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Petzold, Dietrich / Ernesto Rodrigues / Guilherme Rodrigues / Matthias Bauer: dis/con/sent (Creative Sources)

An album for bowed strings, bowed metal, and double bass, from the quartet of Dietrich Petzold on violin, viola, bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Matthias Bauer on double bass, presenting a seven part suite recorded in the studio in Berlin, active and exciting music that bridges classical technique with free improvisation.
 

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product information:


UPC: 5609063405637

Label: Creative Sources
Catalog ID: cs563
Squidco Product Code: 26710

Format: CD
Condition: New
Released: 2018
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Tonus Arcus Studio, in Zepernick, Germany, on May 8th, 2018, by Dietrich Petzold.


Personnel:

Dietrich Petzold-violin, viola, bowed metal

Ernesto Rodrigues-viola

Guilherme Rodrigues-cello

Matthias Bauer-double bass

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Artist Biographies:

"Dietrich Petzold (born January 8, 1954 in Eisenach0 is a German violinist, composer and audio book director.

Petzold grew up as a son of the church musician and composer Johannes Petzold in Eisenach and Weimar, where he completed a classical violin training from 1959 to 1970. Since 1975 he has been freelance as a violinist and violinist in various occupations, LP and CD productions, film and TV (including: Klaus Lenz -Big-Band, Uschi Brüning & Co., Stefan Diestelmann Folk Blues Band, Toto Blanke, Manialdi - Quartett, Zülfü Livaneli, Maria Farantouri, Mikis Theodorakis, Chris Jarrett, Zotos Kompania, Michael Griener, Wu Wei, Johannes Bauer, Butch Morris.

Since 1980, Dietrich Petzold has been composing for theater, film and television (including DEFA, Deutsches Theater Berlin, Landestheater Schwerin, Landestheater Greifswald / Stralsund, Kleist Theater Frankfurt, Hackesches Hoftheater, Neues Theaterhalle, Junges Theater Zürich, Staatstheater Cottbus, Hochschule For film and television "Konrad Wolf", Teatret Vart, Molde / Norway).

Since the founding of his "office for applied music " tonus arcus also developed music for radio plays and radio features (among others for DS culture, SWF, MDR, ORB, SFB, NDR, DR, ORF, Hörbuch-Verlag, RBB0, Jazz and chamber music productions (among others for Germany radio, Germany Radio Culture, RAI III, Radioropa, ZDF, Radio Toscana Classica). Dietrich Petzold lives in Berlin. He is chairman of the Kulturinitiative Förderband e. V. and has a daughter."

-Wikipedia (Translated by Google) (https://de.wikipedia.org/wiki/Dietrich_Petzold)
7/8/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
7/8/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
7/8/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matthias Bauer is a double bass player, improviser and composer who is mainly working in the field of improvised and new music.

He performed with many internationally renowned musicians of the free improviser scene and took part in various ensembles and festivals.A central concern is his own solo performance incorporating the voice.

His compositions aim to make a bridge between composition and improvisation.new music

He performed a large repertoire of solo compositions and is working with Berlin based new music ensembles unitedberlin, asian art, Junge Musik and mosaik.He is on several CD releases and performed at festivals like Maerzmusic Berlin, musicaviva München, Biennale Venedig, nuovaconsonanza Rom, musique on scene Lyon, Daegu Contemporary Music Festival, Wien Modern, Konfrontationen Nickelsdorf and Total Music Meeting."

-Matthias Bauer Website (https://www.bauerbass.de/)
7/8/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. dis/con/sent I 16:11

2. dis/con/sent II 3:57

3. dis/con/sent III 12:18

4. dis/con/sent IV 4:15

5. dis/con/sent V 12:48

6. dis/con/sent VI 3:31

7. dis/con/sent VII 10:44

sample the album:








descriptions, reviews, &c.

"[...] Beyond (perhaps subtly) novel combinations of instruments featuring bowed strings, Rodrigues also continues to explore more specifically traditional (& acoustic) formats, with another "string quartet" album already appearing: Dis/con/sent is also over an hour in length, this time in a suite of seven tracks (alternating long & short) recorded in Berlin in May by Dietrich Petzold (violin, viola, bowed metal), again with Ernesto & Guilherme Rodrigues, now joined by Matthias Bauer (who was new to me, although he's previously appeared on Creative Sources) on bass. In Rodrigues's recent output, Dis/con/sent might thus be compared directly to Crane Cries (discussed here in April) by a "true" string quartet (i.e. with two violins, although Petzold once again changes instruments), or to Theia (discussed here in July) by what I've dubbed a "jazz string quartet" (i.e. bass instead of a second violin).

Dis/con/sent is rather different in tone from either, an impressive & imposing release that's often quite aggressive, although slower or more mysterious around extended techniques at times too: Indeed, the "bowed metal" makes a jarring entry within moments, but is used judiciously from there. Dis/con/sent also employs a wide array of 20th century string quartet technique, including in its ensemble interactions, making it an improvised successor to some of the most dissonant - yet conventionally motivic - music in that format. (It might thus also be compared to the recent Ignis Fatuus, another string quartet discussed here in August, in that case doubling cello, and with more of a romantic or wry sensibility around Honsinger....)

Indeed, listeners who enjoy e.g. Bartok or Shostakovich might well enjoy Dis/con/sent, although it's that much more adventurous: It's highly contrapuntal, even as the counterpoint can be repetitive at times, extending continuity (per Eris), and even (perhaps) yielding to nostalgia by the end. (However, the fern cover art doesn't appear to be supported by the kinds of naturalistic evocations sometimes found on these string albums from Rodrigues....) Parts of Dis/con/sent end up being calming, but (perhaps as implied by the title) that's more internal to the suite of movements, rather than an overall result, which suggests something of an intentional symphonic form (presumably as spurred by Petzold) & shifting attitudinal dynamic. It makes for a weighty & sometimes almost intimidating album, difficult to hear as fully improvised.... [...]"-Todd McComb's Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts
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Free Improvisation
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