot.com/bio)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jamie Saft (piano, organs, analog synthesis, bass and guitar, steel guitars) is a native of Queens, New York. Since returning to New York in 1993, Saft's stylistic versatility, multi-instrumentalist capabilities, and production skills have been featured with the Beastie Boys, Bad Brains, the B-52's, Laurie Anderson, Bobby Previte, John Zorn, Dave Douglas, Jerry Granelli, Holly Palmer, Marc Ribot's Los Cubanos Postisos, Elysian Fields, Black Beatle, Antony and the Johnsons, Chocolate Genius, JoJo Mayer's Nerve, E-Z Pour Spout, Cuong Vu, Chris Speed Trio Iffy, Jane Ira Bloom, and the Groove Collective.

Saft is a mainstay of the downtown scene and a member of bands such as The Beta Popes, Whoopie Pie, Swami LatePlate, The Shakers and Bakers, Kalashnikov, Pramrod Sexena, and John Zorn's Electric Masada.

Saft was the pianist for the New York and Paris premiers of John Adams' opera "I Was Looking at the Ceiling and then I Saw the Sky" at Lincoln Center and MC93 Bobingy.

Saft has recently composed a number of original film scores and music fortelevision. Recent films scored include the Oscar nominated film"Murderball", Sundance Grand Jury Prize winner "God Grew Tired Of Us",and currently airing HBO documentary "Dear Talula". Saft has alsocontributed score music for Nickelodeon, MTV, and A&E.."

-Jamie Saft Website (http://www.jamiesaft.com/html/bio.html)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kenny Wollesen (born 1966) is an American drummer and percussionist.

Wollesen lives in New York City. He has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups. He also performs on the soundtrack to the popular children's show The Backyardigans.

Kenny grew up in Capitola, CA, studying at Aptos HS and spent many teenage years jamming with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. Kenny also arranges and studied vibraphone at Cabrillo."

-Wikipedia (https://en.wikipedia.org/wiki/Kenny_Wollesen)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Magic Carpet Ride 7:36

2. Gormenghast 8:29

SIDE B



1. Queen Of Ilium 5:19

2. Once Upon A Time 5:13

3. Flight From Salem 4:20

4. Pellucidar 3:35

SIDE C



1. Atlantis 4:59

2. A Perfume From Cleopolis 6:09

3. Jewels Of Opar 6:10
sample the album:








descriptions, reviews, &c.

"Composer John Zorn has been so busy with various projects lately that it's easy to forget that his Dreamers ensemble hasn't been active lately. They were certainly off to a stupendous start with their 2008 eponymous album. O'o sprung up the following year and their momentum, at least temporarily, seemed set. Their following release was part of Zorn's Masada Book Two series, Book of Angels, playing music that, while composed by Zorn, was not composed with that ensemble in mind. Then in 2011 they dropped a Christmas album, which I initially thought was a gag. Nope, it turns out that Jewish musician and composer John Zorn is highly serious about Christmas music and wanted to make his own recording of "Winter Wonderland" along with a handful of Yuletide originals.

After that, Dreamers went silent. All of the band's members, guitarist Marc Ribot, keyboardist Jamie Saft, bassist Trevor Dunn, vibraphonist Kenny Wollesen, percussionist Cyro Baptista, and drummer Joey Barron, had plenty of other projects to keep them busy as Zorn threw himself many other artistic endeavors. Instead of blending surf with Latin rhythms and psychedelia for this unique sounding sextet, John Zorn focused his soft side back to mystical territory with the Gnostic Trio. After a four year pause, the Dreamers band is back together for Pellucidar: A Dreamers Fantabula. All of the usual Dreamers elements are in place. If you liked the albums Dreamers and O'o, then you will be satisfied with Pellucidar. You may not be blown away, but having another Dreamers release for our collective enjoyment is still unmistakably a good thing.

Pellucidar: A Dreamers Fantabula derives inspiration from literature, especially from the works of Edgar Rice Burroughs. Two song titles are named after fictional places created by the author, "Pellucidar" and "Jewels of Opar". Zorn also spritzes you with "A Perfume from Cleopolis", takes you on a dive to "Atlantic", and levitates you for a "Magic Carpet Ride" and a "Flight from Salem". There's even a "Gormenghast"! A trip to the library this is not, but you can't possibly expect an intention like that to be what's at stake here. This is John Zorn fastening his compositional knacks to literary places as his imagination sees fit. How they strike the listener isn't part of the equation. Zorn admitted in the documentary A Bookshelf on Top of the Sky that he does not think about his audience when composing music.

When I refer to Zorn's compositional knacks, I'm referring to his melodic and rhythmic tendencies. He's still fond of that steady, soft syncopation that punctuates so much of his work. His melodies continue to be active and use a wide range, but they never fail to dig their hooks in you. A tonal Zorn melody is something that will linger with you long after you've put one of his albums away. Jamie Saft, a musician who will try his hand at anything no matter how ugly or avant-garde it may be, plays the electric piano will all the might of Herbie Hancock providing keys for Miles Davis circa 1968. Marc Ribot's guitar provides the surf element to the Dreamers's sound. And although he may be the leader of the ever-aggressive Ceramic Dog, his playing is tightly wrapped to the rest of the ensemble's. Opener "Magic Carpet Ride" seems built to gently nudge the album into flight with Ribot producing ghostly tones over the groove, a trick he reprises on "Queen of Ilium" and "Flight from Salem". "Gormenghast" is his chance to get down and dirty, but he restrains himself for the sake of the Dreamers. Baron, who has certainly gone a more funky and boppy route with his own releases, teams up with Wollesen and Baptista to give an appropriately loungey vibe to Pellucidar.

The peculiar thing about Dreamers is that despite the stunning musical acumen of all involved, they aren't really what one would call a "musician's band". Their performances are impressive, but in a subtle way. There are no flights of fancy, just an atmosphere to drape over your senses. When a cozy blanket is covering you, you don't think about the individual fibers. And when you listen to a Dreamers album, you don't think about Trevor Dunn's time in Mr. Bungle. You think about how sweet life is and how having another Dreamers album is now a part of that sweet life."-John Garratt, Pop Matters


Get additional information at Pop Matters
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