After their album "Autumn Songs" the Dutch improvising duo of Ab Baars on tenor sax, clarinet and shakuhachi and Ig Henneman on viola, celebrate the music of spring in "Canzoni di Primavera" (Songs of Spring) in 10 vivacious works blending free jazz and chamber music, with subtle use of timbre, dissonance and melody in pieces inspired by poets, composers and artists.
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Catalog ID: 28
Squidco Product Code: 25669
Packaging: Cardboard Gatefold
Recorded at Studio Helmbreker, im Haarlem, Holland, on December 12th, 2017, by Micha de Kanter.
Ab Baars-tenor saxophone, clarinet, shakuhachi
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1. Reveil 3:20
2. The Trees 5:44
3. Verwoed de Woede 4:03
4. Hugels Hang 5:30
5. A Light exists in Spring 3:21
6. With dewy locks 2:46
7. That magical frontier 6:45
8. Turmuhr 4:45
9. No rou-cou 3:40
10. Zijdezwart 6:49
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sample the album:
"All pieces consist of composed themes that form the outset for improvisations. There is nothing exceptional in this by itself, but the way both musicians expand on the theme, and the way the other musician then takes this expansion as a basis for further exploration, is exceptional. Even more so, because they are not afraid to use dissonance as a key ingredient of their sound."-Stef Gijssels
Réveil: inspired by Erik Menkveld -Réveil des oiseaux (Messiaen)
• Show Bio for Ab Baars
"Ab Baars (Magrette, 1955): Dutch musician-composer and bandleader Ab Baars performs on tenor saxophone, clarinet and shakuhachi. He focuses mainly on Ab Baars Solo, Baars-Buis, Fish Scale Sunrise, Perch Hen Brock & Rain, Ab Baars Trio, Duo Baars-Henneman and the ICP Orchestra.
In reviews Baars' music has been characterized as joyfully obstinate, but surely appealing and as colourful as it is astonishing. It embodies the best typically Dutch improvised music has to offer. Although he seldomly uses recognizable song forms or ongoing swing rhythms, the music stays catchy, because it is stripped to the essence and clearly presented.
Ab Baars has been internationally acclaimed for both his solo and ensemble music performed in hundreds of concerts throughout Europe, North America, Brasil, Japan and Australia in the past 30 years.Some highlights:
▪ Ab Baars Trio tour Netherlands (2013 - 2014) recorded on Slate Blue (Wig 24, 2014)
▪ Duo Baars-Henneman Autumn Songs USA Tour (2012) recorded on Autumn Songs (Wig 22, 2013)
▪ Ab Baars Trio & New York Guests Fay Victor, Vincent Chancey and Dutch poet Anneke Brassinga in Invisible Blow (2011) recorded on Invisible Blow (Wig 23, 2014)
▪ Ab Baars Trio & Ken Vandermark (2007 and 2009), recorded on Goofy June Bug (Wig 15, 2008)
▪ Kinda Dukish. The music of Duke Ellington (2004), recorded on Kinda Dukish (Wig 12, 2005)
▪ Ab Baars Trio plays music of Native Americans (1999), recorded on Songs (Geestgronden, 2001)
▪ Ab Baars Trio with trombonist Roswell Rudd (1996 & 98), recorded on Four (DATA Records, 2001)
▪ Ab Baars Trio plays the music of John Carter, recorded on A Free Step (Geestgronden, 1999)
▪ Ab Baars Trio in collaboration with the Nieuw Ensemble, shakuhachi player Yoshikazu Iwamoto and conductor Butch Morris at the Festival Improvisations/Improvisations (1996)
▪ Ab Baars Trio with soprano saxophonist Steve Lacy (1995)
Influenced by the American saxophonist Roscoe Mitchell, whom he worked with in 1986, and by his participation in the Monk Project (performed by the Instant Composers Pool, directed by Misha Mengelberg), Baars adopted a very personal style, or 'ab music' as Misha Mengelberg calls it.
At the age of 15, Ab Baars began playing the saxophone in the Philips Marching Band and other local bands in the city of Eindhoven in the Netherlands. From 1976 to 1981, he studied saxophone with Leo van Oostrom at the Rotterdam Conservatory of Music. He was granted a scholarship by the Dutch Ministry of Culture in 1989 to study with clarinettist-composer John Carter in Los Angeles. That same year Baars was presented with the prestigious Boy Edgar Award. In 2005, Baars set out playing the shakuhachi (a Japanese end-blown bamboo flute) and took lessons with Kees Kort, Christopher Blasdel and Takeo Yamashiro.
So far, Ab Baars has worked with improvisers such as Han Bennink, Jaap Blonk, Alberto Braida, Anthony Braxton, John Carter, The Ex, Cor Fuhler, Ben Goldberg, Tristan Honsinger, François Houle, George Lewis, Michael Moore, Sunny Murray, Sonic Youth, Fabrizio Spera, Cecil Taylor, Roger Turner, Ken Vandermark, Veryan Weston, Wolter Wierbos, Michiyo Yagi, poets H.C. ten Berge and Diane Régimbald, dancers Beppie Blankert, Hisako Horikawa, Masako Noguchi and Katie Duck's Magpie Company."-Wig (http://stichtingwig.com/abBaars/AbBaars.html)
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• Show Bio for Ig Henneman
"Dutch musician-composer and bandleader Ig Henneman performs on viola, and writes compositions for orchestras, ensembles, soloists, including pieces for film and theater. As an improviser, she mainly focuses on the Ig Henneman Sextet, Duo Baars-Henneman and Perch Hen Brock & Rain.
