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Plimley, Paul Trio: Safe-Crackers (Les Disques Victo)

"Vancouver pianist Paul Plimley and his comrades, bassist Lisle Ellis and drummer Scott Amendola, have issued a tough little gem of a recording in Safe-Crackers. Plimley's pianism ranges in voice from fierce avant-garde improvisation to...
 

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product information:


UPC: 777405006622

Label: Les Disques Victo
Catalog ID: CD 066
Squidco Product Code: 24067

Format: CD
Condition: New
Released: 1999
Country: Canada
Packaging: Jewel Case

Personnel:

Paul Plimley-piano

Lisle Ellis-doublebass

Scott Amendola-drums

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track listing:


1. Fishing For Bobby's Treasure Chess 6:21

2. Basquiat Ball 2:25

3. Many People 7:52

4. Cookie's Coffee 5:00

5. Shards Of Surmountability 7:05

6. Safe-Crackers 7:50

7. We Got Noh Rhythm 2:00

8. Here's What Happened 6:42

9. An Exhilaration Of Larks, And Their Discovery Of Fire 4:33

10. After Boulez, A Doorbell With Perfect Pitch 1:12

11. Teleparallelogram 4:44

12. Of Man In Rach 4:26

13. Snowfall 4:56
Related Categories of Interest:

May 2017
Victo
Improvised Music

descriptions, reviews, &c.

"Vancouver pianist Paul Plimley and his comrades, bassist Lisle Ellis and drummer Scott Amendola, have issued a tough little gem of a recording in Safe-Crackers. Plimley's pianism ranges in voice from fierce avant-garde improvisation to the modal melodic freedom pioneered by Ornette Coleman to neo-classicism's great jazz proponents like George Shearing to the open tonal architectures first sung by his mentor and fellow Canadian, Paul Bley; he has never allowed himself to be pinned stylistically or improvisationally to any one format. Safe-Crackers is a wonderfully diverse album that offers advanced studies in jazz counterpoint: ("Many People" and "Safe-Crackers"), expansive modal tone poems ("Shards of Surmountability"), vanguard microtonal improvisation, and humor ("After Boulez, a Doorbell With a Perfect Pitch" and "We Got Noh Rhythm"), and inspired renderings of jazz classics (Shearing's "Snowfall" played from memory, not a chart), and virtually everything in between, fromblowing to whispering. The easy, fluid rapport between all three members of this trio is remarkably seamless and easy -- particularly since Amendola has been with the group for only a short time. Ellis seems to know exactly where Plimley wants to go and Amendola assures them both that it's possible. Indeed, in advanced-harmonic studies like "Teleparallelogram," Plimley sets out from C (augmented seventh) and moves through all the notes between there and E flat, creating new scalar models in interval, and Ellis calls up the root chords from each mode and places them rhythmically at Amendola's feet -- it's not supposed to happen like that -- who in turn offers sharp or rounded accents on the one or three depending on the dynamics created by Plimley, and there it comes round again. Perhaps the greatest achievement of this album is its absolute lack of tension no matter how hard the blowing gets: everything comes off free and easy, whether it's a chromatic series of advanced arpeggiosbeing underlined by snare and an upper-register pizzicato bassline, or a slow, shivering set of chords, brushed lightly by a harmonic counterpoint before being whispered in rhythm; all are treated with the same ease and generosity, giving the music itself the absolute maximum space to make itself heard. A wonderful introduction to Plimley's original voice and compositional frame for newcomers; and an essential listen for fans."-Thom Jurek, All Music


Artist Biographies:

"Scott Amendola (born February 6, 1969) is an American drummer from the San Francisco Bay Area. His styles include jazz, blues, groove, rock and new music. He is considered central to the Bay Area music scene.

Amendola was originally from New Jersey and studied at Berklee School of Music in Boston. After relocating to the San Francisco Bay Area he came to popularity in the 1990s as a member of T.J. Kirk with Charlie Hunter, Will Bernard and John Schott. Their second album received a Grammy Award nomination. He has led his own bands and trios which have included Nels Cline, Jenny Scheinman, Jeff Parker and John Shifflett as well as Ben Goldberg and Devin Hoff. Often favoring guitarists he has toured with Bill Frisell and Kelly Joe Phelps and recorded with Pat Martino, Jim Campilongo, G.E. Stinson, Nels Cline and Tony Furtado. He is an original member of the Larry Ochs Sax & Drumming Core. He has been a session percussionist for Noe Venable, Carla Bozulich and Odessa Chen.

In 2011 Amendola will have his new orchestral work performed in conjunction with the Oakland East Bay Symphony as one the symphony's New Visions/New Vistas premieres. Amendola will be joined by Nels Cline and Trevor Dunn."

-Wikipedia (https://en.wikipedia.org/wiki/Scott_Amendola)
10/11/2017

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