According to critic Ed Hazell "... an artist incapable of remaining satisfied with any music that lies strictly within the boundaries of any one style. Her working free of received wisdom to an individual voice and clarity of vision is the exhilarating story told by the discs. (...) it's a beautiful, functioning musical world all it's own that Henneman developed organically out of poetry, jazz, classical, improvised music-and birdsong. (...) Melodies were entirely her own, again blending an ancient and modern sensibility similar to the Tentet recording and using rhythm and nonstandard intervals to shape and color them. (...) Not that she doesn't have chops, but she seems determined to subvert classical notions of instrumental prowess in favor of a deliberately simple approach with more emphasis on timbre and more directly expressive (perhaps this is a legacy of her rock experience?) (...) Here the deliberately awkward rhythms, the dry textures and subdued colors of her playing, the concentration of thought and her ability to pare down to essentials take on an intense vulnerability and humanity.(...) It is sound discovered and organized with no preconceived notions and it is both incredibly touching and intellectually thrilling at the same time."
As of 1985, Ig Henneman leads her own groups, showcasing improvisers as well as her own compositions, in hundreds of concerts throughout Europe, North America, Brasil and Japan.Some highlights:
• in her series 'Solo Songs for Instruments' Henneman wrote In the Storm of Roses -Solo Song for violin with improvisation- for the German violinist Ayumi Paul, and for Dutch violinist Diamanda La Berge Dramm. And Ten Lines -Solo Song for viola with improvisation- for Elisabeth Smalt (2014-2015)
• European 2014 tour with Perch Hen Brock & Rain a totally improvised quartet featuring Ab Baars, Ig Henneman, Ingrid Laubrock and Tom Rainey
• Duo Baars-Henneman 'Autumn Songs' USA Tour (2012)
• Molot for marimba-solo played by Fredrike de Winter (2010, 2011)
• Ig Henneman Sextet plays 'Kindred Spirits' (2010), recorded on Cut a Caper (Wig 19, 2011)
• Chant for violin and piano played by Heleen Hulst and Gerard Bouwhuis (2010)
• Henneman, Henneman & De Swaan, Henneman String Quartet with harpist Godelieve Schrama (2004), recorded on Strepen - Music and Image in Concert (DVD and CD, Wig 10, 2004) Henneman String Quartet on Italian music (2001), recorded on Piazza Pia (Wig 07, 2002)
• Henneman String Quartet plays Westwerk (1997), a project on medieval music and architecture
• Ig Henneman Tentet plays 'De nachtegaal tijdens de slaap' (1995), recorded on Repeat that, repeat (Wig 03, 1995)
• Ig Henneman Tentet plays Emily Dickinson (1993), recorded on Dickinson (Wig 02, 1993)
Self-taught composer Ig Henneman received some years of coaching by Dutch composer Robert Heppener. Since the nineties the music of the Russian composers Galina Ustvolskaya en Sofia Gubaidulina has been an inspiration for Henneman, who is attracted by the extremes of the former's structural severity and the latter's improvisational freedom.
As a five year old, Ig Henneman took piano lessons; at eleven she began to play the violin as well. At the conservatory, she initially studied the piano, later she majored on the violin, but ultimately the viola became her instrument. Ig Henneman played in several symphony orchestras before co-founding the legendary rockband FC Gerania, which performed Henneman's first compositions. One of her early works is the soundtrack to the 1927 silent movie Baby Ryazanskye by Olga Preobrasjenskaja. Nowadays she is renowned for being one of the 'New Dutch Swing' improvisers of the Amsterdam scene as well as for being a prolific and much sought-after composer. She performs at venues and festivals in Europe, Japan and North America. Grants and commissions were given her by the Fonds voor de Scheppende Toonkunst, the Amsterdams Fonds voor de Kunst, the Fonds voor de Amateurkunst en de Podiumkunsten and the Dutch Ministry of Culture.
So far, Ig Henneman has worked with improvisers such as Ingrid Laubrock, Tom Rainey, Dave Burrell, Misha Mengelberg, Alberto Braida, Han Buhrs, Axel Doerner, Martin van Duynhoven, Katrien Ex, Lori Freedman, Mark Helias, Tristan Honsinger, François Houle, Wilbert de Joode, Theo Jörgensmann, Takuji Kawai, Peggy Lee, Marilyn Lerner, Sabina Meyer, Michael Moore, Phil Minton, Ernst Reijseger, Roswell Rudd, Fabrizio Spera, Roger Turner, Veryan Weston, Wolter Wierbos, dancers Hisako Horikawa and Masako Noguchi and poets Anneke Brassinga, H. C. ten Berge and Diane Régimbald."-Wig (http://stichtingwig.com/igHenneman/igHenneman.html)
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